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Artwork, other (1263)
Ceramic (764)
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Mixed media (515)
Painting (2476)
Print (1657)
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Textile (1394)
Work on paper (2044)
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Glenelg Shire Council Cultural Collection
Painting, Agnes Goodsir, Cherry (aka "Portrait of a Lady"), 1924
Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.The painting is a portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it. -
Westbourne Grammar Heritage Collection
Textile - Strathmore Grammar Pennant, Circa 1960
The origin of this pennant is unknown. It is the only one of its kind in the heritage collection. A past student has suggested that it was possibly issued to students in the 1960s as a fundraiser.Navy blue triangular felt pennant with the school logo (yellow and white) and the word 'Strathmore' painted (possibly stencilled) on the front in yellow paint. -
Geelong Gallery
Painting - Gum trees in Flinders Ranges, HEYSEN, Hans, 1936
Watercolour over pencil -
Churchill Island Heritage Farm
Textile - Hall Runner, 'Manor House', c. July 2013
This rug was woven at the Geelong Wool Museum in an elephant print pattern developed in the 1920s. Part of a working exhibit, it was created on a Jacquard loom manufactured in Kidderminster, UK in 1910s, and assembled in Australia. From the pamphlet: This rug was designed by Brinton's Carpets, a company that produced carpets in Geelong until 2008. The design was produced exclusively for the National Wool Museum, and came from an earlier design housed in Brinton's UK Persian Rug Archive and was recoloured for the Australian market. This Rug was produced on a 1910-built Axminster Jacquard Carpet Loom, donated to the Museum by Brintons. It forms the centrepiece of the National Wool Museum, where visitors daily experience this extraordinary machine in operation. Using Jacquard technology which is over 200 years old, individual coloured yarns of 80% wool and 20% nylon blend are used to produce high quality and long lasting durability.'Manor House' Hall runner. Elephant print pattern.amess house, churchill island, geelong wool museum, hall runner, joseph jacquard -
Clunes Museum
Painting - OIL PAINTING, Miner's Shack, Clunes. Vic
Representation of miners living conditions during the gold rush from 1851Oil painting on chipboard with image of miner's shack with 2 x pamphlets stapled on back of paintingHandwritten in left hand corner of painting "Miner's Shack Clunes Vic" Handwritten in right hand corner "James Egan"james egan, artist, miners shack -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "The Industrious David Mitchell" - Sue Thompson
Digitised video (5.02GB). Duration: 65 minutes. Recorded June, 2018. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Sue Thompson is a well-known historian associated with Lilydale and Dame Nellie Melba and has held positions on the Lilydale & District Historical Society Committee and RHSV. Sue presents this talk about Melba's father, David Mitchell, who was born in Scotland in 1829. After completing a stonemasonry apprenticeship, he arrived in Melbourne in 1852. Rather than join the gold rushes, he set up business in Richmond as a building contractor. His first major contract was for the masonry for St. Patricks Cathedral in 1856, and from then on his busines thrived as Melbourne building boomed as a result of the gold. By 1878, Mitchell had established his estate near Lilydale and opened the limestone quarry. Introduction by Russ Haines, President, Ringwood and District Historical Society. -
Glenelg Shire Council Cultural Collection
Mixed media - Oral History Interview - Borthwick's, Ian Cook Interview - Borthwick's, c. 2014
DVD - unedited. Interview with Ian Cook. unedited interviews with former Borthwicks workers. These interviews appear in the DVD on Borthwicks, launched 5 DEC 2014. Interviews conducted by Gary Kerr and filmed by Noel Waugh.oral history, borthwicks employees, industry -
Gippsland Art Gallery
Painting, Lehmann, Sandy, Beneath the Arches, 1983
Purchased, 1983Oil on boardgippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Painting, Untitled (Eagle), 1990
Image of an eagle with head turned towards viewer. Eagle is depicted in brown and blue, with feathers detailed in white and yellow. Beak and around eyes are highlighted with pale blue and white. Background is abstract colouring in blue and pink. Mounted in cream matt in carved wooden frame, under glass.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)eagle -
Bendigo Historical Society Inc.
Painting - JOHN HALL COLLECTION: GOLDEN SQUARE MINES, 2013
Watercolour painting of Golden Square area, framed in gold timber frame with cream mount. Painting shows poppet heads and mining chimneys in foreground, housing in background. Pasted on back of frame is copy of print showing names of some of the mines. From left to right: Lazarus Mine, Lily Street; George Lansell's 222, Chum Street; New Chum Railway Mine (one of the deepest). Names presumably written by John Hall, artist.John Hallbendigo, mining, golden square -
Darebin Art Collection
Painting - Bill Coleman, Bill Coleman, Dissidents (Demonstration Outside Town Hall), c.1970
protest, demonstration -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, ca. 19th century
Artist is unknown. This maritime painting is unsigned and the artist is unknown. The ship in this painting is unidentified.Painting is an example of 19th century artwork. Painting, rectangular watercolour, mounted on card. Maritime pointing depicts a three-masted ship at sea, sails rigged, bow facing left, hull is black, white and red. Second sailing ship on right in background. flagstaff hill maritime museum & village, maritime museum, flagstaff hill, warrnamool, painting, 19th century, ship at sea, seascape, wall decoration, maritime painting -
Geelong Gallery
Painting - Near Melbourne - Station Peak and Anakie Youang, HODDLE, Robert, 1847
Watercolour -
Darebin Art Collection
Painting - Dorca Charles Sewell, Dorca Charles Sewell, Ships in Sail, c. 1970s
ships, marine studies -
Bendigo Historical Society Inc.
Painting - CAROL HOLSWORTH COLLECTION: 1970 NATIONAL BANK PAINTING 'UPPER SHAFT - PORT LINCOLN MINE 1848'
1970 NATIONAL BANK PAINTING REPRODUCTION Upper Shaft , Port Lincoln Mine 1848 possibly painted by W.A. Cawthorne 1848 Below the picture title the words - Reproduced by the National Bank in 1970 from the watercolour in the Mitchell Library , Sydney , by permission of the Trustees.The centre of the picture shows mine workings four or five men are shown in the picture the rest of the area is undevelopedpainting, watercolour, gold diggers -
Port Melbourne Historical & Preservation Society
Painting - PS Weeroona, PS Hygeia and PS Ozone
Large unsigned, framed painting of PS Weeroona, PS Hygeia and PS Ozone formerly owned by Captain Harry Gray. Glass fronted.piers and wharves - station pier, transport - shipping, arts and entertainment - visual arts, captain george henry (harry) gray, ps weeroona, ps hygeia, ps ozone, painting, bay cruisers -
Mission to Seafarers Victoria
Painting, Ib Odfeldt, MS Nella Dan 1961, 1995
A depiction of the MS Nella Dan an active primary vessel built in 1961 by the Aarlborg Shipyard PTY Ltd, and regularly chartered by the Australian National Antarctic Research Expeditions (ANARE) in the 20th C. The ship ran aground in December 1987 and unable to be salvaged, had to be scuttled in deep water off Macquarie Island. See link above, this record. The ship was named after Nel Law wife of the Director of the Antarctic Division, DR Phil Law. "Ib Odfeldt (b. 1944) is a self-taught painter and sculptor spending many years inspired by and interest in ships and marine art whilst working as an engineer in the Danish Merchant Navy. His paintings demonstrate a keen eye for technical accuracy and skill. The balance and setting of his works have attracted interest in many commissions by lovers of marine and shipping works. In 2002 Ib was awarded the Southern Ocean Maritime Art Prize and this acquisition of the Nella Dan is presented in the foyer of the Tasmanian Maritime Museum in Hobart." (The ASMA 2019 National Exhibition - Maritime Museum of Tasmania catalogue). According to the Artist, the painting was part of an exhibition he held at "Melbourne maritime museum " (Polly Woodside) to celebrate ANARE (ARTIC SHOW). He donated two paintings of the Nella Dan. This painting was sold to Mr. Jensen when the museum couldn't accomodate the paintings due to a lack of space. Mr Jensen may have donated to the Mission. Ib Odfledt has also entered the Maritime Art Prize several times. (2012)Maritime ArtFramed , oil on board painting depicting a red hulled , single funnel ship cutting through sea iceArtist signature at lwr right corner PAINTED.: IB ODFELDT 95 At the back: Square loose label: 3076 Leonard Joel Bottom corner on the frame in Pencil: POW 2894 (National Trust accession number)nella dan, anare, antarctica, icebreakers, explorations, merchant vessels, artwork, maritime art, ib odfeldt, artwork-paintings, australian national antarctic research expeditions (anare), hobbies, asma, australian society of maritime artists -
Gippsland Art Gallery
Painting, Klix, Fred, Bararrana Gorge Arkaroola, c.1970
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection -
Vision Australia
Textile - Object, Melbourne University Student Union patch, 1930-35
Hugh Jeffrey attended the Melbourne Conservatorium of Music at Melbourne University, graduating in 1940. This cloth patch would have formed the breast pocket of Mr Jeffrey's university blazer. The Melbourne University blazer is traditionally black with blue stripes, and organisations such as the Boat Club, Cricket Club or, in this case, the Student Union, would have their particular logo or badge embroidered on the pocket. The logo on this patch is a version of the University of Melbourne coat of arms - with the angel Victory embroidered in white on a black background, offering her laurel wreath. Unlike the official coat-of-arms, the stars of the Southern Cross are not included, nor is the Latin motto. 1 coloured cloth path with embroideryhugh jeffrey, university of melbourne -
Bendigo Historical Society Inc.
Textile - ROYAL SOUVENIR SCARF: KING GEORGE V AND QUEEN MARY
Royal Souvenir Scarf - Large commemorative scarf depicting King George v & Queen Mary under a crown & at top a banner reading 'Long live thecivic mementoes, royal souvenirs -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, J. P. Davis
sketch of jp davis, garrison member, camp 3 -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel - Steamship, Mike McCrea (artist), ca 1985
This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship -
Whitehorse Historical Society Inc.
Textile - Doyley
Belonged to Jean's grandmother, Eliza Waite of Gippsland, married John Tredilock, and died in 1942. Jean and John have lived in Mitcham since 1956.14cm Silk doyley crocheted to a 9.3cm square, in Maltese Hairpin crochet.handcrafts, crocheting or crochet work -
Gippsland Art Gallery
Painting, Traill, Jessie, Untitled (near Mallacoota), 1923
Purchased with the assistance of Brian and Raynor Castles, John and Annette Gibson, Rob and Margaret Ziffer, and Graeme and Alida Dyer, 2017Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Transport Around Ringwood" - Paul Kennelly, Secretary, Bus and Coach Society of Victoria
Digitised video (6.13GB). Duration: 80 minutes. Recorded October, 2017. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Paul Kennelly has held positions in the Bus and Coach Society of Victoria as an Archivist and has served on the committee for many years including terms as Secretary and President. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Hut 45 Tatura Camp 1
Herman Bernhard SCHMIDT e was a foundry owner in Queensland. He was interned and sent to Gaythorne internment camp for 6 months and then sent to Tatura Camp 1 until 1946 when he was released.Coloured water colour painting of a hut, number 45 on side, power pole behind hut. coloured section in front of hut. Framed in a light coloured wood and under glass. label on back "Donated by the Gunther Schmidt Family Trust" (son of Herman Bernhard Schmidt - Tatura WW2) March 2023herman bernhard schmidt, queensland foundry owner, camp 1 tatura, gunther schmidt trust, gaythorne camp queensland -
National Vietnam Veterans Museum (NVVM)
Painting, Bon Voyage
Hand painted caricature depicting an aircraft with head and shoulder of an Officer. Flags of Australian and Vietnam in the background below two hands displaying peace sign and NVN hand with thumbs down. Inscription reads Bon Voyagepainting, caricature -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime, 19th century
This handmade picture has been painted on a cast plaster or composition frame. Plaster frames were popular in the e19th century. The material is quite fragile and many pictures from this era suffer from damage such as chips and cracks.This simple handmade painting on cast composite frame is typical of 19th century art work found in middle and upper class Victorian homes of that era. It cannot be attributed to a particular artist due to lack of inscriptons.Painting, oil on composite material, handmade Pink coloured cast composite oval frame with decorative border. Painting depicts two figures in a small green boat on the shore, sandy beach, rocks nearby, small surf waves, mild sea, two sailing vessels in background. No inscription on front of painting. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, victorian art work, maritime scen, composite material, plaster, cast frame, oval frame, victorian era -
Geelong Gallery
Painting - The awakening, BROWNE, Andrew, 2017
Oil on canvas