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Kew Historical Society Inc
Work on paper, Joy Stewart, South Wing, Xavier College, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations. Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'South Wing, Xavier College' by the artist Joy Stewart. Inscription: "South Wing, Xavier College". Signed lower right: "JStewart".joy stewart, xavier college (kew) -
Federation University Art Collection
Work on paper - Bookplate, 'John Gartner'
The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Framed woodengraved bookplate for John Gartner. bookplate, keith wingrove memorial trust, john gartner, ex libris -
Horsham Regional Art Gallery
Print, Louis KAHAN, Four shearers and a dog, 1977
Purchased through the Horsham Art Gallery Trust Fund, 1977 -
Kew Historical Society Inc
Print, Dight's Falls & Kilby Farm, Kew, 1970s
Photographic reproduction of a bookplate from Dorothy Rogers' History of Kew (1973) showing Dights Falls and Kilby farm. dorothy rogers, dights falls, kilby farm -
Swan Hill Regional Art Gallery
Print, DeROSA, Chris, Drowned World, 2012
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Horsham Regional Art Gallery
Print, Irena SIBLEY, Fuschias, n.d
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured linocut on paper -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Peace - Burial of Wilkie, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Stevenson-Ryan, Elizabeth, Spotted Tail Quolls, 2017
Purchased, 2019Linocut print on papergippsland, artwork, permanent collection -
Bendigo Military Museum
Print - PRINT, FRAMED, C.1920 - 21
Black & white illustration, red & blue flag, wooden frame, white ink on brown cardboard window mount. Brown cardboard & cellotape on rear of frame, illustration, metal staples.“Royal Burial of the Unknown Warrior Westminster Abbey Nov 11 1920”photography-photographs, frame accessories, military history -
Ringwood RSL Sub-Branch
Work on paper - The Courier, newspaper articles
The Courier Cobram -
Flagstaff Hill Maritime Museum and Village
Print - Portrait, Australian Town and Country Journal, c. 1886
This print was an 1885 Christmas gift from the publishers of the Australian Town and Country Journal to their subscribers. At that time Queen Victoria was 65 years old although she may not have been that age when the portrait was painted. The print shows Queen Victoria’s signature in the bottom right corner. It cost sixpence per copy and operated from 1870-1919. The Australian Town and Country Journal was printed weekly, on Saturdays, in Sydney. The edition on December 26, 1885, contained 51 pages. The Journal claimed “Circulation Ten Thousand Copies, Greater than any other Weekly in Australia.” The frame of the print has a solid back of thick timber panels and is crudely made. The edges of the frame appear to have an underlying plaster base that has been covered with a layer of wood. The corners are reinforced with metal protectors. The subject of the print is Queen Victoria, Queen of the United Kingdom of Britain and Ireland. She was born as Princess Alexandrina Victoria of Kent on May 24, 1819. She became Queen on June 24, 1837 when King William IV died. She married Prince Albert of Saxe-Coburg and Gotha on February 10, 1840. Queen Victoria lived and reigned until her death on January 22, 1901, at age 82 years, after reigning for sixty-three years and seven months. This portrait is significant historically for its origin as an inclusion the Australian Town and Country Journal, a late 19th century Australian weekly newspaper, in circulation for almost fifty years. The portrait gifted to the newspaper’s subscribers is historically significant as an example of the connection between the people in the British Colony of Australia, with the value and respect held for the Queen of the Colony. The frame of the portrait, of solid and protective construction, shows the value that the owners placed on this portrait.Print behind glass in a brown wooden frame; coloured print of a portrait of Queen Victoria, made in watercolours. The Queen is wearing a blue sash, crown, and white ribbon pinned to the sash along with a cameo brooch and Royal Emblem. The portrait has an oval floral border of roses in pastel colours. Text is printed outside the border, as a title above and a signature below, in the lower right corner. The back of the frame is made of heavy timber panels with holes for attaching wire. The timber frame is over a white layer of soft substance, perhaps plaster. "Presented to the Subscribers of the Australian Town and Country Journal, December 25th 1885" “Victoria R”flagstaff hill, warrnambool, flagstaff hill maritime village, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, queen victoria, princess alexandrina victoria of kent, portrait of queen victoria, australian town and country journal, presented to subscribers, 1885 -
Latrobe Regional Gallery
Print, WOLSELEY, John b.1938 Somerset, England, No More: Poster for Environment Protest, 1976
Linocut print- -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Ancient Rome, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond, Gates at Ballarat East Town Hall Gardens
Ballarat HistoryOld gloss printballarat, ballaraat, east town hall, gates -
Old Colonists' Association of Ballarat Inc.
Work on paper, Kor-I-Nor Gold Mining Co Registered, Golden Point Lead, Ballarat
Kor-I-Nor Gold Mining Co was registered on 28 July 1856.The framed hand coloured lithograph shows the exterior of the Kor-I-Nor Gold Mining Co Registered, Golden Point Lead, Ballarat, and a lost of shareholders. sebastopol, herman deutsch, kor-i-nor gold mining co, golden point lead -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Shipwreck, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Kenneth Jack, Lake Surprise, Volcanic Plains No. 1, c. 1961
Lithograph, orange / yellows, white, grey, white double mount, black wooden frame, reflective glass, hanging wire width of frame, on backFront: 'Lake Surprise 4/40 No.1 Vocanic Plains of Victoria Kenneth Jack (signature) - pencil, in border between lithograph and mount Back: Black stamp 'KWD JACK P/L P.O.Box 1 Doreen Vic 3754' - centre back '79' pencil, bottom Left Hand corner -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), The Birdcage. A Scene from Boccaccio, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Contact Print - SS Eumeralla; Pastoral Scene, n.d
Sheet of 3 pairs of stereoscopic contact prints from glass plate negatives. Top: Foredeck SS 'Eumeralla' Middle: Two men sitting/standing on tree branch over water. Bottom: Bushland, stream running under bridge. -
Gippsland Art Gallery
Print, Jose, Ellen, Pelican - Sunset, 1989
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, The Last Supper, circa 1890
This framed print is part of a number of items from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, used during religious services there. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the orgainsation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This print is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The item is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this item to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Print of a watercolour painting, framed in Huon pine wood behind glass.Depicts the artist's impression of the Biblical event referred to as The Last Supper. Inscription marked on the back. Australian, circa 1890. The print is part of the St Nicholas Seamen's Church Collection (NOTE: This is not a copy of Leonardo da Vinci's 'Last Supper'.)On rear of board: "156" flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, last supper, worship, religious worship, ladies lightkeepers’ auxiliary -
Swan Hill Regional Art Gallery
Print, HANRAHAN, Barbara, The puppet master, 1987
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Lake Wendouree by Thomas Thompson 1873, Restored for the Ballarat Fine Art Gallery 2007, 2007
This painting of Lake Wendouree gives an accurate idea of activities at the Lake in 1873.This newspaper print of the painting is historically important in giving a clear idea of the environs, recreational activities and the people visiting Lake Wendouree in1873.1 large sheet in colour of a painting, oil on canvas entitled Lake Wendouree, by Thomas Thompson.Lefthand corner, to celebrate the Ballarat Courier's 140 years. Righthand corner, restored for the Ballarat Fine Art Gallery.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, lake wendouree, thomas thompson, ballarat fine art gallery, ballarat courier, john garner collection, gardens, ballarat -
Kew Historical Society Inc
Work on paper, Joy Stewart, 5. Kew Railway Station (1887-1958), 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.5. Kew Railway Station (1887-1958). A Handcoloured cartoon created by the artist Joy Stewart as a template for the fifth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "KEW RAILWAY STATION (1887-1958). Established to transport passengers and produce too and from the city ... Kew developed as a residential suburb which included cottages an dlarge homes such as Villa Alba". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Wordstorm, 2019
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Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Hive, 2019
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Bass Coast Shire Council - Robert Smith Collection
Work on paper - (1) Nude / (2) Portrait of a Fellow Artist, Ludwik Dutkiewicz
Australian 1921 - 2008Double sided drawingSigned l.r -
Clunes Museum
Print - FRAMED PRINT, BREAKING THE NEWS
FRAMED PRINT OF JOHN LONGSTAFF'S PAINTING OF "BREAKING THE NEWS" (ORIGINAL PAINTING - OILS ON CANVAS NOW LOCATED IN A GALLERY IN WESTERN AUSTRALIA) COPY OF PAINTING FROM SUPPLEMENT TO THE AUSTRALIAN SKETCHER JULY 12, 1887FRONT TOP - BREAKING THE NEWS FRONT BOTTOM - SUPPLEMENT TO "THE AUSTRALIA SKETCHER" JULY 12, 1887john longstaff, breaking the news -
Wonga Park Community Cottage History Group
Work on paper - Newspaper cutting, Wonga Park: 5 Jul 1994, Lilydale & Yarra Valley Post: "Battle for Wonga Park" WP&DRA prefer to stay with Lillydale in municipal amalgamations
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City of Greater Geelong
Work on paper - Watercolour & Pen, Simon Brown, Malmsbury Hillside