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Friends of Ballarat Botanical Gardens History Group
Work on paper - A Brief History of Plant Hunters, Plant Collections and Gardens, 2013
This article gives a useful introduction to European plant hunters and their work in compiling plant lists and establishing gardens with many new species.Unusual new species discovered by plant hunters and introduced to European gardens, eventually, in the nineteenth century, became important in the establishment of the Ballarat Botanic Gardens. Many new plants were imported especially from Britain. 2 pages, (pp.3-4.) The print is arranged in columns. In the top lefthand corner is a colored representation of Queen Hatshepsut and opposite, in the righthand column is a picture of Carolus Clusius. On p.2 (p.4), top lefthand corner is a framed portrait of John Tradescant the Elder reproduced in colour. and another portrait in colour of John Tradescant, the younger in the lefthand bottom corner. There are references and further reading middle of the right hand column.None.john garner, doctor john garner, ballarat botanical gardens, friends of the ballarat botanical gardens, john tradescant, carolus clusius, botanic gardens, plant hunters, plant collections., gardens, ballarat, john garner collection -
Ringwood RSL Sub-Branch
Work on paper - Our Liverpool boys
Printed paper -
Gippsland Art Gallery
Work on Paper, Gill, Samuel Thomas, Crossing the Tambo, Gipps Land, 1868
Purchased with the assistance of the Gippsland Art Gallery Society, 2005Ink and wash on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Garden Structures, Various Garden Structures
john garner collection, ballarat botanical gardens, gardens, ballarat, garden structures -
Flagstaff Hill Maritime Museum and Village
Ceramic - Plate, before March 1878
This Asiatic Pheasant china dinner plate was salvaged from the wreck of the " Loch Ard". The design on the plate was popular in the late 1800's and early 1900's. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Dinner plate, white ceramic with scalloped rim, white china with blue transfer "Asiatic Pheasant" design. Inscription on underside. Recovered from the wreck of the Loch Ard.Mark on underside"-HEE-- " [within a flower pattern cartouche].flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, china plate, asiatic pheasant, dinnerwear, crockery, table setting -
Wangaratta Art Gallery
Painting, Margaret Woollard, Natures Corroboree Taminick Gap Autumn, 1977
Rural City of Wangaratta Collection. Gift of the Wangaratta BPW Club for their 21st Anniversary.A landscape oil painting in shades of yellow, blue, green, and brown.Obverse: Marg Woollard 6.1977- (bottom right corner) Marg Woollard 'NATURE'S CORROBOREE'/ Y.M.C.A 1978 Art Show prize/ Presented by Wangaratta B.P.W. Club. for its 21st anniversary/ to the City of Wangaratta./ (plaque mounted on frame)wagaratta art gallery, margaret woollard, painting, landscape -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Tiana Price, 'Earth' by Tiana Price
tiana price, printmaking -
Castlemaine Art Museum
Painting, Carl Hampel, Near Geelong, 1875-1926
Gift of J.T. Tweddle, 1926 -
Wodonga & District Historical Society Inc
Decorative object - Brooch from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Oval gold-toned metal brooch from the Sarah Coventry jewellery range, with a central brown faux stone surrounded by four small faux pearl inlays and four small circular brown faceted glass inlays."©SARAH COV / MADE IN / CANADA" raised maker mark on the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch, brooches -
Warrnambool and District Historical Society Inc.
Decorative object - Carnival Ware glass vase, c. 1940
This item is an example of Carnival Ware glass. Carnival Ware is pressed glass to which an iridescent surface shimmer has been applied using metallic salts. The trade name of the colour is 'Marigold'. Carnival Ware was first produced in U.S.A in 1908 and production in both U.S. A. and other countries continued until the 1940s, with the 1920s being the decade when it was most popular. It was a cheaper version of a decorative item for the household as well as having a utilitarian purpose and is a collectable glass today.This vase has no known local significance but is retained as an example of an item likely to be found in many local households of the 20th century.This is an orange-coloured pressed glass vase. It is on a stand of three legs and has a fluted patterned top rim. The body of the vase has raised decorations of butterflies and berries.carnival ware, vintage glass ware, carnival ware glass vase -
Darebin Art Collection
Work on paper - John Miller Marshall, John Miller Marshall, Untitled, 1890
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Federation University Art Collection
Ceramic - Artwork, Wood Fired Pot by Russell Thorpe, c1979
Russell THORPE Russell Thorpe was a Diploma of Visual Art student at the Gippsland Centre for Art and Design (GCAD) from 1977 to 1979.Ana-gama fired stoneware with seaweed markings.jan feder memorial ceramics collection, russell thorpe, australian studio pottery, alumni -
Federation University Art Collection
Ceramic, Kim Batty, Ana-Gama Wood Fired Pot with Natural Flyash Glazing by Kim Batty, c1982
Kim Batty was a Diploma Student at the Gippsland Centre for Art and DesignFluted glazed vessel with Natural Flyash Glazingkim batty, jan feder memorial ceramics collection, alumni -
Gippsland Art Gallery
Painting, Perrins Shaw, Peggy, Jamshyd's Seven Ringed Cup, 1977
Donated by the artist, 1978Gouache on papergippsland, artwork, permanent collection -
Diamond Valley Vietnam Veterans Sub-Branch
Painting - On Patrol, n/a, c2002
Painting depicts a typical patrol by Australian soldiers, this time in open grasslands.Item is a realistically accurate picture of Australian Soldiers in the field.Original painting, in two pieces depicting Australian soldiers on patrol; also give an insight as to vegetation common within patrol areas at this particular place and time.Signature of painter.vietnam, vietnam war, diamond valley vietnam veterans sub branch -
Darebin Art Collection
Painting - Patrick Burke, Patrick Burke, Landscape - through the trees, Warrandyte, 1981
warrandyte -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Bust of Gordon Unveiled, The Ballarat Courier, 25, 27 October 1941, October 27, 1941
The first article announces the unveiling of Gordon's bust and the second gives an account of the unveiling of Gordon's bust outside the Gordon Memorial Cottage in the Ballarat Botanical Gardens and something of Gordon's connections.Many Literary Societies were represented at the unveiling of Gordon's bust. This event also connected Ballarat citizens with the Gordons and their history, as well as with the poet.2 white pages with uneven quality of print. The newspaper article is headed "Bust of Gordon Unveiled". 1 white page with a short paragraph, second column, announcing the unveiling of the Gordon Bust.At the bottom of p.2 in blue biro is written October 27,1941. P.1.john garner, doctor, john garner collection, ballarat botanical gardens, friends of ballarat botanical gardens, adam lindsay gordon, adam lindsay gordon cottage, adam lindsay gordon bust, literary societies, poetry, australian poetry, the gordons, archbishop of canterbury, gardens, ballarat -
Bendigo Historical Society Inc.
Painting - NO 2 CLEARING THE FOREST
Card with coloured illustration showing a group of loggers chopping trees and sawing timber titled Clearing The Forest.unknownartwork, print, group -
Bendigo Historical Society Inc.
Decorative object - ELEPHANT STATUE
Metal statue of Elephant, black with white tusks and toenails, trunk down.ornaments, metal, statue -
Merri-bek City Council
Painting - Liquid nails and spray enamel on canvas, Brian McKinnon, Scars, 2008
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Wangaratta Art Gallery
Painting, Helen A'Beckett Read, Nocturne, 1980
Helen A’Beckett Read is a traditional painter who did not start her career until later in life. Her art style in Nocturne can be described as contemporary impressionism, as the use of a tonal colour palette and the style of brushstrokes are impressionistic while the style of the landscape depiction is contemporary. While Helen A’Beckett Read is an accomplished artist in her own merit, she is also a member of the famous Boyd family being the daughter of Arthur Boyd and Emma Minnie A'Beckett.ContemporaryRural City of Wangaratta Council Collection. Purchased with funds from the Wangaratta Arts Council.A landscape oil painting of a night scene painted in the traditional style using shades of blue, brown, green and yellow.Obverse: Helen Read/ 1980/wangaratta art gallery, helen a'beckett read, the boyd family, landscape, painting -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Moon Dog' by Juli Haas, 1988
Juli HAAS (1952–2014) Born Melbourne Juli Haas studied under Euan Heng’s at the Monash University Churchill campus. Haas completed a Bachelor of Arts in 1989, a Graduate Diploma of Arts in 1990 and a Master of Arts (Research) in 1995. Juli Haas has won Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed lithograph4/5juli haas, gippsland campus, gippsland printmaking teaching collection, printmaking, alumni, churchill, dog, fauna -
Ballarat Heritage Services
Painting, Millie Okai, Painting by Millie Okai, c2019
Millie OKAI Country: AnanguPainting on canvasaboriginal, millie okai -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - Embroided Postcards, Unknown
WW1 Significance.WW1 Postcards 1 x 'Souvenir from France', 1 x 'Happy New Year', 1 x 'A Kiss from France, 1 x 'Best Thanks'Writing in pencil on the rear of 2 x postcards with greetings to family. -
Ballarat Heritage Services
Painting, S.H. Raza, [Streetscape], 1977
Framed streetscape with people in a shopping precinct. If you can provide information on this artist or artwork please use the link below. LRS G.H. Raza 77."painting, townscape, streetscape -
Gippsland Art Gallery
Painting, Paton, Steaphan, Muraskin VII, 2017
Purchased with the assistance of the Robert Salzer Foundation, 2017Etched colonial cotton canvasgippsland, artwork, permanent collection -
Wodonga & District Historical Society Inc
Decorative object - Necklace from the Sarah Coventry jewellery range, Sarah Coventry Jewellery, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Necklace with three strands of faux pearls and a large faux green stone at the silver toned metal clasp on the front, and a large faux pearl at the clasp on the back. sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Darebin Art Collection
Painting - Luke Morgan, Luke Morgan, Ants Everywhere, 2006
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Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, Denice Moorhouse, 10/02/1996
Cassette - Talk by Denice Moorhouse, given to Nunawading & District Historical Society Meeting on 10th February, 1996.nunawading and district historical society, moorhouse, denice, hetherdale, attc, board of education, vermont school 1022, nunawading roads board, denominational schools board, north nunawading school, richard hurry, david boyle, steele vogel, william burn, miser kay -
Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, Rob Collier, The Collier Family, 27 July 2002
Anne & John Collier were early residents of this area. Their son Robert Collier had an Orchard property on the western side of the railway line in Nunawading (then Tunstall)Talk given to General Meeting of the Whitehorse Historical Society. See also interview with Rob Collier on 27 July 2002 - NP2702 and transcription on ND5021.collier robert, collier family, collier linda