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Artwork, other (1263)
Ceramic (764)
Decorative object (712)
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Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2044)
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Gippsland Art Gallery
Print, Wickham, Stephen, Untitled, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Colour etching on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, TROVA, Ernest, Head, planet earth (falling man series), unknown
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Bendigo Military Museum
Painting - PORTRAIT, FRAMED, Post WW2
Gold coloured wooden frame, blue oil paint portrait of soldier C PERRY, in hat.Handwritten bottom left: “C PERRY”illustrations-oil, military history, portrait -
Clunes Museum
Painting - PASTEL DRAWING
Pastel drawing of a black and white dogs head, glass covered gold inner frame and light brown wooden outer frame with mottled effectSticker 38 Pencil writing on back "Ölsen No.1"pastel, art, olsen -
Gippsland Art Gallery
Work on Paper, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Pencil on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Work on paper, Joy Stewart, 34 Stevenson Street, Kew, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 34 Stevenson Street, Kew by the artist Joy Stewart. Inscription: "Stevenson Street, Kew". Signed lower right: "JStewart".stevenson street (kew), joy stewart -
Federation University Art Collection
Work on paper - Monoprint, Dennis, Alice, 'Enigmatic Cityscape' by Alice Dennis, 2010
Alice DENNIS This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprint of a cityscape.art, artwork, alice dennis, monoprint, printmaking, alumni -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on paper gippsland, artwork, permanent collection -
Beechworth RSL Sub-Branch
Print - Picture 11th Battalion Cheop Pyramid 1915, Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915
This item was either purchased or donated to the Sub Branch. Apart form being a a very famous picture of the 11th Battalion on the Pyramid Cheop. The 11 battalion was formed in Western Australia has no connection to the people of BeechworthA wooden framed collage of the print of 11th Battalion Before Deployment to Gallipoli on Cheop Pyramid, Egypt, Sunday 10th January 1915. Top centre is the AIF Badge, bottom left is the Battalion Patch, Bottom right is a miniature set of the three medals and centre is the Title " Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915"Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915"https://11btn.wags.org.au/ -
Geelong Gallery
Painting - Silvering (Moon dust), WEAVER, Louise, 2020
Synthetic polymer emulsion and glitter on linen -
Federation University Art Collection
Painting, Isabel Huntington, 'Sunflower' by Isabel Huntington, c1956
Isabel HUNTINGTON (1905 - 04 December 1971) Isabel McCausland was educated at Ballarat and married Robert Keith Huntington in 1931, and which time Isabel was living in the Melbourne suburb of Preston. Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member or the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. The critics of the day described Isobel Huntington's work as Post Impressionist and Expressionist. 'Her enjoyment of the use of colour and her sense of vitality is obvious in her most original conception of the relationship of art to flowers.' Ursula Hoff judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. In Ballarat's Crouch Prize Isabel Huntington was commended three times. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Her studio was located at 10 Nokes Court, Montmorency, 3094. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007 in 1971.Framed painting of a sunflower. The signature at the lower right has been oversigned in white 'Huntington 1962". A note on the back of the work suggests it was more like to have been created in 1956, and it was first purchased between 1956 and 1958. If you can share information on this artist or artwork please use the email link below.A note on the back says "Sunflower 1962 Oil/Pastel Insurance Isobel Huntington Gouache 1956 Black Box. Huntingdon (sic) Isobel. Acquired between 1956 - 1958"art, artwork, gouache, painting, sunflower, isabel huntington, handcraft, arts and crafts society, crouch prize, ursula hoff, alumni, flora, ballarat teachers' college art collection, isobel huntington, isabel mccausland -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, John Mather, Brighton Beach, 1896
John Mather, Brighton Beach 1896, watercolour, 47 x 81 cm. Bayside City Council Art and Heritage Collection. Purchased 2022watercolourbrighton, beach, ti-tree, port phillip bay, sunset, john mather, coast, bayside -
Flagstaff Hill Maritime Museum and Village
Textile - Tray Cloth
Tray Cloth, hand made, bordered by a tatted lace edge. The cotton centre has a circular centre filled with a hand tatted lace patternflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tray colth, tatted lace edge, tattting -
Ararat Gallery TAMA
Textile, Frances Burke, Bird and Tree, c. 1940
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Bluhenden, Tasak
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Whitehorse Historical Society Inc.
Textile - Doyley
White cotton oval doyley with cotton crochetmanchester, table linen -
Old Colonists' Association of Ballarat Inc.
Painting - Image, T. Stanton Bowman, William Irwin, c1900
William Irwin arrived in Australia on 09 February 1850 on the [[Faugh-A-Ballagh]]. He was a publican in Ballarat.Portrait of William Irwin, Treasurer of the Old Colonists' Association of Ballarat. He wears the medallion of that organisation. The 1894 minutes of the Old Colonists' Association read "Acknowledgement was given to the gift of Mrs Irwin and family ‘for their kindness and liberality in presenting to the Association the portrait in oil colour of the late William Irwin who was a highly esteemed member and Trustee of the Association.’ W. Irwin, Treasurer, O.C.A.old colonists' association ballarat, stanton bowman, t. stanton bowman, william irwin, thomas stanton bowman -
Bass Coast Shire Council - Art Collection
Work on paper - Colour of Light, Charlie Tong
Australia - 2004Pastel on paperSigned -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Listing of Wetland Plants, Ballarat Botanical Gardens Wetland Plants, Unknown
While there are drawings of wetlands' plants and the classification of each plant, it is not clear as to how many of these plants are to be found in the Ballarat Botanical Gardens, at this time.As the Wetlands, in the northern section of the Ballarat Botanical Gardens are an important and unique section of the Gardens today, it is important to know something of the flora in that area.3 double sheets with black and white drawings of plants on the left hand side of each half page with the classification for each plant.Joan Garner is written in blue biro on the back of the first sheet.john garner, doctor, john garner collection, ballarat botanic gardens, north garden reserve, wetlands, wetlands' plants, drawings of wetlands plants, classification of wetland plants -
Glenelg Shire Council Cultural Collection
Painting, Loueen Morrison, [Still Life-vegetables], 1992-1996
Depiction of three stalks of celery, bases closest to the bottom of picture. There is an abstract background of brown and light brown at top of image. Unframed.Front: (no inscriptions) Back: (no inscriptions) -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Trees of Ballarat, A Poem by H.E.Ramsay, Unknown. [C 1940's?] There is no reference or indication as to where the poem was originally published
The poem "The Trees of Ballarat" places the trees within the poet's view of Ballarat.As the Ballarat trees are such a feature of the city and the Ballarat Botanical Gardens, they are a treasured part of the history.1 sheet of white paper with a black and white photo of Ballarat Town Hall in Sturt Street and the poem of 5 verses on the righthand side of the picture in small black print. There is 1 copy.None. poem, "trees of ballarat", h.e.ramsay, john garner, doctor, john garner collection, ballarat, ballarat botanical gardens, trees, friends of ballarat botanical gardens, pen pictures of ballarat, gardens -
Swan Hill Regional Art Gallery
Painting, INGPEN, Robert Roger, Lincoln's place, unknown
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Differing Styles of Wardian Cases, The Transportation of Plants to Ballarat and Other Parts of the World, 27/2/2009
Wardian cases made it possible for plants and seeds to be transported long distances and to be in good condition on arrival.Without Wardian cases, it would have been impossible to plan and implement the Ballarat Botanical Gardens in the Gardenesque style that we see today.p.1 is headed "A Wardian Case" and is a little over 1/2 a page. p 2. is headed File: Wardian Cases and has pictures of 4 styles of wardian cases. p3. is entitled Wardian case and has a small picture on the lefthand side of a wardian case. p.4. has 1/2 a page of print and another small picture of a wardian case on the lefthand side of the page with References at the bottom of the page. Nonejohn garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, wardian cases, styles of wardian cases, thomas rooney, george longley, mr duthie, robert fortune, doctor nathaniel bagshaw ward, joseph dalton hooker, kelway and son somerset england, john garner collection, gardens, ballarat -
Federation University Art Collection
Painting - Mixed Media, Haslope, Claire, Nectarine Landscape by Claire Haslope, 1999
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Red painted abstract on canvas stretcher.art, artwork, claire haslope, abstract -
Flagstaff Hill Maritime Museum and Village
Textile - Pillow Case, Mary Jane Giles (Mrs Harry Giles), Late 19th to Early 20th Century
There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Pillow Case, WhiteNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pillow case, giles collection, linen -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Steamer Moored at Lake Wendouree, Ballarat, Victoria, Steamer and Ian Rossiter, Horticultural Officer, 1997 and Family
john garner collection, ballarat botanical gardens, gardens, ballarat, steamer, lake wendouree -
Gippsland Art Gallery
Print, Macpherson, Adelaide, Bridge of Separation, 2015
Donated by the artist, 2015Two-plate colour etching and aquatint on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Adam Lindsay Gordon, Australian Poet, Printed biography, Unknown
This is a brief though reasonably comprehensive account of Adam Lindsay Gordon's life; with brief mention of the time, he spent in Ballarat. Adam Lindsay Gordon was a well-known Australian poet who lived in Ballarat for a brief time and whose work was revered by Ballaratians.1 yellow sheet of paper with small print in 2 columns and a sketch in black of Gordon's Cottage in the Ballarat Botanical GardensNonejohn garner, doctor, john garner collection, adam lindsay gordon, australian poet, ballarat botanical gardens, adam lindsay gordon cottage, the y men's club of ballarat, craft cottage, livery stables, craig's hotel., friends of ballarat botanical gardens, gardens, ballarat -
Damascus College
Sculpture - St Martin de Porres
This bronze statue of St Martin de Porres was commissioned by the Sisters of Mercy for St Martin's in the Pines in 1967. Artist Ernesto Murgo was asked to embody the college motto 'Raise your eyes aloft'. The statue had a fibreglass interior overlaid in bronze.Bronze statue of St Martin de Porrescatholic education, ernesto murgo -
Gippsland Art Gallery
Print, King, Martin, Dawn Survey - Indigo, 2015
Acquired as winner of the Gippsland Print Award, 2015Relief etching on papergippsland, artwork, permanent collection