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Artwork, other (1263)
Ceramic (764)
Decorative object (711)
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Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2044)
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Mont De Lancey
Decorative object - Vase
It was used as a vase for flowers.A small plain brown pottery vase which is darker brown at the bottom with a stripe below the textured lighter grey or green coloured speckled neck. It is finished with a glaze.Evelyn. nickvases, containers, domestic object -
Charlton RSL Sub Branch
Decorative object - Souvenir saucer, Souvenir saucer to commemorate the sinking of the German Cruiser Emden
Porcelain saucer issued to commemorate the destruction of the German Light Cruiser Emden by HMAS Sydney .Hmas Sydney destroyed the "Emden" at Keeling Cocos Island Nov 9. 1914 -
Whittlesea Historical Society Inc.
Painting - Oil, by Paul Woodford, Craigie Lee at Yan Yean by Paul Woodford
The bluestone Craigie Lee homestead constructed c. 1860 was purchased by Thomas Hurrey in 1886 from James Bett. Bett had earlier purchased it from George Sherwin and Aeneas McPherson in 1868. The Hurrey Brothers, Craigie Lee Farm Dairy, was established 1893 and continued until 1952. The property remained in the hands of the Hurrey family until 1989. Craigie Lee is significant for its association with Sherwin, and the Hurrey family both prominent early pioneers of the Whittlesea District.Framed oil painting on board of Craigie Lee homestead at Yan YeanSigned in left bottom corner by artist Paul Woodforddairy farm, bluestone house, farming, yan yean, hurrey family, sherwin -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Photo of Thomas Rooney, Curator, Ballarat Botanical Gardens, 1896-1914, Unknown
Thomas Rooney was born in Den Carvan, Ireland, spent 36 years in Australia. Tom was married with nine children, he died 6th May 1914, aged 57 years, and at that time he was the Curator of the Ballarat Botanical Gardens.As Curator of the Ballarat Botanical Gardens Thomas Rooney made the begonia and orchid houses famous throughout Australia, which was part of his valuable contribution to the development of the Gardens.Black and white reproduction of an old photograph of T.Rooney in an oval frame with a black backgroundT.Rooney is printed at the bottom of the photograph and underlined.john garner collection, garner, dr, rooney, ballarat botanical gardens, ballarat, gardens, curator, thomas rooney, charles robert rooney, john lingham, w.r guilfoyle, begonias, orchids., ballarat old cemetery, grave -
Kew Historical Society Inc
Decorative object - Set of four doilies, 1950-1960
In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseau Set of partially worked doilies. They are comprised of daisy wheels of two sizes. A central circular motif is surrounded by smaller motifsdoilies, household textiles -
Mission to Seafarers Victoria
Decorative object - Miniature, lifebuoy, c. 2018
Presented to MTSV by seafarer Bosun Tomovs from the vessel Irongate, registered in Monrovia, Liberia who created this memento miniature and presented it to Chief Manager Sue Dight, on the occasion of his visit to the MTSV, Melbourne.The seafarer who created this object has presented similar objects to Missions to Seamen wherever he has come ashore and used the services. The object forms a connection through the creator with the Mission network across the globe. It is also a representative sample of creativity aboard ship: model making was often a hobby to kill time on long journeys.small red painted and white corded life buoy with inscription in black paint.side a) In Upper Case stencil: " IRONGATE / MONROVIA " Side b) handwritten in black ink: "04.09.2018 / BSN TOMOVS / BULGARIA"lifebelt, life preserver, miniature models, life buoy, bosun tomovs, irongate ship, gift, buoy, hobbie, seamen, sailors, seafarers -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel - Sailing Ship, C Smith, artist, Polly Woodside, ca. late 20th century
Painting, oil on board, of the tall sailing ship 'Polly Woodside' by C Smithflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oil painting, maritime oil painting, sailing ship polly woodside, polly woodside, tall ship, c. smith, maritime painting, marine artist -
Bendigo Art Gallery
Painting, Roger KEMP, Untitled Abstract, 1975
c.l; the (illeg.)/(illeg.)painting, abstract, australian artist -
Darebin Art Collection
Painting - Deanne Gilson, Deanne Gilson, Before Joseph Banks, Our Baskets and Plants Held Sacred Knowledge, Chocolate Lily, 2023
“The sweet-smelling chocolate lily is a favourite of mine. It has a scent similar to that of chocolate and can be eaten raw and added to other foods as a decoration on top of cakes. I like it because it is a pretty little plant that you can’t walk by without noticing. The cabbage butterflies are ancestral spirits watching.” — Deanne Gilson In 'Karrap Karrap Beenyak — Flower Baskets of Knowledge', Deanne Gilson depicts dilly bags and baskets drawn from the South Eastern collection of artefacts held within the Melbourne Museum, and gifts from family and friends. They reclaim cultural knowledge, mixing tradition with the lived experiences of her ancestors and re-enriching her life with culture, Country and connection, through the creation of new art. The works highlight the use of Indigenous plants for healing and bush foods, and the Wadawurrung Creation Story and connection to Dja (Country). Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country. Painting -
Bendigo Military Museum
Painting - PAINTING UNFRAMED, OIL ON CANVAS, Sharon HACKETT, "MY FATHER'S WAR", 2023
Information from artist. " Oil painting titled/ My Father's War! by Sharon Hackett/Phd/ My father, John Peter Hackett served in World/ War Two. This painting by myself is an expressionist realist oil painting, about / a young man serving in/ New Guinea". John Peter HACKET V146209 Enlisted 27.01.1942 aged 18 years 6 months. No discharge date. States on Attestation form 609 days 2nd AIF, 485 days overseas.Painting - oil painting in colour, with red, yellow, blue and black. Style - expressionist realist. Artist's signature bottom left. Unframed canvas on timber.painting, military history, ww2, new guinea -
Bialik College
Mixed media (Collection), B'nei Mitzvah recordings and music 2001-2007
bnei mitzvah, 2000s, visual and performing arts, music, jewish lifebnei mitzvah, 2000s, visual and performing arts, music, jewish life -
Glenelg Shire Council Cultural Collection
Decorative object - Badge - Christian Community College, Portland, n.d
Displayed at History House.Blue and gold badge bearing words "CHRISTIAN COMMUNITY COLLEGE UNITY IN CHRIST PORTLAND" and a logo with a cross shape and swirling lines.Front: (see above) -
Federation University Art Collection
Painting - Watercolour, Neville Bunning, [Landscape] by Neville Bunning
Neville BUNNING (1902-1990) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour landscape.Signed lls 'Neville M. Bunning'art, artwork, bunning, neville bunning, landscape, watercolour -
Wonga Park Community Cottage History Group
Work on paper (Item) - Set of Questions, Wonga Park: 3318 28Apr 1975 Questions by R. Galloway and answers by Cr. Alan Smith
A typewritten set of questions, presumably to be asked at a Residents' Association meeting by R. Galloway with handwritten answers presumably supplied by Cr Alan Smith -
Wangaratta RSL Sub Branch
Work on paper - Coat of Arms, Rats of Tobruk 1941, 1941
Hand drawn Coat of Arms for the soldiers known as the Rats of Tobruk with signatures of those involved in the engagement between 5th April to the 22nd of October 1941 The drawing is signed by artist John DOWIE AM, SX6087 who served with the 2/43rd Battalion Signatories are: VX42389 Eric Hamilton, 2/32 Battalion; VX30189 F.Baldwin, 2/23 Battalion; VX34544, F.J.Mc.Intosh 2/24 Battalion; VX34554 W.Harrison, 2/24 Battalion; WX7281 P.Bone 2/25 Battalion; VX33719 Duke Goldsmith, 2/24 Battalion; VX41179 Harry Frazer, 2/24 Battalion; VX29652 A.R.Stribley, 2/24 Battalion; SX6367 Jack Foley, 2/43 Battalion; VX48340 Harry Jones, 2/23 Battalion; VX42317 Aub Jarrott, 2/24Battalion; VX28869 Rod Deering 2/24Battalion; VX15719 Ian F. Joss 7th Division AASC; VX19723 Len Dauria, 2/12 Field Regiment; NX35852 R.E (Snowy) Cornelius 2/13 Battalion; VX32559 Jim Gray, 2/24Battalion - James Cyril GRAY Born 6/1/1916 in Orroroo South Australia. Enlisted 28/5/1940 at Mildura. Awarded Military Medal for remarkable coolness, bravery and leadership at Tobruk on 24/4 and 1/5/1941. He was promoted to Sergeant on 14/8/1941, Lieutenant in November 1942 then Captain on 9/4/1945. He was wounded in action on 11/9/1943 and discharged on 20/12/1945. He married and had three children. He died on 10/4/1992 aged 76 and buried at Wangaratta Cemetery.This original drawing is by John DOWIE SX6087 who served with the 2/43rd Battalion during the second world war and is signed by the artist and soldiers from the 2/24th Battalion known as "Wangaratta's Own". John Stuart Dowie AM (15 January 1915 – 19 March 2008) was an Australian painter, sculptor and teacher. He was born in the suburb of Prospect in Adelaide, South Australia, and studied architecture at the University of Adelaide. During World War II, Dowie worked in the Military History Unit of the Australian Imperial Force, and as an assistant to Australia's official war sculptor, Lyndon Dadswell. As a soldier, he was one of the Rats of Tobruk. After studying art in London and Florence, Dowie returned to Australia. His work includes over 50 public sculpture commissions, including the "Three Rivers" fountain in Victoria Square, "Alice" in Rymill Park, the "Victor Richardson Gates" at Adelaide Oval and the "Sir Ross & Sir Keith Smith Memorial" at Adelaide Airport. He was made a Member of the Order of Australia in 1981 in recognition of service to the arts as a sculptor and painter. Dowie died on 19 March 2008, aged 93. There is a similiar version of the drawing on page 32 of the book Desert Sand and Jungle Green by Geoffrey Boss-Walker which is an illustrated history of the 2/43rd Battalion.Timber frame containing hand drawn Coat of Arms consisting of "rats" as shield supporters, crest with a swastika in the centre and motto surrounded by signatures.Signatures of artist John Dowie and soldiers engaged at Tobruk. The crest depicts a latrine and the motto reads NON FASCES SED FAECES (Latin translation - "Do not move but the dregs") rats of tobruk, coat of arms, 1941, john dowie -
Castlemaine Art Museum
Painting, John Longstaff, Portrait of Topsy Longstaff
Gift of Fairlie Szazinski -
Mont De Lancey
Painting
Hand painted by Margaret Quayle.Original painting of Heidelberg, Victoria by Margaret Quayle. River scene with house and bridge, in a wooden frame.paintings, artworks -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Gippsland Vic, 2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Genealogy - The Modern Way with DNA" - Peter Fry
Digitised video (1.82GB). Duration: 38 minutes. Recorded September, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presentation: DNA testing is a very important tool for the family historian. It can help to verify your family tree and provide helpful clues to inform the future direction of your research. It can also sometimes help to break down those long-standing brick walls. In this talk, Peter Fry unravels the mystery of family ties using DNA. -
Latrobe Regional Gallery
Painting, Fifteen Views of Gippsland, 1978
Synthetic polymer paint on canvasNot signed. Not dated.gippsland, views, landscape -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, John C. Paul, St. Ninian's north elevation c.1841, 1971
Built around 1841, St Ninian’s, located at 10 Miller Street, was one of Brighton’s earliest buildings. It is best known as being the home of merchant shipping agent, politician and former British naval officer, George Ward Cole between the 1840s and 1902. Following the death of George Ward Cole in 1879 and his wife in 1898, their only surviving child, Margaret, sold the property to Sir Thomas Bent, who subdivided the land in the early 1900s. The property was demolished in 1974. John C. Paul, St. Ninian's north elevation c.1841 1971, watercolour, 29.5 x 42.3 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.st ninian's, brighton, historic house, george ward cole, thomas bent -
Federation University Historical Collection
Work on paper - Image, Cartoons by Henry Mortiz
Copy of a cartoon by Ballarat College of Advanced Education Design Lecturer Henry Moritz. The cartoons related to farewells for staff membershenry moritz, cartoon -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Fleur de Lys', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of fleur de lys in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Norman Lindsay, Francis Crossle Bookplate by Norman Lindsay, 1927 (Norman Lindsay)
Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Etched bookplate for Francis Crossle showing a nude male angel and a nude woman above a crestOn plate "Credo et amo Francis Crossle"bookplate, lyttlewood press, norman lindsay, francis crossle, etching, printmaking, crest, nude -
Castlemaine Art Museum
Painting, Albert Hanson, River Scene, 1892
Gift of June Davies, 2004 -
Swan Hill Regional Art Gallery
Painting, TODD, Richard, Art history ruined my life, 1989
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Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Shadow of a Bulldozer" - Heathmont History Group
Digitised video (4.05GB). Duration: 40 minutes. Recorded June, 2019. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presentation: Members of Heathmont History Group address a meeting of RDHS with a reading of a play telling of destruction of orchards in the 1950s/60s and the resistance of change to the landscape and family lifestyles with the onset of residential developments. -
Gippsland Art Gallery
Mixed Media, Jones, Claude, Monkey Brains, 2011
Donated by the artist through the Australian Government Cultural Gifts Program, 2014Mixed media on canvasgippsland, artwork, permanent collection -
Ararat Gallery TAMA
Painting, Ludwig Hirschfeld Mack, Untitled, 1960
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Pyrenees Shire Council
Painting, Marion Chapple, Pyrenees Landscape by Marien Chapple
Saunders Waterford - water coloursigned: M Chapple (lower left)