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Artwork, other (1304)
Ceramic (767)
Decorative object (722)
Drawing (4625)
Mixed media (536)
Painting (2489)
Print (1671)
Sculpture (406)
Textile (1402)
Work on paper (2106)
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Ringwood RSL Sub-Branch
Work on paper - Japanese booklets
Japanese booklets -
Australian Lace Guild - Victorian Branch
Textile - Knitted lace
Use: Domestic. FashionLeft hand fingerless mitten -
Hawthorn Historical Society
Drawing - Property Illustration, 119 Auburn Road, Hawthorn, 2000
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 119 Auburn Road, Hawthorn by Margaret Picken.119 Auburn Rd, Hawthorn, Margaret Picken c2000. Gorman & Kelly Commercialartist - margaret picken 1950- -
Glenelg Shire Council Cultural Collection
Painting, Irene Hill, Beach at Dutton Way, 1967
CEMA Art CollectionThe painting depicts the shoreline of a beach with green foliage in the background. Various shades of sand make up the foreground, with a black object in the centre edge of the foreground. To the right of the sand is the blue ocean with the white wash of a broken wave seperating the sand from the water. The background features foliage in various shades of green which meets a blue/purple sky. The work has a painted white wooden frame with material mount and exposed canvas.Front: I.G. HILL 1967 (black painted, lower right corner) Back: White chalk:- ARTIST (underlined) MISS I.G.HILL 42 BOWEN ST. CAMBERWELL(underlined) Price $63 IRENE HILL "BEACH AT DUTTON WAY" (1967) (typed label) Yellow Sticker: 1967 -cema, portland artists society -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1 Radnor Street, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'Memories' by Graeme Drendel
Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. graeme drendel, printmaking -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 85 Bowen Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Latrobe Regional Gallery
Work on paper, DURRE, Caroline b. 1955, Untitled, 1990
Coloured pencil drawing on paperSigned and dated lower left corner in image "Caroline Durre' 90" -
Darebin Art Collection
Painting - Patrick Francis, Patrick Francis, Italian Woman (after Vincent Van Gogh), 2014
painting -
Australian Lace Guild - Victorian Branch
Textile - Mechlin lace, 1840-1860
Use: Domestic. FashionBobbin lace shawl -
Castlemaine Art Museum
Painting, Ismir Clarke, Bush Slaughter House, Yapeen, 1858
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Gippsland Art Gallery
Painting, Jennings, Mavis, Serenity, c.1970s
Donated by the artist, 1976Gouache on papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Portrait, Graeme Drendel, Vice Chancellor Helen Bartlett, 2020
Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An academic portrait of Federation University Australia Vice Chancellor Helen Bartlett.academic portrait, helen bartlett, graeme drendel, portrait, vice chancellor, academic regalia -
City of Greater Geelong
Painting - Tempera, Robert Ingpen, Geelong Character Mural, c.1960
Robert Ingpen, illustrator, designer, writer and consultant, was born in Geelong in 1936. He was educated in Geelong before studying art and illustration under Harold Freedman at the Royal Melbourne Institute of Technology, 1955-58. Early in his career he specialised in relating design to scientific research, and this included work as a graphic design artist for the CSIRO, 1958-67, commissions for designing pamphlets on fisheries for the United Nations in Mexico and Peru, and involvement in a number of Australian conservation and environmental projects. He launched into freelance work in 1968. Ingpen's work has focused on environmental and heritage issues and his exploration of fantasy and imagination. He is best known as an illustrator, and as an author of children's books, and historical books and pamphlets for adults. He has painted murals on public buildings, designed the flag and coat of arms for the Northern Territory, and designed postage stamps, including stamps for the Captain Cook Bicentenary and the 50th anniversary of CSIRO. He has been involved in a number of conservation and environmental projects, including the establishment of the Swan Hill Pioneer Settlement as consultant/designer. He was one of the founders of the Australian Conservation Foundation. Ingpen rose to prominence with his illustrations for Colin Thiele's classic children's story Storm Boy, winning for him the first Visual Arts Board award for children's book illustration. He won the international Hans Christian Anderson Medal for children's literature in 1986, and the Dromkeen Medal in 1989.Robert Ingpen, celebrated Geelong artist, was commissioned to paint a mural to be located above the entrance of the new west wing. The mural was designed to represent the objects and systems that characterise Geelong and its district and that played a major role in the city’s growth and development. The three systems comprise: the natural (producing) system; the man-made or technological system, and the natural (trading) system.ingpen, mural, city hall geelong, james harrison -
Ballarat Heritage Services
Work on paper - Etching, Sydney Long, 'Tower Bridge' by Edgar James Maybery, c1935, c1935
Edgar James MAYBERY (1887-1966) Best known for her etchings. Etchingsydney long, etching, tower, architecture -
Moorabbin Air Museum
Drawing (Item) - RAAF Dassault Mirage IIIO colour & markings, Mirage Colour/Markings
RAAF -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 24 Orange Grove, Camberwell, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Military Museum
Painting - PRINT NAVY, FRAMED, c.1939 - 1945
White, light timber frame with glass front. Rectangular coloured print of HMAS Corvette - Bendigo. “HMA Corvette Bendigo For Captain S G Griffith Griffo - from the boys of the Bendigo”illustrations - prints, trades - carpentery, hmas bendigo -
Mont De Lancey
Textile - Tablecloth
Donated by Mrs. Adamson in early 1900.White linen rectangular tablecloth, heavily embroidered in white. Edge has open weave with machine crocheted lace. Has floral round embroidered centre piece. tablecloth -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 33 Sycamore Street, Camberwell, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Hollyburton, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. ‘Hollyburton’ was built in 1908 by the Honourable JV Fairbairn MHR and is notable for its Australian-style arts and crafts detailing. Located on Fernhill Road, Sandringham, it covered 930 square metres and included a servants’ wing.Annette Meikle, Hollyburton 1977, ink and watercolour, 25.8 x 35.6 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, hollyburton, honourable jv fairbairn mhr, arts and crafts, architecture, historic house, fernhill road, sandringham -
Australian Lace Guild - Victorian Branch
Textile - Machine lace
Use: DomesticMachine lace motif -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 27 Derby Street, Camberwell, 1996
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Wonga Park Community Cottage History Group
Work on paper - Minutes, Wonga Park & District Residents' Association Minutes of Meeting 6 July 1992
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Wangaratta Art Gallery
Painting, Con Carter, Falls Creek, c. 1974
Rural City of Wangaratta Collection, Wangaratta Art Prize 1974.A snowscape painted in oil using tones of white, brown, blue, and yellow.Obverse: Con Carter/ (bottom left corner)wangaratta art gallery, con carter, landscape, snow, painting -
Geelong Gallery
Painting - Untitled, MCKENZIE, Queenie, 1994
Earth pigments and natural binder on canvas -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Simon Grant: Part 5 of the Explorers, David Douglas in the Land of Giants, Published 1998
David Douglas (1799-1834) journeyed to the Pacific North-West as well as to other parts of the New World looking for new species of plants. The Royal Horticultural Society of London hoped to introduce new and exciting plants to its gardens.After Douglas's explorations in the New World, hundreds of new species became available. As a result flower beds and theme gardens with new exotic specimens and aboreta became fashionable. This information gives some perspective on the planning and development of the Ballarat Botanical Gardens.2 pages of print in columns. There is a black and white photograph of David Douglas halfway down the page on the lefthand side of p.1. On p.2 there is a black and white photograph of the Douglas Fir on the lefthand side of the page and lower down a photograph of Lupinus polyphyllus.none.john garner, doctor john garner, ballarat botanic gardens, friends of ballarat botanical gardens, david douglas, royal horticultural society, kew gardens, douglas fir, sitka spruce, radiata pine, john claudius loudon, joseph banks, john garner collection, gardens, ballarat -
National Wool Museum
Textile - Quilt, Ms Shirley Critchley, Unpicked Jumper Wagga, c.1960
This quilt was created by Ms Shirley Critchley, c.1960. it was made in a wagga style from unpicked knitted jumpers that Shirley would repurpose. Some of these jumpers were from her daughters out growing their garments, while others were from jumpers Shirley would find at opportunity stores. One of Shirley’s daughters, Jane McGrath, followed in her mother’s footsteps and begun quilting with Shirley’s guidance. One of Jane’s first quilts, the “Tartan Fabric Sample Quilt” is located within the National Wool Museum’s collection (REG 8282). Multicoloured wagga style quilt. The quilt’s top layer is made from unpicked knitted woollen jumpers. These jumpers are in a variety of colours including yellow, blue, green, and red. Some blocks are a single colour, while others have been knitted with a different secondary colour such as grey or white to give noise. The quilt has an unknown insulating fabric. It shares its backing fabric with the material used to bind the edges together. This material is a woollen blanket in a tartan pattern of a blue background with green and red lines. The quilt is sized to suit a single bed. quilts, wagga, upcycle, shirley critchley/jane mcgrath collection, woollen jumpers -
Wangaratta Art Gallery
Painting, Do Noble, Autumn Lovers, c. 2004
Rural City of Wangaratta Collection, Wangaratta Art Show 2004.A landscape scene of an elderly couple walking through a park in Autumn painted in a post-impressionist style.Obverse: DO NOBLE/ (bottom right corner) 2004 Art Show/ - Grand Winner - / 'Autumn Lovers' - By Do Noble/ Judge Ramon Horsfield/ (plaque on mounting board)wangaratta art gallery, do noble, painting, autumn, landscape -
Wonga Park Community Cottage History Group
Work on paper - Plan, Proposed Concept Plan for Development of Wonga Park