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Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Karinga, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. This inter-war house located at 60 Bluff Road, Black Rock, was built in 1926 for former Scotland Yard and Criminal Investigation Branch detective Horatio Reginald Clarence McWilliams. When McWilliams died it was found that he had taken extreme measures to protect his security. All the windows were nailed shut, a network of burglar alarms ran through the house and a complicated underground air raid shelter had been built in the garden. The security measures were at odds with the name of the house – Karinga or Karinya – an Aboriginal word meaning peaceful, happy home. Later residents of ‘Karinga’ included Senator Don Chipp and his family. The property has since been demolished and apartments have been built on the land.Annette Meikle, Karinga 1977, ink and watercolour, 32 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock, karinga, karinya, horatio reginald clarence mcwilliams, senator don chipp, historic house, bluff road -
Vision Australia
Work on paper - Text, Anna Fairclough, Presidents interpretation
Background information on portraits of past presidents of Vision Australia Foundation.1 Word document providing a background to various Presidents whose portraits hung at Vision Australia Foundation head officenon-fictionBackground information on portraits of past presidents of Vision Australia Foundation.vision australia foundation, william paterson, tilly aston, david robertson, thomas marks, malcolm daubney, john wicking, john moule, diana jones, h.m. lightfoot, george maxwell, bruce small -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Official Occasions Men's Trousers, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8341.1 - A pair of dark green trousers made from a wool blend fabric. 8341.2 - Green sample fabric with labels stapled on. One staple that was used to attach the label has gone through several layers of fabric preventing it from being unfolded. 8341.3 - Green sample fabric with white thread attached where it has previously been sewn. 8341.4 - Green sample fabric. 8341.5 - Green sample fabric.8341.1 - On label - FLETCHER JONES 8341.2 - on labels- Wool PE. 80:20 FAILLE WEAVEolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, fletcher jones, wendy powitt -
Horsham Regional Art Gallery
Painting, Len ANNOIS, Road to Sunbury, n.d
Gift of Mack Jost, 1986 -
Horsham Regional Art Gallery
Painting, Charles BLACKMAN, Nocturnal landscape, 1976
Gift of Mack Jost, 1993 -
Federation University Art Collection
Painting - Abstract, Anne Saunders, 'Halycon' by Anne Saunders, 2001
Anne SAUNDERS (1955- ) Born Edinburgh, Scotland Arrived Australia 1977 Anne Saunders graduated from a Duncan of Jordanstone College of Art, Dundee, specialising in Illustration and Printmaking, and graduated with a Master of Arts (Fine Arts) by Research from La Trobe University Bendigoand in 1995. She is a former Senior Lecturer at the University of Ballarat Arts Academy (later Federation University), first appointed in 1987 as lecturer in Drawing and Printmaking, and in 1999 she was appointed Senior Lecturer in Drawing and Studio Co-ordinator. Anne Saunders retired from the University of Ballarat in 2010. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting.art, artwork, saunders, university of ballarat, anne saunders -
Gippsland Art Gallery
Painting, Johnston, Margaret, Opening of Gleason's Bridge for Red Letter Days, 1983
Purchased, 1983Watercolour on papergippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Bill Beavan, Bill Beavan, Without His Mate, 1976
ibis -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Percival Ball, Sculptor, The Statue of Wallace, Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, ball, sculptor, wallace -
Whitehorse Historical Society Inc.
Painting - Panel Painting
In the early 1920s Reginald and Gladys Skelton rented Schwerkolt Cottage. When they left to live in their new home on Deep Creek Road, having been encouraged by Mrs. Louis Schwerkolt to purchase the block, they where given this painting which was on a panel on the door of the eastern room. When the Nunawading Council was refurbishing the Cottage in 1964, Mr Skelton returned the panel. This information was provided by Lyn Davies the daughter - in - law of Mr. and Mrs. Skelton.Painting depicting a rural scene with a river and a bared tree in the foreground and a house, fields and hills in the background.illustrations, oil -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Untitled, c.2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection -
Moorabbin Air Museum
Work on paper (Item) - Aircraft comparisons - notes, Boeing 767 A300B
Not relevant -
Swan Hill Regional Art Gallery
Painting, CLARKE, Gwen, Dog dance, 1998
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Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Eagle Rock, Warrnambool, Vic, Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings -
Ringwood RSL Sub-Branch
Work on paper - Welcome Home certificate
ww1 certificate of appreciation Shire of South BarwinSGT W Robertson dated 14/02/1920. -
Friends of Ballarat Botanical Gardens History Group
Work on paper - "The Little Zoo in the Gardens" booklet, Ballarat Zoological Gardens, 2017
"The Little Zoo in the Gardens" booklet. Henry Ben Jahn was the benefactor behind the establishment of the Ballarat Zoological Gardens. He died 28 December, 1911 and the zoo was opened on 17 April, 1917 and closed 1957. In 1995 the residue of Henry Ben Jahn's estate was used to help fund the re-establishment of a wetlands in the North Gardens Reserve, now known as the North Gardens Wetlands."The Little Zoo" at the Northern end of the Ballarat Botanical Gardens was an example of how the acclimatisation societies across the British Empire tried to establish familiar animals into new environments.Coloured images on white paperNone.john garner collection, garner, dr, zoo, ballarat zoological gardens, ballarat botanical gardens, gardens, ballarat, henry ben jahn, benefactor, north gardens wetlands, the little zoo. -
Port Melbourne Historical & Preservation Society
Painting - Court House Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Court House - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Whitehorse Historical Society Inc.
Textile - Table cloth
Used by Mrs Jean Ashcroft and probably worked by her. She came from Galashiels ScotlandWhite linen square with corner inserts of lace. Hemmed with scalloped hand crocheted bordermanchester, table linen -
Gippsland Art Gallery
Painting, Jackson, James, Morning Mossman Bay, c.1920
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Elizabeth Prior, Passage - Dandenongs, 1974
landscape, dandenongs, trees, ferns, hill, vegetation, elizabeth prior -
Gippsland Art Gallery
Painting, Keeling, David, Hinterland, 1994
Purchased, 1996Oil on boardgippsland, artwork, permanent collection -
Orbost & District Historical Society
Painting, Cameron, Nell (Miss), 1890's - 1900's
Painted by Miss Nell cameron, daughter James and Jean (nee Moffat) Cameron.This painting has aesthetic significance and shows the skill and craftmanship of the women of the early settler families.A piece of rectangular tin curled on each end. Painted green background with white roses, yellow stamens and green and brown leaves.MRcameron-nell painting art tin -
Federation University Art Collection
Work on paper - Bookplate, Ex Libris John Gartner
Framed bookplate showing a koala inside the letter G.john gartner, bookplate, available, available framed bookplate, framed bookplate, koala, australian fauna, fauna -
Federation University Art Collection
Painting, Angeline Koot, 'Merry 2020' by Angeline Koot, 2020
During Angeline Koot's final year at Federation Unvisity the course was conducted online while the commnuity was in lockdown due to the Covid 19 Pandemic. The work reflects the resulting isolation, in particular the effect on the 2020 festive season which was marred with postponment and much uncertaintly due to the pandemic. The subject matter includes cones and a sock representing Christmas traditions. The small soccer plays attempt to stop the 8 ball from destroying the cone pyramid tree, while the shark, representing the chaotic events of 2020, moves to attack a fallen soccer player. The goal keeper attempt to protect the cone pyramic, and keep everything under control. Angeline KOOT (1998- ) Born Malaysia Arrived in Australia 2010 In 2020 still life artist Angeline Koot completed a Bachelor of Visual Art at the Federation University Arts Academy. Still lifeA still life with a pryamid of cones, a blue shark, a black 8 ball, and four soccer players representing the isolation of the festive season during Covid19 lockdowns at the end of 2020. Due to the Covid-19 pandemic and associated lockdowns the End of Year Exhibition (EYE) was an online exhibition and the selection of the DVC Art Acquisition Awards also took place online. Signed top edge Angeline K. 2020angeline koot, alumni, dvc art award, still life, pandemic, soccer, shark, 8 ball, covid 19, available -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Wellingtonia Avenue Ballarat Botanical Gardens, Sequoiadendron Giganteum Trees, June 2009
Wellingtonia Avenue is an important of the Ballarat Botanical Gardens' History dating from 1863-1874.The future of Wellingtonia Avenue is questionable particularly concerning the advisability of replanting Sequoias in a less than favourable environment.1 page with 4 copies in note form.None.john garner, doctor, friends of ballarat botanical gardens, ballarat botanical gardens, wellingtonia avenue, sequoiadendron giganteum, sequoias, heritage victoria, register of significant trees, drought tender, john garner collection, gardens, ballarat -
Federation University Art Collection
Work on paper - Printmaking - Monoprint on paper, John Saultry, 'Old Quay' by John Saultry, 2000
John SAULTRY ( - c1910) John Saultry studied Visual Art at the University of Ballarat. Framed monoprint on paperart, artwork, john saultry, monoprint, alumni, printmaking, human movement collection -
Federation University Art Collection
Painting, Andrew Antoniou, Some Distance, Some Time, 2015
Andrew ANTONIOU (B 1951- ) Born London, United Kingdom Arrived Australia c1985 Painter and printmaker Andrew Antoniou completed a Bachelor of Fine Art at the Winchester School of Art and a Master of Art at the Central School of Art, London in 1974. He was awarded an Australian Print Council Commission in 2004 and 2014. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour sketchavailable -
Bendigo Historical Society Inc.
Textile - PETER ELLIS COLLECTION: MILK JUG COVER, DOYLEY
Cream cotton doyley (doiley) crocheted by either Elsie Nolting (nee Fraser) or her cousin May Rose (nee Bennett) both of Charlton Victoria. The item was made around 1918 as a dedication to the success of the allies in the First World War. Doyley is crocheted in a treble stitch, edged with clear glass beads. Within the crocheting are the words 'Success to the Allies'. Accession 258/14.handcrafts, crochet, d'oyley, world war 1, milk jug cover, doyley. -
Port Melbourne Historical & Preservation Society
Painting - National Bank, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'National Bank - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Swan Hill Regional Art Gallery
Painting, MAKIN, Jeffrey, Near Parachilna, 1985