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Artwork, other (1265)
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Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond, View of Ballarat City across Lake Wendouree
Ballarat HistoryOld matte printballarat, ballaraat, lake, wendouree -
Bendigo Military Museum
Print - NURSE PRINT, FRAMED, Post WW2
This print was originally hanging in the foyer at the entrance to the Billiard room pre the SMI becoming a Military Museum.A Sister of the Army Nursing Service Maple coloured timber glass front, cardboard back. Coloured print by Ivor Hele with white boarder. Female figure in sitting position in nurses uniform.with steel helmet in left hand. Under the print, “A sister of the Army Nursing service” On label under print. “In Memory of Able Seaman W Haas RAN This print along with the overhead flag display was presented to the Bendigo RSL Sub Branch by Cpl J ROWELL in memory of Able seaman W.HAAS. R.A.N”. brsl, smirsl, ivor hele, nurse -
Federation University Historical Collection
Painting - Artwork - Painting, [Still Life] c 1931 - 1933, 1931-1933
The full folio of work undertaken by Alice Watson while a student at the Ballarat Technical Art School is held by Federation University Australia.Double sided. Two water colour paintings undertaken by Edith Alice (Alice) Watson for art course at the Ballarat Technical Art School, a division of the Ballarat School of Mines. One side has a corked bottle,jar with leaves and onions. At the side is a flower and two onions. Verso is a blue vase, metal mug, champagne glass, an onion and two tomatoes. E.A.WATSON verso lrs of paintingballarat technical art school, edith alice watson, ornament, flora, alumni, still life, water colour, onions, alice watson, tomatoes -
Federation University Art Collection
Sculpture - Artwork, Beyond Education
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, caroline sampson, sculpture, horsham campus art collection -
Whitehorse Historical Society Inc.
Painting - Copy of painting, 1956
Early Mitcham settlers Elizabeth and John McGlone ran a hotel 'The Harvest Home Hotel' in the front room of their home in Whitehorse Road Mitcham. The hotel closed in 1889Copy of a watercolour painting of McGlone's Harvest Home Hotel Mitcham by Shirley Jones. Cottage with verandah is white with pink roof centre with palm trees either side of verandah with trees behind. Shirley Jones in bottom left corner . Right front corner Early Hotel Whitehorse Road Mitcham 1956 McGlones Harvest Home Hotel (near Richards Street)illustrations, reproductions -
Geelong Gallery
Painting - Tree truck, SMITH, Grace Cossington, 1930
Oil on composition board -
Ringwood and District Historical Society
Painting, Painting of Unknown Creek Australia by Norma Kett c1990s
Norma Kett was a resident of Ringwood and a member of the local Artists Society. She regularly diplayed paintings in local exhibitions .Small oil painting of gum trees, creek and hills. Australian possibly Victorian. Framed in multilayered gold and buff coloured wood. The name ?Accacia Creek in pencil on back of painting.Signed Norma Kett -
Bass Coast Shire Council - Robert Smith Collection
Sculpture - Family n.d, George Luke
Cement fondue, resin and oil on composition boardSigned u.l -
Federation University Art Collection
Sculpture, 'The Collaboration of Commonality and Difference' by Cassandra McArthur, 2014
The 'Collaboration of Commonality and Difference' has its conceptual roots in teh notion that only when we accept and nurture both commonality and difference, can we, humankind, foster unity. With the acceptance and nurturing of commanality and difference, peoples of the world are afforded equal validity for a collaborative approach towards peaceful resolution and possible unity. Integral to the conceptual foundation of the work is the use of papers sourced from around the world. Paper is at once universal and individual, and in this instance is representative of humanking. The jigsaw design draws on the understanding that each piece is integral to the creation and resolution of the whole. Commanality is suggested through repetition, however, no two pieces are the samem emphasizinf the beautym strength and validity of difference. Established in 2004, generously supported by George Lucato, the Lucato Peace Prize was an annual acquisitive art award open to all enrolled Federation University Australia tertiary students and all senior secondary students enrolled at any City of Ballarat secondary school or college. Prizes were awarded to the applicants whose work best illustrates or expresses the idea that 'peaceful alternatives are always preferable to armed confrontations'. First prize of $2250.00 was awarded to Cassandra McArthur for her work, Commonality and Difference, 2014, and it was the last Lucato Peace Prize Awarded after the death of George Lucato in 2014. Cassandra McArthur was undertaking a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy when this artwork was produced. Winner of the Lucato Peace Prize 2014 artists, artworks, sculpture, mcarthur, cassy mcarthur, lucato peace prize, alumni -
Geelong Gallery
Painting - Cephalus and Procris, KENNINGTON, Thomas, 1897
Oil on canvas -
Swan Hill Regional Art Gallery
Sculpture, HOLDING, Judith, Blue Mallee, 2018
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Gippsland Art Gallery
Print, Turner, J.M.W. (after), Apollo Killing the Python, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Clovelly Bay, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Image, Lucas van Leyden, The Dentist
Depicts the scene of a professional dentist and gullible patient. The patient is being pick-pocketed by the dentist's assisstant.An oval framed print depicting three people, one of them a dentist.1523 L in the top right cornerdentist, medicine, teeth, tooth-puller -
Gippsland Art Gallery
Painting, Weir, Brett, Untitled, 2018
Donated by the artist through the Australian Government Cultural Gifts Program, 2019Enamel and acrylic on aluminiumgippsland, artwork, permanent collection -
Federation University Art Collection
Painting
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.If you can assist with information on this artist or artwork please use the email link below.art, artwork, painting, abstract -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Painting - Artwork- Print, Bardia (action leading to the fall of Post 11)
Painting depicts a significant action carried out by the 2/6th Battalion, an anticedent unit of 5/6 RVRLarge framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet.A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephoneww2, 5/6rvr, 2/6th australian infantry battalion, bardia, ivor hele -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Boats off Calais, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Stanley Athenaeum & Public Room
Print - Picture, Queen vVctoria
Print/picture of Queen Victoria for her Jubilee. In frame - timber with gilded oak . Red velvet inset, and acorn decoration with gilded moulding.Her Most Gracious Majesty Queen Victoria, Empress of India. From celebrated painting in possession of Her Majesty by Prof. Van Angeli. Presented with the Jubilee Number with the illustrated London Mews with special permission of Her Majesty. -
National Wool Museum
Print, Chris McClelland, Shearing the Rams – Tuppal Station, 210
Chris was invited to be artist in resident for the historic re-enactment of “Shearing the Rams” at the North Tuppal Station woolshed held on the 4th and 5th June 2010. The celebration attracted record crowds to witness the shearing of the station rams by 72 blade shearers. Over a single weekend in 2010, thousands of people queued for hours to see a piece of Australian history recreated at North Tuppal Station near Tocumwal, NSW. In 1900, Francis Faulkner invested a staggering £4000 to extend his shearing shed on Tuppal Station, making it the biggest in the country. Over the next decade more than three million sheep trod its pine boards and were shorn in its 72 stands. After years of drought and the Great Depression, the property fell into disrepair and the station was split up. When North Tuppal Station was sold to the Atkinson family in 1928, just five of the 72 stands were in operation. In 2010, Sport Shear Australia approached the Atkinson family about holding an event in the historic shearing shed to raise money for a team of Australian shearers to go to the world shearing title in Wales. An army of volunteers restored the T-shaped shed and yards and organised a weekend of events. Over two days, 6,000 sheep were shorn and all 72 stands of the restored North Tuppal shed were brought back to life. A total of 117 shearers shared the boards with 90 wool handlers who skirted 19 fleeces every minute. For a period on each day of this historic weekend, the machines were then silenced, and 72 shearers picked up their old blade shears to recreate past shearing methods. “When they fired up and got the blades out there was deathly silence on the board - you could hear a pin drop because normal shearing you have all the machines and it is quite noisy. Here you could just hear the click, like in the song Click Go the Shears Boys. People had tears in their eyes. It was quite an emotional thing to see that and very proud to be here.” George Falkiner, grandson of Francis FalkinerColoured framed print of shearing scene in the Tuppal station, Ferrrier’s wool press on the left-hand side and station on the top. Print in framed in a light-coloured wooden frame with white coloured matte.Under artwork - In 1891 Tuppal Station, a sum of 176,000 acres threshold, was bought by Mr Fiane Sadlies Falkines, Under the management of his eldest son F.B.S. Falkines, the 72 stand woolshed was build in 1900 and powered by a 16 horsepower steam engine. Sheep were pure Boonoke blood and the average numbers of sheep shorn over nineteen years to 1909 was 152,780. Around 7200 sheep could be shorn daily. The largest clip totalled 3326 baled of greasy and scoured wool and was sold in London. Bottom right corner - Chris McClelland 181/720 Shearing The Rams – Tuppal Station -
Benalla Art Gallery
Painting, Peter PURVES SMITH, Burke and Wills, c. 1937
Born: East Melbourne, Victoria, Australia 1912; Lived and worked: England 1935-1949; Died: Melbourne, Victoria, Australia 1949SurrealismBennett Bequest, 1999 Explorers Burke and Wills rest against a large rock with a bottle at their feet. Gold and grey brushed timber frameRecto: Not signed, not dated, not titled painting, figures, abstract, rock, water, bottle -
Horsham Regional Art Gallery
Painting, Francis LYMBURNER, Ships and flowers, n.d
Mack Jost Bequest, 2001oil on canvas -
Gippsland Art Gallery
Painting, Sherlock, Max, The Morass, Brolgas, 1989
Purchased with the assistance of the Crafts Board of the Australia Council, 1989Oil on canvasgippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Painting, LAW, C Anthony, Clearing, 1986
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, R. Priester, Pte. Albert Stiles, 1945
Portrait of Private Albert John Stiles, internment camp 1.Khaki and brown pencil and water colour sketch of man in Army uniform with dagger like weapon and part of a rifle. Bullet belt over one shoulder.R. Priester 1945 private albert john stiles, r. priester, internment camp artists -
Gippsland Art Gallery
Print, Unknown Artist, Sale, Gipps Land, c.1881
Donated by John Leslie OBE, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Queenscliffe Maritime Museum
Painting - Mariposa, Dacre Smyth, SS Mariposa
SS Mariposa was a luxury ocean liner launched in 1931, one of four ships in the Matson Lines "White Fleet", which included SS Monterey, SS Malolo, and SS Lurline. She was later renamed SS Homeric. Mariposa was designed for service in the Pacific Ocean, including regular stops in ports along the West Coast of the United States, Hawaii, Samoa, Fiji, New Zealand, and Australia. On the 12th January 1942 the Mariposa left San Francisco in the "Australian — Suva" convoy escorted by two destroyers and the light cruiser and with two other troopships (destined for Suva). This was the first large convoy to Australia after Pearl Harbor with Mariposa transporting Army personnel, ammunition and fifty P-40 fighters intended for the Philippines and Java.Mrs B SmythAn oil painting of the SS Mariposa in an ornate gold frame. Mariposamigrant ships, ss mariposa, wwii -
Bendigo Art Gallery
Painting, Thomas Sheard, The Arab Blacksmith, circa 1900
Signed, l.r., brown oil, "T.F.M. Sheard". Not dated. -
Ararat Gallery TAMA
Painting, Raafat Ishak, And The Program, 1996
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Gippsland Art Gallery
Print, Duxbury, Lesley, The Formation of Clouds, 2013
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Inkjet prints on papergippsland, artwork, permanent collection