Showing 4509 items matching art
Artwork, other (1231) Ceramic (748) Decorative object (667) Drawing (4562) Mixed media (487) Painting (2388) Print (1653) Sculpture (397) Textile (1237) Work on paper (2033)-
Australian Lace Guild - Victorian Branch
Textile - Torchon lace, 20th Century
Use: Domestic. household trimmingBobbin lace edging. Sample -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, J.W.Haymes, Early 1970's
This model was part of a panorama consisting of 11 pieces designed from drawings in 1892 Almanac from the Port Fairy Gazette. The Panorama was used in a historical display in the historical society rooms in Bank Street from the late 1970's to 1992 when the Historical Society moved to the Court House in Gipps Street Port FairyThis Panorama was part of an eleven piece Panorama of the Streetscape of Port Fairy in 1982. Made by a local resident.Small handmade model of a shop front from the 1892 almanac.J.W.Haymes. Watchmaker panorama, model, j w haymes, watchmaker, bank street -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Ramon Horsfield, Eildon landscape
ramon horsfield, rural, landscape, bush, gum, tree, eildon, lake, lake eildon, hill -
Queenscliffe Maritime Museum
Painting - Painting HMS Hood, HMS Hood at Port Phillip Heads 1924
HMS Hood visited Melbourne from Monday 17th March to Tuesday 25th March 1924, as flagship of the Special Service Battlecruiser Squadron, during an "Empire Cruise" around the world. For most of their stay in Melbourne, the five visiting warships were open to the public from 1.30 p.m. to 6.30 p.m. daily.Significant as last battlecruiser built by Britain and its visit to Port Phillip in 1924Framed painting of HMS Hood at Port Phillip Heads 1924In Memory of Peter Nall, 1954-2002 who loved Queenscliff and Point Lonsdalehms hood, watercolour, port phillip -
Bendigo Art Gallery
Painting, Julie YATJITJA, Iwantja Tjukitji (Iwantja Soakage), 2018
(verso) l.r; AK21298australian artist, first nations artist, female artist, abstract, cultural story, landscape -
Whitehorse Historical Society Inc.
Textile - Lace edging, C 19th Century
19th Century Reticella lace - probably Italian.White cotton Reticella needle lace edging. V-shaped pickets are on one end and along one edge. Centre design has leaf-shaped tallies and circle shapes.Nillace, italy, reticella, handmade -
Castlemaine Art Museum
Painting, Albert Hanson, River Scene, 1892
Gift of June Davies, 2004 -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, John Irvine, Mrs G.W. Cole, c. 1858
John Irvine, Mrs G.W. Cole c. 1858, oil on canvas on board, 110 x 90 cm. Bayside City Council Art and Heritage Collection.oil on canvas on boardmrs g. w. cole, george ward cole, st ninian's, portrait, female, john irvine, thomasina anne mccrae, thomasina cole, brighton -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp 4 Victoria, 19/12/1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour -
Castlemaine Art Museum
Painting, Frederick McCubbin, Golden Sunlight, c. 1914
Gift of Dame Nellie Melba, 1923 -
Latrobe Regional Gallery
Painting, Fifteen Views of Gippsland, 1978
Synthetic polymer paint on canvasNot signed. Not dated.gippsland, views, landscape -
Federation University Art Collection
Painting - Artwork - Painting, [Boost It] by Josh Muir, c2014
Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. iN 2014 Josh Muir was THE Australian Indigenous Mentoring Experience'S (AIMe) Program Manager Assistant at Federation University Australia in Ballarat.Australian Indigenous Mentoring Experience Z In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Signed lower right "jmuir"josh muir, artwork, artist, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Painting, Lyn Cooke, 'Rainforest Home' by Lynne Cooke
Lyn COOKE An artist specialising in wildlife, Lyn Cooke draws from the rich heritage of wildlife art in Australia beginning with the natural history illustrations of John William Lewin and John and Elizabeth Gould. Her aim is to accurately depict the natural environment and this is reflected in her highly detailed paintings. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a frog in landscape.Signed lrs 'L. Cooke'art, artwork, lyn cooke, frog, available, rainforest -
Darebin Art Collection
Painting - David McLeod, David McLeod, Submerged, 2012
streets -
Ararat Gallery TAMA
Textile, Melinda Harper, Untitled, 2010
-
Gippsland Art Gallery
Textile, Sale Community College, Storm, 1984
Donated by the artists, 1984Wool weavinggippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Painting, Sidney NOLAN, Wimmera, Mt Arapiles, 1942
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1984 -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, Margaret Baskerville, Bush track, 1919
oil on canvas on boardmargaret baskerville, landscape, bush, track, trees, cloud -
Castlemaine Art Museum
Painting, Tom Roberts, Reconciliation, c. 1887
Gift of the artist, 1930 -
Merri-bek City Council
Painting - Oil on canvas, Noel Counihan, Tête, 1969
Born in Melbourne in 1913, Noel Counihan was a social realist painter, printmaker and cartoonist, and a passionate social campaigner. The namesake of Merri-bek City Council’s Counihan Gallery, his experiences of unemployment and poverty during the 1930s, and his lifelong involvement in protest movements, inspired his powerful and prolific images of the working class. Donated by the De Fazio family -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Warren Curry, Low tide St. Helens, Tasmania, 1983
Warren W. Curry, Low tide St. Helens, Tasmania 1983, oil on board, 90.5 x 120.5 cm. st helens, tasmania, low tide, beach, coast, boat, clouds, warren curry -
The Beechworth Burke Museum
Textile - Banner, c1872
This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes -
Gippsland Art Gallery
Painting, Leslie, John, Sale Scene, c.1960s
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace : Torchon, Early 20th Century
Machine made lace imitating Torchon bobbin lace. Insertion - costume trimming -
Darebin Art Collection
Painting - Frank Harding, Frank Harding, Our Golden Years, 1975
landscape -
Darebin Art Collection
Sculpture - Yhonnie Scarce, Yhonnie Scarce, N0000, N2359, N2351, N2402, 2013
glass -
Gippsland Art Gallery
Painting, Schell, Frederic B. (after), Wilson's Promontory, c.1880s-90s
Acquired, 1997Oil on canvasgippsland, artwork, permanent collection -
Queenscliffe Maritime Museum
Painting - Water colour painting of The Lord Warden, The Lord Warden, 1917
Arthur V Gregory b.1867, d.1957 worked from studio at 326 Albert Road South Melbourne established by his father G F Gregory in 1852Water colour painting in wooden frameThe Lord Warden passing Cape Otway 1870 A.V. Gregory-17-lord warden, a.v. gregory, water colour -
Bendigo Art Gallery
Painting, Albert Chevallier Tayler, Gentlemen, "the Queen", 1894
Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94". -
Swan Hill Regional Art Gallery
Painting, STEER, Howard William, Tar and feathers wins, 1988