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Artwork, other (1266)
Ceramic (766)
Decorative object (715)
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Mixed media (518)
Painting (2482)
Print (1658)
Sculpture (402)
Textile (1395)
Work on paper (2052)
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Moorabbin Air Museum
Drawing (Item) - Douglas Dolphin A35, drawings, Douglas Dolphin A35
Douglas Aircraft Co., Inc. -
Melbourne Tram Museum
Drawing - early Melbourne CBD scenes, Sands & Kenny Melbourne & Sydney, 1856
Set of three prints of Melbourne street scenes published by Sands & Kenny in 1856 1 - Post Office 2 - Princes Bridge and city terminus of M&HB Railway Melbourne (Melbourne and Hobsons Bay Railway) 3 - Collins Street looking east from Wesleyan Chapel Melbourne (near Queens St) Shows typical horse-drawn transport, railway and pedestrians of the era.Yields infomaition about Melbourne in 1856.Set of three prints or lithographs of drawings of early Melbourne scenes on paper.melbourne, horses, horse drawn vehicles, collins st, post office, princes bridge, railways, m&hbr -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Ad Hominems, 2019
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Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Lower Plenty Gorge, 1983
Pastel on paperSigned, dated and titled 'Bellany '83 Lower Plenty Gorge' along bottom of drawing. -
Glenelg Shire Council Cultural Collection
Print - Print - Lawrence Rocks and Point Danger from Crumpets, Paula Tsernjavski, Lawrence Rocks and Point Danger from Crumpets, 1985
Gannet in flight over seascape. Blue and white checks form an abstract background in a little over half the top area of image.Front: 7/25 (lower left, pencil) Lawrence Rocks and Point Danger from Crumpets (lower centre, pencil) Mayor of Portland (lower left, blue stamp) Back: Portland Proclaimed a City October 28th 1985 (lower centre, blue stamp) Minister for Local Government (lower right, blue stamp) -
Flagstaff Hill Maritime Museum and Village
Textile - Altar Cloth, ca 1970-1986
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is used in the Chapel of the St Nicholas Seamen's Church at Flagstaff HIll Maritime Museum and Village. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. Altar cloth: simple white linen cloth, long rectangle shape with wide hems.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 76 Mount Street, Kew, 1987
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 76 Mount Street, Kew by Margaret Picken.76 MOUNT ST., KEW / MARG. PICKEN '87 artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 76 mount street - kew (vic) -
National Wool Museum
Textile - Quilt, 1940-1959
This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two. Part of the Running Stitch collection.Small woollen suitings wagga. It is machine stitched, backed with orange cotton and edged with brown navy and white striped braid. Two rows of orange braid and purple ric rac are stitched across the wagga.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history, world war two, wwii -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on paper gippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 40 Stanhope Grove, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 19 Cecil Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 19 Cecil Street, Kew by Margaret Picken.19 CECIL ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 19 cecil street -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 5 Christowel Street, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Geelong Gallery
Print - Beautiful courtesan with flower fan, EISHO, Chokosai, 1790
Hand coloured woodblock with mica -
Hawthorn Historical Society
Drawing - Property Illustration, 26 Falmouth Street, Hawthorn, 2000
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 26 Falmouth Street, Hawthorn by Margaret Picken.26 Falmouth St, Haw, Margaret Picken c2000. Hocking Stuart. artist - margaret picken 1950- -
Wangaratta Art Gallery
Painting, Kevin Taylor, Richmond Patterns, c.2003
Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2003.A landscape painting of a terrace house painted in oils using yellows, greens, blues, greys, browns, oranges, and white.Obverse: Taylor/ (bottom right corner) Grand Winner - 2003/ Richmond Patterns/ Artist: Kevin Taylor/ Judge: Herman Pekel/ (plaque mounted on frame)wangaratta art gallery, kevin taylor, landscape, painting, richmond, terrace house -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills -
Hawthorn Historical Society
Drawing - Property Illustration, 14 Carlyle Street, Hawthorn East, 1988
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Carlyle Street, Hawthorn East by Margaret Picken.14 Carlyle St, Hawthorn, Marg Picken '88. Woodards - C'well - 'C'. artist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - RAAF Bristol Beaufighter drawings, Bristol Beaufighter A8-A19
RAAF -
Bendigo Historical Society Inc.
Textile - CLOTH COMMEMORATION OF THE CORONATION OF KING EDWARD VII
Cotton / Cloth Commemoration of the coronation of King Edward VII , June 1902 , cream background , red borders , showing the king's portrait , Westminster Abbey , Buckingham Palace & coat of arms , Dieu Et Mon Droit.civic mementoes, royal souvenirs, the coronation of king edward vii , june 1902 -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/43-45 Edgar Street, Glen Iris, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "South Side Story - Maroondah Hwy, Wantirna Road to New Street" - Richard Carter
Digitised video (3.19GB) Duration: 75 minutes. Recorded May, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Past-President of RDHS, Richard Carter, is the guru when it comes to researching properties. South Side Story examines the often forgotten - but important - part of Ringwood from Wantirna Road to Olive Grove on the southern side of Maroondah Highway, Ringwood, Victoria. -
Swan Hill Regional Art Gallery
Painting, PICKUP, Col, Untitled, 1962
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Hawthorn Historical Society
Drawing - Property Illustration, 1/11 Henry Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.1/11 HENRY ST, HAWTHORN Margaret Picken ~90 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Glenelg Shire Council Cultural Collection
Painting, Newton Hedstrom, Opera House, n.d
CEMA Art Collection Noted that this work was sent by Caltex in exchange for the winner of the 1973 Caltex Prize, which was part of the Portland Art Society Art Prize. The exchanged work was a print by Greg Moncrieff. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts the Sydney Opera House in shades of blue and brown. In the foreground to the left is the brown roof of a building with four red chimneys. In front of these two buildings is an elevated road. Seperating the road from the Opera House is a body of water completed in shades of cream and white. The shadow of the Opera House on the water's surface is completed in shades of blue and green. The work has a brown and gold frame with painted material mount and exposed canvas.Front: N. HEDSTROM (lower left, red paint) Back: (no inscriptions) -
Australian Lace Guild - Victorian Branch
Textile - Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Federation University Art Collection
Painting, Jacqueline Sleight, Fire I, 2004
Jacqueline SLEIGHT This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed abstract paintings.art, artwork, jacqueline sleight, abstract, fire -
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2 Dent Street, Glen Iris, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 100 Spring st North built environment - domestic, frank gordon real estate, spring street -
Australian Lace Guild - Victorian Branch
Textile - Crochet
Use: Domestic. household trimming Crochet imitating Torchon laceCrochet insertion. Sample