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Artwork, other (1261)
Ceramic (764)
Decorative object (711)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2041)
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Gippsland Art Gallery
Print, Larwill, Kir, Better Days, 2017
Purchased, 2017Monoprint and collograph on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, BLAKE, Peter b. 1932 Britain, England, Ostrich Beach-About Collage: Tourist Attraction, 2000
ScreenprintSigned 'Peter Blake' lower right corner under printed image. Edition 15/60, under printed image. -
Flagstaff Hill Maritime Museum and Village
Print - Lithograph Picture, Madagascar Indiaman, Unknown
Madagascar was a large British merchant ship built for the trade to India and China in 1837 that disappeared on a voyage from Melbourne to London in 1853. The disappearance of Madagascar was one of the great maritime mysteries of the 19th century and has probably been the subject of more speculation than any other 19th-century maritime puzzle, except for the Mary Celeste. Madagascar, the second Blackwall Frigate, was built for George and Henry Green at the Blackwall Yard, London, a shipyard that they co-owned with the Wigram family. A one-eighth share in the vessel was held throughout her 16-year career by her first master Captain William Harrison Walker Walker. Madagascar carried freight, passengers, and troops between England and India until the end of 1852. In addition to her normal crew, she also carried many boys being trained as officers for the merchant marine. Known as midshipmen from naval practice, their parents or guardians paid for their training, and they only received a nominal wage of usually a shilling a month. Due to the Victorian Gold Rush, Madagascar, under the command of Captain Fortescue William Harris, was sent to Melbourne with emigrants. She left Plymouth on 11 March 1853 and, after an uneventful passage of 87 days, reached Melbourne on 10 June. Fourteen of her 60 crew jumped ship for the diggings, and it is believed only about three replacements were signed on. She then loaded a cargo that included wool, rice, and about two tonnes of gold valued at £240,000, and took on board about 110 passengers for London. On Wednesday 10 August, just as she was preparing to sail, police went on board and arrested a bushranger John Francis, who was later found to have been one of those responsible for robbing on 20th July the Melbourne Private Escort between the McIvor goldfield at Heathcote, Victoria and Kyneton. On the following day, the police arrested two others, one on board the ship and the other as he was preparing to board. As a result of these arrests, Madagascar did not leave Melbourne until Friday 12 August 1853. After she left Port Phillip Heads Madagascar was never seen again. When the ship became overdue many theories were floated, including spontaneous combustion of the wool cargo, hitting an iceberg and, most controversially, being seized by criminal elements of the passengers and/or crew and scuttled, with the gold being stolen and the remaining passengers and crew murdered. There have been many rumors as to what happened to Madagascar over the years but what really happened is still a mystery. The lithograph was made around 1950 from an original painting of Madagascar a Vessel with a notorious past and is interesting and a significant item for the ships part in early Victorian history. The picture is it’s self not valuable or can be associated with a significant person in history. The interest lies in the events that are linked to the ship in the mid 19th century.Lithograph of the ship Madagascar, in a wooden frameThe Madagascar East Indiaman 1000 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, the madagascar, east indiaman -
Bendigo Military Museum
Print - PRINT, FRAMED, AIF RACE MEETING
Print of a poster for race meeting " AIF Race Meeting" to be held on the New Flemington Track, Barbara near Gaza dated Saturday Sept 7th, 1940. NB: this is a second display of same print. Print of poster - black print on white background. Frame - timber, painted black colour. Glass front.On back of frame, on adhesive label, handwritten red ink. ON LOAN TO / BENDIGO RSL, AS LONG AS THEY/ WANT IT./ TO BE RETURNED/ IF DISPLAY OF PRINT NOT IN USE/ TO / N.S. FULLERTON/ 18 BOSQUET/ WHITE HILLS / OWNER.framed print, history, ww2, army -
Glenelg Shire Council Cultural Collection
Print - Prints, Reproductive - Set, (Untitled - Historic Portland Buildings), 1974
On Display at History HouseWall hanging set of 5 black and white prints of Historic Portland Buildings. Each print in a black and gold frame, print covered with glass. The five prints connected with green braided cord. Steampacket Inn Foresters Hall Old Town Hall Court House H.M. Customs -
Glenelg Shire Council Cultural Collection
Print - Print - Impression of Ultimate Development of Port of Portland, Victoria, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: 'Impression of Ultimate Development of Port of Portland, Victoria.' 'Bruce Ormandy' 1977-port of portland archives, portland harbour -
Swan Hill Regional Art Gallery
Print, VINEY, Wayne, Lonely as a cloud - 1, 2005
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Bendigo Art Gallery
Sculpture, Callum MORTON, Monument # 8 - Pile # 2, 2006
sculpture, contemporary art, australian artist, sound scape -
Gippsland Art Gallery
Print, Rose, David, Little Zinnia, 1974
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Clunes Museum
Print - LITHOGRAPH PRINT, For He's a Jolly Good Fellow, 1905
Presented with "Pictorial Comedy" Christmas 1905Print of lithograph depicting a lady seated on a chair and slumped over table, arms extended. For He's a Jolly Good Fellowlithograph, christmas 1905, f w read -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Women's journey, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Women's journey 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010.etchingetching, journey, vicki couzens, yam, eel, bayside indigenous coastal trail, carolyn briggs -
Glenelg Shire Council Cultural Collection
Print - Print - Portland Baths, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint which features the 1985 Calendar in the bottom two-thirds of the work. The top third of the work presents a multi-coloured image of the interior of the Portland Sea BathsFront: (no inscriptions) Back: 8 -
City of Ballarat
Sculpture - Public Artwork, Hebe by Charles F. Summers, 1899
This statue of Hebe standing tall in Sturt Street is a religious reference to the youth. She holds aloft the cup of youth while the flask or jug of knowledge hangs in her fallen arm. Both Hebe and Ruth as iconic figures face each other across their garden beds forming a part of the sculptural vista of Sturt St. Hebe, Greek Goddess of Youth and the biblical figure Ruth, were the gift of wealthy local benefactor John Permewan, who owned carrier firm Permewan & Wright. He commissioned Charles Summers to sculpt both of the women figures. The artwork is of aesthetic and historical significance to the people of Ballarat.Marble sculptural depiction of the Greek goddess Hebe Presented to The City Council of Ballaarat by John Permewan J.P. 1899/ Unveiled 3 April 1889. / This wealthy gentleman of the firm of carriers Permewan & Wright, was also an investor.hebe -
Latrobe Regional Gallery
Print, FRENCH, Leonard OBE b. 1928 Brunswick, Victoria d. 2017 Melbourne, Victoria, Fish over Landscape, 1964
Silkscreen printSigned and dated lower right corner beneath print, pencil "Leonard French 63" Titled and edition lower left beneath print, "Fish over Landscape" 2/50 -
Eltham District Historical Society Inc
Print - Photograph, Alan Marshall's bungalow, 13 Park West Road, Eltham, 22 July 1993
From 1955 Alan Marshall's home was a bungalow at the rear of his sister's house at Eltham. The first bungalow burnt down. Its replacement shown here still stands. In March 2020 the property was sold. It was last sold previously in November 1982. No mention was made in the advertising regarding the heritage protected bungalow in the rear yard and advertising material presented it as having future potential to develop STCA (Subject To Council Approval). Concerned local members of the community alerted to EDHS to the pending upcoming sale and Council was also alerted to the sale and the potential risk presented to the heritage protected bungalow. In 2021 an updated amendment, C133nill, was made to the Nillumbik Planning Scheme in response to a planning application to develop the property following its sale. The Minster of Planning approved and gazetted the Amendment. Gazettal occurred on 25th November 2021. A copy of the gazetted Amendment is available on website of the Department of Environment, Land, Water and Planning at www.planning.vic.gov.au/schemes-and-amendments/browse-amendments. It was last updated March 2022. alan marshall, alan marshall bungalow, eltham, heritage assessment, heritage protection overlay, houses, nillumbik shire council, park west road, heritage overlay ho147 -
Gippsland Art Gallery
Sculpture, Steinkellner, Karl, Midnight Philosophers, 1982
Purchased, 1982White beechgippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, BELLANY, John b. 1942, Port Seton d. 2013, Celtic Maiden, 2000
ScreenprintSigned 'Bellany' lower right corner under printed image. Titled 'Celtic Maiden' centred under printed image. Edition 17/80, numbered under lower left corner of printed image. -
Greensborough Historical Society
Print, Greensborough 1889 / Arthur Elliott, 1889_
Mounted print of "Greensborough 1889 painted by Arthur Elliott". Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.A view of rural Greensborough 1889.Print of painting, mounted on masonite.main street greensborough, arthur elliott -
Horsham Regional Art Gallery
Print, Louis KAHAN, Dena dancing, 1975
Purchased through the Horsham Art Gallery Trust Fund, 1977 -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Spithead, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Label, n.d
Two apple box labels, white heavy paper, red and blue print. 'PORTLAND APPLES GROWN AND PACKED BY W.H. HANN & SONS' -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella REscue Series No. 9, Bob Stone, 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859, n.d
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Ninth in a suite of 16, in the Admella Rescue Series. Depicts Crew rowing the Portland lifeboat through rough seas. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859 - hand written, black pen.admella, portland lifeboat, shipwreck -
School of Health and Biomedical Sciences, RMIT University
Sculpture - Statue, Fu Xi
伏羲 中国神话中人类的始祖,上古三皇之一。所处时代约为旧石器时代中晚期。在医 学方面,传说他发明了八卦,演示阴阳学说,成为中医理论的基础,同时又发明了九 针,为针灸学之始祖。 Fu Xi First of the three mythological emperors of ancient China and the earliest ancestor for humans according to Chinese legends. He is said to have lived in the mid to late stages of the Old Stone Age. Medically, legend tells he discovered the famous Chinese eight trigrams (bagua), developed yin-yang theory which became the principal of traditional Chinese medicine. Fu Xi is the pioneer of acupuncture and invented the nine classical needles.Small silver coloured metal sculpture on sqaure wood base with Chinese script along front. fu xi, chinese medicine, yin-yang, bagua, acupuncture, rmit chinese medicine collection -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Primordial fires, 2001
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Federation University Historical Collection
Sculpture - Metalwork, Bird
This work was possibly made in the trade school under the direction of Ken Skull, Metal sculpture of a bird, with wings splayed and standing on a branchsculpture, bird -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Bird Boy, 1996
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Gippsland Art Gallery
Print, Unknown Artist, Untitled, c.1800s
Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Images, Unbound Images from Withers' 'History of Ballarat', c1987
Copies of all images from the 1887 version of Withers' 'History of Ballarat'. The images include copies of the Eureka Stockade reward posters. mail coach, eureka graves, ballaarat old cemetery, mining registrar's office, reward posters, lake wendouree, bakery hill, madame berry gold mining company, ballarat from bath's hotel, quartz crushing, black hill, horse puddler, pennyweight flat, aborigines, creswick, withers, william b. withers, history of ballarat -
Gippsland Art Gallery
Print, Duxbury, Lesley, Wonder (Between Eye and Sun), 2005
Purchased with the assistance of Brian and Raynor Castles and the Friends of the Gallery, 2019Archival inkjet prints and screenprint on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Temple of Jupiter Panhellenius, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection