Showing 4036 items matching art
Artwork, other (1243) Ceramic (749) Decorative object (667) Drawing (4564) Mixed media (489) Painting (2389) Print (1647) Sculpture (397) Textile (1239) Work on paper (2040)-
Bendigo Historical Society Inc.
Painting - Fire, William A. Delecca, "Stramit Industries fire at Golden Square 1961"
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Oil painting. The painting is done in dark grey and white with some splashes of orange. William Delecca Collection.In pencil on the back Stramit Industries fire at Golden Square 1961, painting by William A. Deleccagolden squrae, stramit industries, fire -
Glenelg Shire Council Cultural Collection
Print, Bridgewater Bay, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42 -
Wyndham Art Gallery (Wyndham City Council)
Print, Edwina Green, Untitled, 2023
Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Heidelberg, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Pattinson, Elizabeth (Betty), Face on the Hill, 1986
Purchased, 1986Oil on boardgippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Watercolour, David Alexander, [Coastal Scene] by David Alexander
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour by Dr David Alexander showing a coastal scene. Gift of David Alexander, 2013art, artwork, david alexander, alexander, landscape, gippsland campus, churchill -
Lorne Historical Society
Print - Framed coloured print, Print Accommodation Lorne to 1950, Exact date Unknown
Rob Coy depicted the 22 following buildings with a map 1. Bonnie Doon 2. Gracedale 3. Cora Lynn 4. Carinya 5. Kia-Ora 6. Kalimna 7. Argyll 8. Minapre 9. Erskine House 10.Hotel Pacific 11. The Cumberland 12. Riverview 13. Hotel Lorne 14. The Chalet 15. Santoy 16. Clovelly 17. Yendallock 18. Nenthorne 19. Quamby 20. Ben-My-Kree 21. Glenora 22. Ozone House Rectangular framed color print of Rob Coy ‘ sketch Accommodation Lorne to 1950. The guest houses were, Bonnie Doon, Gracedale, Cora Lyn, Karinya, Kia Ora, Kalimna, Argyle, Minapre, Erskine House, Hotel Pacific, Cumberland, Riverview, Lorne Hotel, Chalet, Santoy, Clovelly, Yendaloch, Nenthorne, Quamby, Ben - My Cree, Glendora, Ozone House and a small map showing the locations of the accommodation. We believe this this is the original print. The colors are mainly blue and light tan. rob coy, lorne, accommodation, hotels, guest houses, pubs, erskine house -
Gippsland Art Gallery
Painting, Pelchen, Bob, Holey Plains' Homestead, 1985
Acquired, 2018Watercolour on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Mr Eyebrows, 1999
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Benalla Art Gallery
Print, Ethel CARRICK, (Houses. Water. Boats), Not dated
Born: Uxbridge, Middlesex, England 1872; Arrived: Melbourne, Victoria, Australia c.1914; Lived and worked: France 1905-1913, Australia: 1908 and 1913, Europe, Middle East and Asia 1916- c.1936; Died: Melbourne, Victoria, Australia 1952ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Hand-coloured lithograph depicting colourful buildings, boats and figures along shoreline. UnframedRecto: Signed "Carrick Fox" in black pencil in l.l.c of composition; "1/25" in black pencil in l.r.c of compositon; Not dated; Not titledprint, waterscape, boats, houses, bridge, figures, europe, trees, hill, water -
Glenelg Shire Council Cultural Collection
Painting, Home at Narrawong, c. 1999
Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls -
Bendigo Art Gallery
Print - Work on paper, Ohara SHOSON, Birds, c.1955
c.l; japanese charactersprint, printmaker, printmaking, woodblock, woodcut, japanese, japan, birds, flying, geese -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Big Foot, 2019
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Geelong Gallery
Painting - R E E F, EATON, Janenne, 2015
Enamel, vinyl, mirror and polymer clay on canvas -
Horsham Regional Art Gallery
Print, Louis KAHAN, Dena dancing, 1975
Purchased through the Horsham Art Gallery Trust Fund, 1977 -
Swan Hill Regional Art Gallery
Painting, OFFICER, Edward, untitled, unknown
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Gippsland Art Gallery
Print, Turner, J.M.W. (after), Brighton Chain Pier, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Beechworth RSL Sub-Branch
Print - Print AND THE BAND PLAYED WALTZING MATIDA, TOP CAT CALLIGRAPHICS - 1998 / from the original by Vanessa Crisp. Eric Bogle - Larrikin Music, 1998 - the original by Vanesa Crisp honours Roderick 'George' McLennon - fixed forever in his time
Print was purchased because of the popularity of the song that was written by Eric Bogle in 1971 following his attendance at an ANZAC Parade in CanberraABSTRACT The anti-war song “And the Band Played Waltzing Matilda” has become a cultural icon in Australia, and elsewhere has been recorded over 130 times in 10 different languages. The song was written in 1971 by Eric Bogle, a Scottish immigrant to Australia, who has penned more than 250 powerful compositions, which, among other things, focus on the failure of history to impress upon youth the futility of war. Appropriately, Bogle was named Australian Humanist of the Year in 2001 for capturing “the ethos of humanism through his perceptive and individualistic song writing with its exposure of racism, bigotry, war mongering and injustice of all kinds”. Additionally, he was awarded the United Nations Peace Medal (1986), and was made Member of the Order of Australia (1987). This article asks why a song written by a Scot in Australia, fifty-six years after the Dardanelles campaign, feels as if it has “always existed. That it belongs to culture and country”. It questions what the appeal imbued within the lyrics of those five short verses might be and recounts the story behind the creation of what Pete Seeger referred to as “one of the world’s greatest songs”. Through interviews with the writer, and an examination of the relevant historiography, this article presents a study of “the most potent ballad of the age”. It also examines what Bogle meant when he said that it was a song that “came into its time” Wooden framed glass front print - The Band Played Waltzing MatildaPrint contain the lyrics of the song -
Gippsland Art Gallery
Painting, Makin, Jeffrey, Riverbank Echuca, 1977
Purchased, 1977Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Struss, Elsie, Untitled (Seaside Landscape), c.1950
Donated from the estate of Wemyss Struss, 2016Watercolour on papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting, Neville Bunning, 'The Buckjumper' by Neville Bunning
Neville Bunning taught Sculpture and ceramiCs at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting depicting a horse and rider.art, artwork, neville bunning, horse, bunning, available -
Swan Hill Regional Art Gallery
Print, WAINBURRANGA, Paddy Fordham, Nammoo Roddoo, 2003
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Port Melbourne Historical & Preservation Society
Painting - Freemasons Hall, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Freemasons Hall - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Federation University Art Collection
Painting, Isabel Huntington, 'Sunflower' by Isabel Huntington, c1956
Isabel HUNTINGTON (1905 - 04 December 1971) Isabel McCausland was educated at Ballarat and married Robert Keith Huntington in 1931, and which time Isabel was living in the Melbourne suburb of Preston. Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member or the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. The critics of the day described Isobel Huntington's work as Post Impressionist and Expressionist. 'Her enjoyment of the use of colour and her sense of vitality is obvious in her most original conception of the relationship of art to flowers.' Ursula Hoff judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. In Ballarat's Crouch Prize Isabel Huntington was commended three times. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Her studio was located at 10 Nokes Court, Montmorency, 3094. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007 in 1971.Framed painting of a sunflower. The signature at the lower right has been oversigned in white 'Huntington 1962". A note on the back of the work suggests it was more like to have been created in 1956, and it was first purchased between 1956 and 1958. If you can share information on this artist or artwork please use the email link below.A note on the back says "Sunflower 1962 Oil/Pastel Insurance Isobel Huntington Gouache 1956 Black Box. Huntingdon (sic) Isobel. Acquired between 1956 - 1958"art, artwork, gouache, painting, sunflower, isabel huntington, handcraft, arts and crafts society, crouch prize, ursula hoff, alumni, flora, ballarat teachers' college art collection, isobel huntington, isabel mccausland -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on paper gippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Painting, Australian Sons
An original coloured painting of two Australian soldiers kissing the ground in front of an Australian Flag. Each soldier has their bags with them. In the background there is a coloured sky.painting, vietnam lest we forget, soldiers -
Ballarat Heritage Services
Painting, Clare Gervasoni, Old Bridge over the Woady Yallock River, 26/03/2023
Colour photographs of an old timber topped bridge crossing the Woady Yalloak River on Golden Lake Road. The bridge has bluestone foundations. bridge, woady yallock river, golden lake road, bluestone -
Robin Boyd Foundation
Painting, Donald Laycock, Nights of Love, 1965
This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18 -
Horsham Regional Art Gallery
Painting, Rupert BUNNY, Farm house, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1990 -
Stawell Historical Society Inc
Painting, Stawell Woollen Mill -- Painting by Mr will Rees
Will Rees Painting of Stawell Woollen Millstawell