alexandra langley hall, animals, available

Gift of the artist, 1978watercolour on paper

Painting stylised depicting a life in the trenches WW1, oil painting on canvas modern style, wood frame in 3 sections with each section inserted.painting ww1, oil on canvas, framed

From information book - "Readers Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting depicting in colour "Australian troops ascending the ridge above Anzac Cove to Plugge's Plateau." Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES W LAMBERT (1873-1930) Anzac, the landing 1915, 1920-1922". Official Australian War Artist in 1917.framed accessories, prints, ww1, gallipoli, centenary

Gift of the Davidson family in memory of Jean Davidson, 2022etching on paper

The steam yacht Titania of the Royal London Yacht Club depicted in the painting was a luxury steam propelled cruising yacht sailing from London to America and various locations throughout the world. She was captained by Captain Gordon Trent Chambers. During Operation Dynamo the Titania was employed transporting soldiers from Dunkirk and therefore was instrumental for saving many lives. Gilded wooden frame with painting of Steam Yacht Titania.S Y Titania on left front bottom. L. Papaluca (artist) on right front bottom.

Leslie DUMBRELL (14 October 1941 - ) Born Melbourne, Victoria Leslie Dumbrell was a pioneer of geometric abstraction in Australia. After completing a Diploma of Art (Painting) at the Royal Melbourne Institute of Technology (RMIT) in Melbourne in 1962, Leslie Dumbrell adopted the international style of colour field and hard-edged abstraction. She taught alongside Peter Booth, James Doolin and Alun Leech-Jones at RMIT and Prahran College of Advanced Education. In 1966 Dumbrell was appointed to the Prahran College of Advanced Education teacing with Alan Leach-Jones and Jim Doolin. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Geometric AbstractionA large painted canvas with precise, brightly coloured lines on a black background. Dumbrell uses colour and line to create optical effects which often convey the illusion of movement.art, artwork, dumbrell, hard-edged abstraction, colour field, leslie dumbrell

From Information book; "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting with pencil on wood. Depicts a cove with sea, sand and hills. Ruined buildings and structures visible on the beach. Horse eating grass in the foreground. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; " GEORGE W LAMBERT (1873-1930) Anzac Cove, 1919" “GEORGE W LAMBERT, unable to enlist in the Australian Imperial Force in London, joined Voluntary Training Corps". Appointed an official Australia War Artist, Australian Imperial Force 1917. framed accessories, prints, ww1, gallipoli, centenary

larundel

I live in an area of Darebin where creeks and lagoons are surrounded by sprawling brick houses and light industry perches on the tops of bluffs. It's where suburbia encroaches uneasily on the natural environment. I comment on this situation but also try to create a poignant narrative from it.

(verso) l.r; AK21298australian artist, first nations artist, female artist, abstract, cultural story, landscape

Alun LEACH-JONES (1937- 24 December 2017) Born Maghull, Lancashire, United Kingdom Arrived Australia 1960 Alun Leach-Jones is recognised as one of Australia's leading abstract colour painters. He spent his childhood in the Welsh village of Glasfryn, Denbighshire. At the age of 14 he started a three year apprenticeship with the Solicitors Law Society, Liverpool illuminating manuscripts and hand copying legal documents. While working with the law society Leach-Jones studied painting and drawing in the evenings at the Liverpool College of Art between the years 1955-57. He immigrated to Australia in 1960, settling in Adelaide and attending the South Australian School of Art, after which he travelled and exhibited throughout Australia and abroad. In 1966 Leach-Jones celebrated Noumenon series was shown with Australian Galleries in Melbourne and he was immediately recognised as being part of what was then labelled as ‘the New Abstraction’ in Australian art. Later in 1968 his work was included in the influential exhibition "The Field" held at the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Purchased by the Council of State College of Victoria, Ballarat, 1974art, artwork, leach-jones, alun leach-jones, abstract

Purchased through the Horsham Art Gallery Trust Fund, 2008

Mounted print of "Greensborough 1889 painted by Arthur Elliott". Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.A view of rural Greensborough 1889.Print of painting, mounted on masonite.main street greensborough, arthur elliott

Purchased with the assistance of the Gippsland Art Gallery Society, 2013Two plate colour etching on papergippsland, artwork, permanent collection

Donated by the artist, 2015Etching and aquatint on papergippsland, artwork, permanent collection

Purchased, 2013Engraving on papergippsland, artwork, permanent collection

CEMA Art Collection Previously located in History HouseThe painting illustrates a bush scene with a large gum tree in the foreground. To the left of the tree is a sunny track with long shadows formed by surrounding trees. On the track heading towards the viewer is a covered wagon drawn by a white horse. Behind the wagon is dense bush with tall trees and thick shrubs. Extending from the trees is a band of white clouds followed by light blue sky. The work is framed in a heavy, moulded, ornate, gilded frame with exposed canvas.Front: A.S.Murray (painted signature lower right) A Bush Track (plaque - lower centre on frame) Back: W.Hamer sticker Electoral Post Office sticker Hamilton Victoria stickerbush, landscape, australian

Wytt. R. MorroRectangular framed artwork made of a circular watercolour depicting a golden bower bird and below writing in circle.2nd circle writing: Golden Bower, The Original Artwork by Wytt Morro 1955wytt r. morro, golden bower bird, 1955, wine labels, mildara wines, mildara, merbein

Eleanor (Nornie) GUDE (1915- 2002) From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat Technical Art School, for five years before progressing to Melbourne’s National Gallery of Victoria Art School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed gouache by Nornie Gude. LLS signed "N.Gude"art, artwork, nornie gude, tea, available, poster, ballarat technical art school, alumni, portrait, robur tea

The first issue of The Young Englishwoman was published in December of 1864 and was directed toward a young, female, middle-class audience and treated mostly household matters such as needlework, recipes, house-hold management tips and fashion. The Young Englishwoman started out as a weekly magazine but, as editors and publishers changed over time, it became a monthly periodical.This items is used to illustrate the popularisation of fashion styles in the 19th centuryFramed fashion plate - 'The Newest French Fashions': modelled for the Young Englishwoman. fashion illustration, young englishwoman

Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "A view near Ballarat." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A few trees at bottom right-hand and a couple of houses in the background. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "A view near Ballarat" phone 36420. Address: 14 Barkly Terrace, Bendigo. In red chalk within a circle No. 22. norman penrose, artist, teacher, ballarat

Coloured VC Propaganda print on black card depicting female VC armed in uniform in front of VC flag and two dovesprint, viet cong, propaganda

Ballarat HistoryOld semi-gloss printballarat, ballaraat, black hill