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Federation University Art Collection
Painting - Oil on board, Robinson, John Braisted, 'Beaumaris' by John Braisted Robinson, 1929
John B. ROBINSON (c1877 -25 May1935) Born Ballarat, Victoria A latecomer to painting, John Robinson was known to periodically attend the Max Meldrum School. He joined the administrative staff of the Ballarat School of Mines somewhere around 1902, obtaining the position of Registrar. He stayed in the Schools employment for 35 years. His chief recreations were gardening and the study of art. "His many canvases reveal the sincerity of his work and represent a notable achievement from one who adopted art somewhat late in life. (Obituary, Ballarat School of Mines Students' Magazine, 1935) Robinson studied with Max Meldrum in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting showing the coast and three boathouses.Verso underneath brown paper No 11 Beaumaris Artists Signation J.B. Robinsonart, artwork, john braisted robinson, beaumaris, seascape, max meldrum school, available -
Swan Hill Regional Art Gallery
Painting, BASTIN, Henri, Opal field, 1967
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Swan Hill Regional Art Gallery
Painting, NICHOLLS, Ralph, Water holes and swirling water (Murrumburrah Warilla), 1995-96
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Wangaratta Art Gallery
Painting, Lorna Chick, Up Where The Eagles Nest, 1969
Lorna Chick was a local artist whose works depict farming and community landscapes, which reflected her main occupation of living and working on the family farm with her husband and two sons. Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork.naïve artRural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant coloursObverse: LORNA CHICK ©wangaratta art gallery, lorna chick, landscape, farming, eagles, north east victoria, painting -
National Vietnam Veterans Museum (NVVM)
Painting
An original coloured painting by C J V Cummings of a RAN ship D38 with a junk in the foreground. there are two large splashes of water. One behind the ship and one in front of the ship. Bottom left of the painting is the signature of the artist.painting, cerberus collection, ran -
Gippsland Art Gallery
Painting, Piggott, Owen, Costume Study, 1959
Donated from the estate of the artist, 2016Oil on boardgippsland, artwork, permanent collection -
Greensborough Historical Society
Mixed media - Audio Cassette and Program, Diamond Valley Choral Society, Shire of Diamond Valley Family Carols, performed by Diamond Valley Choral Society 1992, 06/12/1992
A recording of Shire of Diamond Valley Carols, December 1992. This performance is by the Diamond Valley Choral Society. A note included with the material mentions this is the 67th Carols, therefore 1992.1 audio cassette in clear plastic case, program and memo.Handwritten on cassette: "DV Festival of Carols 1990".christmas music, carols, shire of diamond valley -
Bendigo Historical Society Inc.
Painting - JOHN HALL COLLECTION: ST. MUNGO AND DEVONSHIRE GROUP OF MINES
Gold framed watercolour, cream mount board. Painting depicts the St. Mungo and Devonshire group of mines. Poppet heads, mine buildings and and chimneys in background, horse and wagon in foreground. Copy of newspaper article/photo (Bendigo Advertiser, no date) that this painting was copied from, is attached to the back of the frame.John Hall, Eaglehawkbendigo, mining, st. mungo and devonshire group -
Wangaratta Art Gallery
Painting, Wykeham Perry, Taylors Bay, Eildon, 1987
Rural City of Wangaratta Collection, Wangaratta Art Prize 1987.A landscape of a lake scene, painted using oils in a colour palette of green, blue, pink, brown, and grey.Obverse: Wykeham Perry 87/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1987/ (plaque mounted on frame)wangaratta art gallery, wykeham perry, landscape, painting, coastal -
Merri-bek City Council
Painting - Oil on canvas, Jarmila Hava, Armchair, 2000
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Queenscliffe Maritime Museum
Painting - SS Romolo, Dacre Smyth
The Romolo was built by Lloyd Triestino Soc.Anon.di Nav., reg. Genoa and on 15 June 1940 she was sunk by H.M.A.S. MANOORA near Cape York peninsular after the crew set fire & abandoned the ship.An oil painting of the SS Romolo in a timber frame.Romoloss romolo, hmas manoora, wwii -
Clunes Museum
Painting - SEASCAPE IN OILS
1 of a pair (see catalogue no. 170 Circular painting on brown painted mounting board, gold inner mount, brown printed frame with gold and black floral and leaf edging.Stamped on back "Prepared Students Academy Board Wincor & Newton 38 Rathdowne Place London W Sticker "38"seascape, oils -
Supreme Court of Victoria Library
Painting - Portrait, Sir William Irvine
This is a portrait of Sir William Irvine, not in his judical robes, but those of Lt Governor of the State of Victoria. Irvine was a member of the Victorian Legislative Assembly from 1894 to 1904, as well as Attorney-General , he was later Premier. Retiring from state politics after a particularly bruising encounter with the Railway Unions, he entered federal politics as the member for Flinders. He became Federal Attorney General in the period 1913-1914. During World War One Irvine campaigned strongly for the introduction of the complusory military service (conscription) until being elevated to the bench in 1918. With his appointment as Chief Justice, he became a lieutenant governor in 1919, and was acting Governor for the state of Victoria for a period of nearly 3 years in the early 1930s. The painting is of interest for its subject (Irvine) and the artist who painted it, 5 times Archibald winner Sir John Longstaff.3/4 length portrait in oils of Sir William Irvine. Irvine is standing his finger resting on the deak. He is in Vice-Regal clothing, a black suit with plenty of gold braid.Signed and dated 1934 upper right cornerirvine william, longstaff john -
Darebin Art Collection
Painting - Cesario, Cesario, Nafatin Iha Ita (Still With Us), 2009
east timor -
Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, Melanie Farrow, Yolanda Derakshan, 27 April 2006
Interview with Yolanda Darakshan, who migrated to Australia from Colombo in 1984. Interviewed by Melanie Farrow on 27 April 2006Interview with Yolanda Darakshan, who migrated to Australia from Colombo in 1984. Interviewed by Melanie Farrow on 27 April 2006.|Transcription see ND5709derakshan, yolanda, emigration, sri lankans in australia, oral history migration program -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - acrylic on canvas, Mike Green, Keefers, 1976
In the early 1900s, Melbourne builder Charles Keefer was hired by the Moorabbin Council to build the municipal baths at Beaumaris. In 1903, Keefer took over the Beaumaris Boat House and enlarged it to form Keefer's Boat Shed where day trippers and holiday makers could hire boats and venture out into the bay. Although rebuilt following the devastating storms in 1934, Keefer’s Boat Shed was completely destroyed by fire in 1984.Realismkeefer's, boatshed, bayside, coast, beaumaris, fence, water, bay, charles keefer, pier, mike green -
Swan Hill Regional Art Gallery
Painting, RÁCZ, Liz, Intercept, 2003
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Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape -
Gippsland Art Gallery
Painting, Shore, Arnold, Flowers (Hydrangeas), 1940
Donated by Malcolm Shore through the Australian Government Cultural Gifts Program, 2018Oil on canvasgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Eolo Paul Bottaro, Paul Eolo Bottaro, Under Merri Bridge, 2008
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Whittlesea Historical Society Inc.
Painting - Oil, by Paul Woodford, Craigie Lee at Yan Yean by Paul Woodford
The bluestone Craigie Lee homestead constructed c. 1860 was purchased by Thomas Hurrey in 1886 from James Bett. Bett had earlier purchased it from George Sherwin and Aeneas McPherson in 1868. The Hurrey Brothers, Craigie Lee Farm Dairy, was established 1893 and continued until 1952. The property remained in the hands of the Hurrey family until 1989. Craigie Lee is significant for its association with Sherwin, and the Hurrey family both prominent early pioneers of the Whittlesea District.Framed oil painting on board of Craigie Lee homestead at Yan YeanSigned in left bottom corner by artist Paul Woodforddairy farm, bluestone house, farming, yan yean, hurrey family, sherwin -
Mission to Seafarers Victoria
Painting, Dr Larisa (Lara) Bardsley, The Spirit at the Station, 2013
On a drizzly day, viewed from from the beach at Port Melbourne, the Spirit of Tasmania sits waiting for her cargo at Station Pier.Maritime ArtLarge black and white painting depicting the Spirit of Tasmania in Port Melbourne"Greyer than ..."anl maritime art prize, lara bardlsey, 2013, larisa bardsley, spirit of tasmania, port melbourne, station pier, artwork-paintings -
Castlemaine Art Museum
Painting, Elioth Gruner, In the Orchard, 1920
Gift of the artist, 1920 -
Swan Hill Regional Art Gallery
Mixed media, CONNELLY-NORTHEY, Lorraine, Dilly bag, 2004
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Gippsland Art Gallery
Painting, Johnston, Margaret, The Coming of Visitors, 1983
Purchased, 1983Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Rogers, Muriel, Untitled, 1974
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Painting, Charles BUSH, Clearing storm, Augusta, n.d
Gift of Mack Jost, 1988 -
Horsham Regional Art Gallery
Painting, Norman HOFMAIER, In the depths of the temple, 1989
Mack Jost Bequest, 2001oil on board -
Swan Hill Regional Art Gallery
Painting, GRAY, Sister Dorothy, Nymphea lake, botanical gardens, 1974
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Franz Korbler, Kuhbanan SAS Cobinan Marko Polos Trans, 1945 - 1947
Painting by Franz Korbler. Architect/artist, born Vienna Austria, arrested Teheran Persia September 12941. Interned Loveday Camp SA and Tatura Camp Victoria 1945-1947.Water colour of lane way with brick wall on right, trees and wall on left. Painting has a silver border and a cream mat. In a gold frame with glass.Kuhbanan SAS Cobinan Marko Polos Tran in gold underneath picture.franz korbler