Showing 4040 items matching art
Artwork, other (1228) Ceramic (748) Decorative object (667) Drawing (4561) Mixed media (486) Painting (2387) Print (1653) Sculpture (397) Textile (1237) Work on paper (2033)-
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp 4 Victoria, 19/12/1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour -
National Vietnam Veterans Museum (NVVM)
Painting, Fire
An original painting of three soldiers with their hands covering their ears firing a mortarpainting, soldiers, vietnam lest we forget, mortars -
Gippsland Art Gallery
Painting, Struss, Elsie, Head Study - Woman, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Len Pawlek, Len Pawlek, Summer, Eildon, 1988
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Flagstaff Hill Maritime Museum and Village
Print, Loch Ard
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Reproduction 0620 of 1000 taken from the original painting of the Loch Ard by Neil Savage.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph, neil savage -
Bendigo Historical Society Inc.
Painting - Portrait, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Portrait of a young man. He has dark hair and dark eyes. The signature of the artist at bottom right. Untitled. William Delecca collection.On the back: Camden Art Centerpainting, male youth, portrait -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, The rugged coast, 1966
Gift of Mack Jost, 2000watercolour on paper -
Vision Australia
Painting - Artwork, Lin Ditchfield, Sydney Industrial Blind Institution in William Street, 1971
Watercolour by Lin Ditchfield of the Royal Blind Society of New South Wales (formerly the Sydney Industrial Blind Institution) in William Street, Sydney. Built in 1880, the Edmund Blacket designed building was eventually sold in 1971. Located on the corner of William Street and Boomerang Place, the site was keenly sought by developers as the city landscape transformed into high rise office builidings, as evidenced in the background of this painting.Painted by Lin Ditchfield1 water colour in beige frameLin Ditchfield 1971royal blind society of new south wales, lin ditchfield -
Glenelg Shire Council Cultural Collection
Print - Contact print from glass plate negative, 1960-1970
Black and white contact print from glass plate negative. Image shows a group of men and women posing on a rocky platform above the sea, rocky cliffs behind. Most are holding long fishing poles. Dress late 19th, early 20th century. -
Gippsland Art Gallery
Painting, Walsh, Judith, Heritage, c.1970s
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print, The Bush Rangers
Framed print of 9 Sqn RAAF Bushranger helicopter gunship attacking a position surrounded by rice paddies. A gunner can be seen in the starboard door. Position is in Phouc Tay ProvinceRAAF Rego A7 773, Phuoc Tuy - Barry Spicer9 squadron raaf, phuoc tuy -
Federation University Historical Collection
Print - Image - Black and White, Alec Kinnane on the stairs at the Ballarat School of MInes, c1955
A photograph of Alec Kinnane (left) in front of Building A at the Ballarat School of Mines. alec kinnane, ballarat school of mines, administration building, architectural feature, a building, stained glass windows, leadlight -
Gippsland Art Gallery
Painting, Watson, Douglas, Radiant Landscape, c.1958-59
Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Oil, metal and timber on boardgippsland, artwork, permanent collection -
Geelong Gallery
Painting - Standing stone, kangaroo grass, bush string, WATSON, Jenny, 2020
Synthetic polymer paint and graphite on canvas -
Gippsland Art Gallery
Painting, Shannon, Michael, Landscape (Heathcote), 1976
Donated by Leslie Rowe through the Australian Government Cultural Gifts Program, 2006Oil on boardgippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Painting, KEMPF, Franz, Spring, first movement, 1980
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Horsham Regional Art Gallery
Print, Nicholas CHEVALIER, Mt Arapiles sunset, n.d
Gift of the Friends of Horsham Art Gallery, 1999 -
Glenelg Shire Council Cultural Collection
Painting - Watercolour Painting, Kenneth Jack, Portland From Battery Point, n.d
Watercolour, view of Portland from Battery Point, white mount, matt black wooden frame, rflective glass, gold metal hanging wire on backFront: 'Portland from Battery Point' - hand written, in black ink, bottom left hand corner of painting. 'K. Jack (signature) 18.1.48' - hand written in black ink, bottom right hand corner of painting Back: Black stamp centre. 'KWD Jack P/L P.O. BOX 1, Doreen, Vic, 3754 No '27' in pencil bottom left hand corner -
City of Greater Geelong
Painting - Oil on Hardboard, Agnes Szetay, Unnamed - Bush Track, Olinda
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Flagstaff Hill Maritime Museum and Village
Print - Commemorative Portrait, H.M. Queen Elizabeth II, Ca. 1954
This commemorative framed print was a gift presented by Freemason, Worship Brother J. Wishart Junior, who also had the title of Worshipful Master of the Masonic Lodge from 1983-1954. This print was possibly presented by Wor. Bro. J. Wishart to the Masonic Lodge in Warrnambool the year following the coronation of Queen Elizabeth II, just after Wishart completed his term as the Worshipful Master of the Lodge. It is likely that the portrait was also part of the furnishings when one of Flagstaff Hill's village buildings was set up as a 19th century style Masonic Lodge, as shown in the map of the village in 1994 and was activated by a member of the Masonic Lodge. (Before this time the building was a Reference Library, and some time afterwards it was a Reading Library, and is now a Mechanics' Institute.) Australia is part of the British Commonwealth. Respect for the reigning monarchy of the colony of Australia has been shown here since colonisation and continued after Federation. Portraits of the reigning sovereignty have been displayed in public organisations, government departments and clubs over the years. Children in schools have been taught to 'Honour the flag, serve the Queen" (or King) etc. In February 1952 King George VI of England passed away. His daughter was proclaimed Queen, and crowned as H.M. Queen Elizabeth II on June 2nd, 1953, at Westminster Abbey, London. It is interesting to note that on 12th April, 1997, Warrnambool's Masonic Centre in Kepler Street held a 150 years celebration of the settlement of Warrnambool and District. A time capsule was inserted in the 'foundation stone' and one of the items inside it was a Flagstaff Hill Heritage Centre leaflet. The portrait of the coronation of H.M. Queen Elizabeth II and her continued reign of 70 years is significant, as it marks a very special occasion in the history of Britain and its Commonwealth. This portrait is similar to many other portraits of the Queen's coronation and is familiar to Australian citizens of the current generation and the ongoing link to Britain's colonasit6ion of Australia.Print, coloured, framed behind glass. Portrait of H.M. Queen Elizabeth II at her Coronation on June 2nd, 1953. The Queen is seated and wearing a white gown and white-trimmed blue cape. She is wearing a jewelled crown and holds the ceremonial Orb and Sceptre. In the background is Westminster Abbey. The decorative frame is cast composite or plaster. A card provided with the print advises that the print was presented by J. Wishart - it is attached to the reverse.Handwritten in ink on card "H.M.QUEEN ELIZABETH II / PRESENTED BY / WOR. BRO. J. WISHART JNR. / WOR. MASTER 1953-1954."flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, 2-06-1953, westminster abbey, scepter, orb, royal crown, coronation, queen elizabeth ii, hm queen elizabeth ii, royal portrait, h.m. queen elizabeth ii, worshipful brother, worshipful master, time capsule, 19th century style masonic lodge, warrnambool 150 years celebration, coronation of queen elizabeth ii, freemasons, j. wishart, flagstaff hill masonic lodge building, portrait -
Federation University Art Collection
Painting, [Water Creatures], 2014
Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile -
Swan Hill Regional Art Gallery
Print, CROOKE, Ray, Cape York, unknown
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Darebin Art Collection
Painting - Alice Wormald, Alice Wormald, Reeds Japan, 2014
painting, abstract -
Darebin Art Collection
Print - Adam Nudelman, Adam Nudelman, Down to the Water Line, 2008
trees, landscape -
Federation University Historical Collection
Print - Document, Group of Old Ballarat School of Mines Students in Coolgardie and Kalgoorlie, Western Australia, 1900
In 1900 a group of former Ballarat School of Mines students working in Western Australia commissioned and presented a bust of Professor Alfred Mica Smith to the School. The former students are Claude Maitland (CLark & Co.); A.L. Hay (Queen Margaret Gold Mine); A.S. Lilburne (Freemantle Smelting Works); Latham Watson (Golden Rhine Gold Mine); Arthur Kildahl (Ivanhoe Gold Corporation. Thomas Copeland (Associated Gold Mine); F.A. Moss (Kalgurli Hold Mine, Hainault Gold Mine); W.A. Hearman (New Arrow Propriety); Caradoc James (Golden Link Gold Mine); Alex Fraser (great Boulder Gold Mine); E.O. Watt (Kalgurli Gold Mine); G.M. Roberts (great Boulder Gold Mine); J.J. Dunstan (Chaffers Gold Mine); H.W. Moss, (Kalgoorli Gold Rec. Co); J.A. Hill (Kalgoorli Gold Rec. Co); John Dunstan (Associated Gold Mine); C.M. Harris (Hannans Propriety Development Co. Ltd); W.H. Cobould (Hannans Reward Gold Mine); John W. Sutherland (Golden Horsehoe Estates)The original photo was presented to Professor Alfred Mica Smith by the 'Old Boys' pictured.A printed image of former students of the Ballarat School of Mines, and donors towards commissioning a bust of their former lecturer Professor Alfred Mica Smith. ballarat school of mines, mining, western australia, coolgardie. kalgoorlie, maitland, hay, lilburne, watson, kildahl, copeland, moss, hearman, james, fraser, watt, roberts, dunstan, hill, harris, corbould, sutherland, william corbould, john sutherland, john w. sutherland -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Alice Wormald, Restless interactions, 2021
Winne of Bayside Acquisitive Art Prize 2022Alice Wormald, Restless interactions 2021, oil on linen, 122 x 97 cm. Bayside City Council Art and Heritage Collection. Winner of Bayside Acquisitive Art Prize 2022.painting, bayside acquisitive art prize, alice wormald, restless interactions -
Whitehorse Historical Society Inc.
Painting - Picture
Ornate wooden frame of picture depicting boy and girl in period costume entitled ' The Wanderer Found'illustrations, prints -
Dandenong/Cranbourne RSL Sub Branch
Painting - Oil painting on board, In The Trenches
Oil painting of soldiers in the trenches.soldiers. -
Gippsland Art Gallery
Print, Resnick, Minna, Observer III, 1979
Donated from the estate of Patricia Marie White, 2013Lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Gittoes, George, Grinding Mill, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection