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Artwork, other (1294)
Ceramic (766)
Decorative object (719)
Drawing (4609)
Mixed media (528)
Painting (2485)
Print (1665)
Sculpture (405)
Textile (1396)
Work on paper (2080)
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Charlton RSL Sub Branch
Decorative object - Glass frame of poppies, Memorial frame of poppies of a picture of a field
Shadow box frame of poppies on image of a field. Lest we Forget. Made by Glenys Porter and Anita Jones 6th July 2012 -
Mission to Seafarers Victoria
Drawing - Caricature, Series, Fred Negro, 31 March 2011
Fred Negro, cartoonist from St Kilda, made drawings of guests during Stephen Cummings concert in the Mission's courtyard on 31 March 2011. Stephen Cummings gave several concerts at the Mission in 2011 and 2012. The sketch titled "Later on at the Mission After Stephen 'Cummo' Cummings" was published in the Ship to Shore Autumn 2011.A4 drawings in black ink on white paperfred negro, stephen cummings, andrea fleming, 2011, caricature, concerts, cultural events -
National Vietnam Veterans Museum (NVVM)
Drawing
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A colour caricature of Denis Gibbons, by William E Green (Weg) of the Melbourne Herald newspaper during his visit to the 1st Australian Task Force Base in Nui Dat, Phuoc Tuy Province, South Vietnam in April 1967.WEG.'67/MELBOURNE/HERALD. Noi Dat!/South Vietnamweg (william e green), 1 atf base, press centre, nui dat, phuoc tuy province, herald, melbourne, 1967, drawing, caricature, denis gibbons, photographer, vietnam war -
Bendigo Historical Society Inc.
Textile - PALE PINK BEADED PURSE, Early 1900s
Textiles. Pale pink beaded purse. Diamond pattern at top and bottom of clear glass beads. Floral pattern across centre of silver coloured beads. Beaded on both sides. Lined with cream coloured cotton fabric. Brass frame and clasp with brass chain carrying handle.textiles, domestic, pale pink beaded purse. -
Churchill Island Heritage Farm
Textile - Lace Trim
This is another machine lace made using a thicker crochet-like thread, quite possibly cotton judging by the texture. The geometric pattern has been made in the style of Torchon lace and it gives the appearance of softness and comfort. This lace is quite narrow (1.1cm) and was not made as an insertion lace but as a trim. It was most likely used as a trim on children’s underclothing and bed linen. It may have been used as a trim on a mob cap for a maid or a less senior member of the household. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.Torchon machine lace, coarse crochet like thread. One fairly straight edge with picots. Other edge has clusters of elongated picots at even intervals. Geometric pattern insidechurchill island, lace, janet amess, lace collection, torchon -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 29 Orange Grove, Camberwell, 2000
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Avon Acceleration Control Unit Altitude Sensitive M.I. 43:11
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Heidelberg Golf Club
Decorative object - Badge, Heidelberg Golf Club, Monthly medals
Small gold badges/pins awarded as a men's golf prize, donated by Mr Gloster. Gold coloured metal badges on velvet base; with HGC in different scripts. Hook on back "HGC" monthly medal, badges, gloster -
Brimbank City Council
Textile - Printed fabric, Unknown
Black cloth with asian art in a boxunknown -
Swan Hill Regional Art Gallery
Mixed media, DAVIS, John, Untitled (fish from nomad series 1-50, #59 and unmarked), unknown
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Whitehorse Historical Society Inc.
Textile - Table Mat
From the estate of the late Jean Ord, mother of the donor.Square white linen table centre with hem stitching crotchet edging.manchester, table linen, handcrafts, crocheting or crochet work -
Ararat Gallery TAMA
Mixed media, Barbara Bullard, Reefed Down
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4/40 Carson Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 4/40 Carson Street, Kew by Margaret Picken.4/40 CARSON ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/40 carson street -- kew (vic.) -
Bialik College
Mixed media (series) - I Love to Eat Jewish, 1968
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Glen Eira Historical Society
Drawing - Grace Darling, Bond Street, 1, Caulfield North
A photocopy of an undated, unattributed sketch (155mm x 220mm) of the racehorse Grace Darling after she won the Caulfield Cup in 1885. The property Grace Darling at 1 Bond Street, Caulfield North is most likely named after this racehorse. The horse Grace Darling was owned by J G Reid.caulfield cup, racehorses, reid j g, grace darling, jockeys, horse racing -
Moorabbin Air Museum
Mixed media (Item) - Team Australia Defence Industry Capabilities for the Joint Strike Fighter Program, Joint Strike Fighter: Industry Capabilities
Contains advertisements relating to the Australian defence industry's ability to contribute to the Joint Strike Fighter program. -
Hawthorn Historical Society
Drawing - Property Illustration, 106 A&B Liddiard Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film106 A&B LIDDIARD ST, HAWTHORN Margaret Picken ~94 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Wodonga & District Historical Society Inc
Decorative object - Sarah Coventry jewellery case, C. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s.As part of the Sarah Coventry collection, the jewellery box has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A white and silver jewellery case produced by Sarah Coventry Inc. Writing in silver on top and inside of the lid.On the outside top of the lid "SC" On the inside of the lid "Sarah Coventry Inc ® FINE FASHION JEWELRY"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch, brooches, sawyer -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 11 Sunnyside Avenue, Camberwell, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glenelg Shire Council Cultural Collection
Mixed media - Oral History Interview - Borthwicks, Clarrie Tonkin Interview - Borthwicks, c. 2014
Borthwick's Meat works was run by Thomas Borthwick & Sons.DVD unedited. Interview with Clarrie Tonkinborthwicks, meat processing, industry, portland -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Marquis Street, Ashburton, 2000
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ararat Gallery TAMA
Textile, Pamela Gaunt, The Shape Of Things To Come, 1988
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Moorabbin Air Museum
Drawing (Item) - Camoflage Scheme for Single Engined Monoplanes
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Ararat Gallery TAMA
Textile, Julie Montgarrett, Thought Rise, 1980
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Bendigo Historical Society Inc.
Textile - FORTUNA COLLECTION: RUG USED IN FORTUNA VILLA
Rug believed to have been used in Fortuna Villa. 1.27cm x 1.96cm. Fringed ends. Possibly silk and jute materials. Multi coloured, predominately blue, yellow with pink and black. Intricate floral design.textiles, domestic -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 101 Barkers Road, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 101 Barkers Road, Kew by Margaret Picken.101 BARKERS RD., KEW / MARGARET PICKEN (c) 2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 101 barkers road -- kew (vic.) -
Ararat Gallery TAMA
Decorative object, Mizuhiki, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Moorabbin Air Museum
Drawing (item) - Fitting Refrig -Unit Job No.62221
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 40 Barrington Avenue, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 40 Barrington Avenue, Kew by Margaret Picken.40 BARRINGTON AVE., KEW / MARGARET PICKEN '89artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 40 barrington avenue -- kew (vic.) -
Glenelg Shire Council Cultural Collection
Drawing, Noel Jones, Laneway, 1971
NoneView of a lanway. The laneway begins lower centre of image and recedes into image, halting 1/3 into the image. It is flanked by a high wooden fence on the right and a low wooden pole fence on the left. Behind fence on the right is the top of the wall and the roof of a house. One the left there is a house on a slight hill, rising above the road. There are houses in the background, with power poles and antennae visible above the roof lines. Mounted in black matt. Framed in silver frame with glass.Front: NWJones 71/ (lower left, black felt tip pen) Back: "Laneway" N.W. Jones 31 Linden St Box Hill Sth $25.00 (centre, black felt-tip pen)