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Artwork, other (1261)
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Stawell Historical Society Inc
Textile - Costume and Accessories, c1910
White Embroidered Scallop (Buttonholed) edge Table Runner. Each end embroidered basket with flowers and bow on handle. stawell clothing material -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Harry and Me - Museums Victoria Internship" - Rachael Cottle
Digitised video (3.04GB) Duration: 40 minutes. Recorded August, 2018 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In March 2017, Rachael Cottle commenced an internship with Museums Victoria. Working in the Humanities department, Rachael worked with a collection of 154 items from a World War II RAAF air crewman, Norman Henry James. Rachael shares her story of interning and volunteering at Australia’s largest public museum organisation. -
Swan Hill Regional Art Gallery
Painting, SIBLEY, Andrew, Portrait of Judy Cassab, 1991
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Bendigo Historical Society Inc.
Textile - FORTUNA COLLECTION: RUG USED IN FORTUNA VILLA
Rug believed to have been used in Fortuna Villa. 1.27cm x 1.96cm. Fringed ends. Possibly silk and jute materials. Multi coloured, predominately blue, yellow with pink and black. Intricate floral design.textiles, domestic -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 53 Bellett Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
National Wool Museum
Textile - Children's Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Children’s moss green knitted jumper with a peter pan collar, centre back zip and raglan sleeves.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Federation University Art Collection
Painting, [Water Creatures], 2014
Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile -
Wangaratta Art Gallery
Painting, Patricia Moran, Chrysanthemums, 1986
Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting -
Moorabbin Air Museum
Drawing (Item) - Mirage III O & III D , Drawing Camouflage & Finishing Scheme Mirage Aircrafts III O & III D Drawing No. A13728 SHT 2 Of 7 SHTS
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Bendigo Historical Society Inc.
Drawing - JAN NEIL COLLECTION: GOLD MINES HOTEL, MARONG ROAD
Black & white sketch - Gold mines Hotel, Marong Road Attributed to Jan Neil, artistAttributed to Jan Neil -
Queenscliffe Maritime Museum
Mixed media - Wreck of the TIME, News articles re the wreck of the TIME, c1949 newspapers
Shipwreck & rescueSS TIME wreck, Corsair Reef & Queenscliffe Lifeboat.News articles, photos, map & report re SS TIME wreck at Corsair Reef c1949Reverse " NIL ".historical references -
Warrnambool and District Historical Society Inc.
Textile - Work Apron, 1883-1899
The personal 'carry-all', a cloth apron like article was utilised by Thomas Hamilton Osborne in his work with the Warrnambool Steamship Navigation Company. He was Company manager in 1883 until its dissolution in 1899. Osborne wrote many articles on early Warrnambool, particularly maritime material under the name of " Sliding Gunter". When he died he was buried at sea off the breakwater.His sister Mrs Annabella Kell is thought to have made this article.This is a significant item as T.H.Osborne was a key figure in 19th Century Warrnambool history, particularly in maritime affairs. Six sided, scalloped edges, four pockets, two metal hooks, purple woven fabric with yellow and gold embroidery, lifebuoy outline with W.S.N.Co and THO initials embroidered and two flags. Machine sewing of pockets and tab to base apron.W.S.N.Co THO initials on top of each other Two metal hookswork apron, warrnambool steamship navigation company, wsnc, thomas hamilton tracey osborne, annabella kell, sliding gunter -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 195 Highfield Road, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 17 Seville Street, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 865 Glenferrie Road, Kew, 1996
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 865 Glenferrie Road, Kew by Margaret Picken.865 GLENFERRIE RD., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 865 glenferrie road -- kew (vic.) -
Lilydale RSL Sub Branch
Drawing - Framed Print, Montague Thomas Archibald "Monty" Wedd
Framed copy of original pen and ink drawing. Soldier in battledress main - smaller drawings L & R of main also soldiers in Army uniformPossibly copy of a drawing from the publication "Australian Military Uniforms 1800-1982" (Author & Illustrated by "Monty" Wedd. -
Whitehorse Historical Society Inc.
Ceramic - Tile
Square glazed tile with brown background with lighter brown leaves and fern leaf. White and pink orchidceramics, earthenware -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper -
Robin Boyd Foundation
Painting, Donald Laycock, Nights of Love, 1965
This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18 -
Gippsland Art Gallery
Painting, Slavik, Danica, Creating a Mood, 1983
Purchased, 1983Oil on cotton canvasgippsland, artwork, permanent collection -
Greensborough Historical Society
Mixed media - Audio Cassette and Program, Diamond Valley Choral Society, Handel's Messiah, performed by Diamond Valley Choral Society 1983, 1983
A recording of 'Messiah', an English language oratorio by George Frederic Handel, composed in 1741. The text was compiled from the King James Bible; it contains 3 parts and part 2 ends with the 'Hallelujah' chorus. This performance by the Diamond Valley Choral Society and combined choirs was recorded at St John's Church of England, Heidelberg 13/11/1983 and at St David's East Doncaster 20/11/1983.3 audio cassettes in clear plastic case, 4 copies of a printed program and an invitation to join the singers.Handwritten on case: "Messiah rehearsals '83" and "St John's 1983".diamond valley choral society, messiah (oratorio), st john's church of england heidelberg -
Hawthorn Historical Society
Drawing - Property Illustration, 13 Roseberry Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.13 ROSEBERRY ST HAW E Margaret Picken ©2000 WOODARDS - C'WELLartist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Campbell Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Campbell Street, Kew by Margaret Picken.25 CAMPBELL ST., KEW E. / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 campbell street - kew (vic) -
Moorabbin Air Museum
Drawing (Item) - Cut away Drawings of various aircraft, space modules - from Eagle magazine
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Tatura Irrigation & Wartime Camps Museum
Sculpture - Monkey, 1940's
Carving from stone of a figure of a monkey in a sitting poisition with it's tail in its mouth. Painted brown with cream flecks. Text and marking have been etched in to the stoneRicordo POW (ricordo translated means remember or memory)monkey, sculpture, ricordo, bilney r, ww 2 camp, handrafts, italian pow -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, John Trebilco, Aerial view of Black Rock, 1978
boats, bay, water, half moon bay, black rock, bayside, john trebilco, aerial, houses, streets, coast, beaumaris, beach road -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Adeney Avenue, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1994, was commissioned from the artist by Woodards, Kew.7 ADENEY AVE., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, 7 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 22 Cusdin Street, Glen Iris
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. . 14 Ingles St built environment - domestic, frank gordon real estate, esplanade east, esplanade west, garton street, graham street, heath street, ingles street, legon street, liardet street -
Castlemaine Art Museum
Painting, John Mather, Towards Mt.Macedon, 1886
Gift of Mrs Beth Sinclair, 2007