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Federation University Art Collection
Painting - poster, R.W. Warnock, 'Mobil Oil', c1935
Reginald (Reg) WARNOCK (1915-1991) Reginald William Warnock undertook the Commercial Art course during the 1930s. On completion, he worked as a designer at Paton’s Advertising Service, Melbourne. Commercial art subjects between 1915 and 1939 reflected changing practises and industry requirements, with Ballarat graduates in demand. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. R.W. Warnock moved from Ballarat to Moonee Ponds towards the end of March, 1937. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Commercial art Framed original poster completed at the Ballarat Technical Art School by R.W. Warnock. It shows Oil pouring from a bottle in front of a steam engine. Please use the comment link below if you can assist with information about R.W. Warnock."For power and efficiency" "Mobil Oil"art, artwork, warnock, mobil, oil, poster, r.w. warnock, available, alumni, locomotive, steam engine, motor oil, advertisement, reginald warnock -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Container, 1900 to 1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base. Handholds moulded on each side glazed finish, cracks in base.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware -
Whitehorse Historical Society Inc.
Ceramic - Tile
Plain ceramic tile used for brown coloured glazes numbered 6,11,12,13,14,15,16,17,18(Handwritten on back) 25 Blytheceramics, earthenware -
Moorabbin Air Museum
Painting (Item) - Artists impression of raid, Hamburg Bremen bombing raid
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Gippsland Art Gallery
Painting, White, Percy, Near Olinda, c.1940s
Donated from the estate of John Leslie OBE, 2017Oil on canvasgippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Painting, Jack Freeman, Landscape Dandenong, c. 1961
CEMA Art Collection Winner of Portland Artist's Society Prize 1961The painting depicts a small building set amongst tall trees and grasses. The building is situated in the centre of the work and is cream with a red roof and red awnings. In the foreground is a large area of long grass which leads into the shorter maintained grass that surrounds the building. Behind the building are numerous tall dark green trees. The work has a wide gilded frame and exposed canvas.Front: (No inscriptions) Back: Jack Freeman 1961 Landscape Dandenong (top right, black handwriting) 18 (white sticker) -
National Vietnam Veterans Museum (NVVM)
Painting, River Scene
A framed coloured Asian style painting with boats along a river and small shacks along the enbackment. There is a signature bottom right corner but no readable.painting -
Bendigo Military Museum
Mixed media - SCRAPBOOK BENDIGO RSL, C. 1963 - 73
This is the 3rd section of 4 pages from Scap book Cat No 8225. Page 13a. Photo shows 4 people at the Bendigo RSL Show stall buying Lucky envelopes. The two men facing the camera are Jack Barnes and Jack Plant. Page 13b. Photo shows the RSL Show Stall on the right with a Ferris wheel in the background. Page 14a. Photo showing shelves of goods to be won with lucky envelopes. The man on the right is Jack Plant. Page 14b. Photo showing the Show Stall itself, only person identifiable is Jack Plant. Page 15. Article with photo of 6 Ladies. The article covers a donation of $1517.00 from the Bendigo RSL Womens Auxiliary to the President of the RSL Mr Jack Plant at a Dinner at the Captain Cook Motel. The article covered a wide range of functions that the Ladies catered for from weddings, dinners, reunions and cabarets to raise funds. They also catered for four Golden wedding anniversaries of their members during the year. Mrs Morey was presented with a "Certificate of Merit" for her outstanding work as President over 14 years. Vice President of the RSL Mr Bob Temple presided over the election of Office Bearers of the Auxiliary with the Photo showing elected Office Bearers. Front row. Mrs L Browning Treasure, Mrs I Hudson President, Mrs J Plant Secretary. Back row. Mrs H Hocking Vice President, Mrs H Simms Assistant Secretary, Mrs T Metcalf Vice President. Page 16. Photo of 3 people at the Anzac Day Service in 1973. The article describes the address given by Dr B.J. Doran (centre) being "Negotiation is the way to prevent War", he is the Director of Medical Services at the Repatriation Department. On the left is the Mayor of Bendigo Cr J.P. Pearce, on the right is Mr R. Temple President of the Bendigo RSL. Four articles and photographs from Spiroflex sketch book continued on. Page 13. Two B & W photos of people at an RSL Show stall. Page 14. Two photos of a RSL Show stall. Page 15. Article and photo B & W of a group of Ladies at a meeting. Page 16. Photo and article with 3 people at Anzac day 1973.on page 1 in blue pen, "Show Stall 1972", page 4 in blue pen, "Anzac day 1973".brsl, smirsl, scrapbook, wabrsl -
Glenelg Shire Council Cultural Collection
Mixed media - Limited Edition 1st Day Cover - Historic Shipwrecks - Admella 150 years, c. 2009
Admella 150 years commemorative stamp -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and black and green decorative pattern.Black and green decorative patternpottery, ceramic, archaeology -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, LM Wallis, Beaumaris, 1932
Impressionismoil on boardbeaumaris, beaumaris hotel, road, vegetation, bayside, power pole, signs, landscape, building, hotel -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white and green glazed finish pottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finish -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, A. Bend. Tatura Camp Victoria 6.41, 1941
Made and used by internee at Camp 2.Watercolour painting of war time camp depicting huts and trees, cloud formation, sunrise/sunset. Light coloured wooden frame.Leonhard Adam. A. Bend. Tatura Camp Victoria 6 ? 41internment camp 2 artists, internment camp 2, mary clare adam murritz, leonhard adam -
Ararat Gallery TAMA
Painting, Ludwig Hirschfeld Mack, Untitled, 1960
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Numurkah & District Historical Society
Painting - Water colour painting of Numurkah Railway footbridge & goods shed
Wooden framed, glass covered water coloured print of Numurkah Railway Station footbridge & goods shed, with silo in backgroundNumurkah Railway Station & Footbridge / Vicki Wilkinson-Byme 1988 -
Gippsland Art Gallery
Painting, Ragless, Max, Peak Hill, c.1950s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Watercolour on paper on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Hines, Geoff, Pool, 1977
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Hill, Daryl, Untitled - Landscape, 1964
Donated by Charles Nodrum 2019Watercolour on card papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Painting, Jim Bourke
an original painting of Jim Bourke. There are two images of Jim, one as a young soldier and the second in later years dressed in a suit and bow tie. Jim Bourke served with 1st battalion RAR 1965painting, vietnam lest we forget, 1st battalion rar -
Bendigo Historical Society Inc.
Painting - THROWING THE BOOMERANG
Artwork No 7 of series. On bottom of card ' Throwing the Boomerang' Aboriginal throwing boomerang at Kangaroos.unknownartwork, print, landscape -
Gippsland Art Gallery
Painting, Spark, Janet, Riverbank, Maffra, c.1910
Purchased with the assistance of John Leslie OBE, 1985Oil on canvasboardgippsland, artwork, permanent collection -
Wangaratta Art Gallery
Painting, Elaine Burge, Forest Ferns At Healseville, 1983
Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Arts Council.A rectangular landscape of forest ferns painted in oil using shades of green, brown, and blue.Obverse: Elaine Burge/ (bottom right corner)wangaratta art gallery, elaine burge, landscape, forest, healesville, painting -
Federation University Art Collection
Painting - Oil on Canvas, Johnson, George, 'Symbols of Life' by George Johnson, 1965
George JOHNSON (18 August 1926- ) Born Nelson, New Zealand Arrived Australia 1953 George Johnson's formalised abstractions usually feature a pattern of small related geometrical shapes which give life, luminosity and fluidity to forms which might be mechanical and lifeless. Later his forms become become much larger and more architonic. The work of George Johnson debuted at the Herald Outdoor Art Show in 1953. The George Johnson Mural was commissioned by the Ballarat Teachers' College Students' Representative Council in 1965. It was purchased with funds raised by staff and students. At the unveiling of this work at the Ballarat Teachers' College Johnson's work was described at belonging to the "Hard Edged" school of abstract painters who had set themselves far above the mass of abstract painters by the vitality and artistic ability displayed in their work. Of the work John JOhnson said "We are all part of life and are growing and developing in many different ways, the process of development is often taking place without us even being aware of it. In my painting the embryo shapes appear and grow. I have tried to make the mural symbolic of life and growth. I do not thank that anything has been left to chance in the mural. Everything is working, and, I feel, working well. It has balance and harmony - and perhaps discord, as does life - one malfunction or imbalance throws everything out." This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted mural in three panels, including hession collage. art, artwork, george johnson, johnson, ballarat teachers' college art collection, mural, hard edged -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Camp 3 with girls
The two girls in the painting are Hedwig Vollmer and Aline Zollinger of Camp 3. The painting is believed to be by J Wolfgarten a German Wooolbuyer. Colour photograph of this painting is filed in the V internee file.Water colour painting of camp huts. Hut painted blue surrounded by gardens. The garden are outlined with bricks. The two window are open. One window has white curtains. Two girls are standing at the door. Both in pale dresses. One girl with blond hair standing on the threshold facing the other girl with dark hair girl who is standing just outside the doorway. 1942 Tatura (a mark before the date perhaps a stylised R)camp 3, german internees, german woolbuyer, camp huts, internment camp gardens, camp water colours -
Federation University Art Collection
Painting - Artwork, "Pink Flowers" by Gwen Graham
Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. She was active <1963-1970>. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still life of a vase of flowers.art, artwork, gwen graham, still life, flora, hydrangea -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on paper gippsland, artwork, permanent collection -
Moorabbin Air Museum
Mixed media (Item) - Boeing 737 Manuals, Boeing 737 Manuals: 737-200 Manuals Rev 2008
Contains significant amount of manuals in PDF form relating to the Boeing 737 and its components. -
Ringwood and District Historical Society
Mixed media - Video, RDHS Meeting Presentation - "What a Difference - Ringwood 2009 to 2023" - Russ Haines
Digitised video (335MB). Duration: 08:30 minutes. Recorded June, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ringwood and District Historical Society President Russ Haines uses a slide-show of then-and-now photographs to compare Ringwood's shopping precinct changes over the past 14 years.