Showing 6538 items
matching art
Artwork, other (1265)
Ceramic (766)
Decorative object (713)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
-
Swan Hill Regional Art Gallery
Painting, MARSHALL, John, Beach, 1991
-
Nillumbik Shire Council
Painting, Clifton PUGH, White Choughs in the Landscape, 1958
Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs -
Gippsland Art Gallery
Print, Rigg, Mary Ann, Beware, c.1778
Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection -
Bialik College
Mixed media (Sub-series) - Parents' Association, 1960s-2000s
1970s, 1980s, 1990s, fundraising1970s, 1980s, 1990s, fundraising -
Gippsland Art Gallery
Painting, Struss, Elsie, Head Study - Young Woman, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Painting - JOHNSON'S REEF GOLD MINING COMP
Water colour painting of Johnson's Reef Gold Mining Camp California Gully Bendigo Victoria Australlia.organization, mining, johnsons reef -
Gippsland Art Gallery
Print, Redden, Diane, Flugelman's Egg Beaters, 1982
Donated from the estate of Patricia Marie White, 2013Drypoint etching on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Mixed media - Oral History Interview - Borthwick's, Interview with Wall Menzies - Borthwicks, c. 2014
DVD - unedited. Interview with Wally Menzies. unedited interviews with former Borthwicks workers. These interviews appear in the DVD on Borthwicks, launched 5 DEC 2014. Interviews conducted by Gary Kerr and filmed by Noel Waugh.borthwicks, abattoir, industry, portland -
Federation University Art Collection
Painting - Artwork - painting, 'Portrait of Professor David James, Inaugural Vice Chancellor of University of Ballarat', by Michael Henwood, 2001
Vice Chancellor was influential in promoting University of Ballarat in becoming a central player in the Ballarat and Western Victoria region. In 1998 he oversaw the amalgamation of the University with two Tafe institutions, which created the only multi-sectorial regional university in Australia. Professor James was a formal Ballarat City Councillor, the Chairman of the Ballarat Foundation from 2001 to 2008. He was also the recipient of the Centenary Medal in 2003 – an award created by the Centenary of Federation, which recognises the achievements of a cross-section of the Australian community, by honouring people who have contributed to society of government in Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed academic portrait of inaugural Univesity of Ballarat Vice-Chancellor David James.Lower RHS M. Henwood 01art, artwork, michael henwood, henwood, david james, vice chancellor, academic portrait, portrait, academic regalia -
Horsham Regional Art Gallery
Mixed media, Kerrie LESTER, White water, 1978
Gift of the Georges Invitation Art Prize, 1978 -
Bacchus Marsh & District Historical Society
Decorative object, Wooden bowl made from Osage Orange tree timber
This small bowl was won by Alex Todd for marksmanship at the Holy Trinity Anglican Church Bazaar in Bacchus Marsh in 1935. It was described in the Bacchus Marsh Express newspaper as a piece of Local Objet d'Art. The Express noted that it was 'made and donated to the Ladies' Guild by Mr. Walter Simon, of Bacchus Marsh. A local osage orange tree furnished the wood for the bowl, which was one of many articles that Mr. Simon's lathe has shaped from time to time, the grain of the osage timber being especially suitable for such work', Express, 25 May, 1935, p.2. A small polished wood bowl with unattached wooden lid. woodworking -
Moorabbin Air Museum
Print (Item) - Aircraft Illustrated Series one Historical Aircraft First Edition Prints -Six by Ray Honisett, Various Australian WWII aircraft - see Description
The Officers RAF Kirkham -
Geelong Gallery
Sculpture - Pelican, WHITELEY, Brett, 1983
Painted bronze -
Bialik College
Mixed media (series) - Cultures of Thinking
2000s2000s -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Untitled, Not dated
PrintSigned 'Kees Hos 426' lower right corner under printed image. -
Horsham Regional Art Gallery
Painting, Elspeth VAUGHAN, The approaching storm, n.d
Gift of Mack Jost, 2000watercolour on paper -
Federation University Art Collection
Ceramic, Malcolm Boyd, Untitled [Male Form] by Malcolm Boyd, 1977
MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni -
Darebin Art Collection
Painting - Sharon West, Sharon West, No Place for a Village, 2006
painting -
Queenscliffe Maritime Museum
Painting - Painting - watercolour 'Empress of the Sea', Charles Dickson Gregory, 'Burning of the Empress of the Sea'
The Empress of the Sea is historically and archaeologically significant as it was one of Donald Mackay's famous wooden clipper ships ie: representative of a particular design or type. It was also associated with both the Black Ball and White Star Lines of Australian Packets, which carried thousands of immigrants from Britain to Australia.An original watercolour painting of the burning of the sailing ship 'Empress of the Sea' by charles Dickson GregoryFront: Burning of the Empress of the Sea, C. Dickson Gregory. Back: Whatmans watercolour drawing board, 36640, C. Dickson Gregory, 41 Albert Street. Fixed label: 'Destruction of the famous clipper 'Empress of the Sea' at Port Phillip Heads 19th December 1861 Drawing by C. Dickson Gregoryempress of the sea, watercolours -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - galvanised wrought iron, David Wood, Spirit of place, 2021
David Wood, Spirit of place 2021, galvanised wrought iron, 375 x 300 x 300 cm. Bayside City Council Art and Heritage Collection. Commissioned 2021public art, sculpture, reeds, spirit of place, david wood, elsternwick park, phragmites australis -
Swan Hill Regional Art Gallery
Print, VINEY, Wayne, Lonely as a cloud - 1, 2005
-
Horsham Regional Art Gallery
Sculpture, Ernst FRIES, Power within, 1975
Purchased through the Horsham Art Gallery Trust Fund, 1976 -
Latrobe Regional Gallery
Print, TRAILL, Jessie b. 1881 Brighton, Victoria d. 1967 Emerald, Victoria, Meccano House, 1923
Drypoint etchingTitled, edition 1/25, signed and dated 1923 under printed imagefactory, industrial, etching, architectural -
Latrobe Regional Gallery
Print, Aeonisation I B, 1966
Signed and dated lower right under printed image: 'Kees Hos '66' Title and edition 1/25, lower left -
Glenelg Shire Council Cultural Collection
Print, The Wedding, c. 1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions) -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, HUNTER Philip, Small Plain 2, 2003
-
City of Ballarat
Sculpture - Public Artwork, Akio Makigawa, Point to Sky by Akio Makigawa, 1999
Point to Sky is one of Akio Makigawa’s final works, the commission was completed posthumously. It is the only public artwork by the celebrated Australian-Japanese sculptor of this scale located in regional Victoria. You will see two stainless steel forms, a smaller more rectangle form and the towering geometric form, with seed pod shapes at the peak. These forms represent the house, the artist is expressing that home is a shelter and also a place for gathering. The house form grows into a tower to symbolise the achievements of mankind and the action taken to protect the rights of the community during the Eureka Stockade. The top seed pod is gold, referencing Ballarat as the centre of the gold rush in Victoria, as well as representing the sun as the source of life. The paving of the forecourt was designed in bluestone, typical of the work of Makigawa. Stainless steel panelling and shaping on armature. Set into raised platform of bluestone pavers.Point to Sky, 1999 / Akio Makigawa (1948-1999)/ stainless steel/ Born in Japan, Akio Makigawa arrived in Australia in 1974. He worked as a sail maker in Perth before studying sculpture at the Claremont School of Art and WAIT (now known as Curtin University). He moved to Melbourne in 1981 to do post graduate studies in sculpture at the Victorian College of the Arts and set up his studio. From 1984 he was involved in many public commissions in Victoria and interstate and Japan. / Commissioned by the Victorian Government and the City of Ballarat in 1999. point to sky, akio makigawa, modern, australian sculpture -
Gippsland Art Gallery
Print, Partos, Paul, Window, c.1983
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Aquatint, softground, papergippsland, artwork, permanent collection -
Phillip Island and District Historical Society Inc.
Print, The sealers of Bass Strait, 1972
No. 9 'The Sealers". BHP "History of Bass Strait"Series. Lithograph copy in 'The Illustrated Australian News", May 4th 1881. From the La Trobe Collection, State Library, Victoria. BHP Oil and Gas Division Hematite Petroleum Pty. Ltd. From The Australian Financial Review, 15 Sep 1972HistoricalLarge, black & white lithograph of sailing vessel in rough seas showing seals and rocks, with typed explanation. In the early of the nineteenth century, The sealers took cargoes of up to 100,000 skins per ship. Within 10 years, there were virtually no seals left. Today, the seals are returning to Bass Strait and colonies of them are thriving around the five BHP and Esso offshore production platforms. We enjoy having them around. And we've even made them the stars of "Solstice", a film we've made to encourage an interest in preserving the ecology of Bass Strait.sealing, westernport bay, broken hill proprietary ltd.