Showing 3795 items matching art
Artwork, other (1219) Ceramic (747) Decorative object (665) Drawing (4559) Mixed media (471) Painting (2383) Print (1653) Sculpture (397) Textile (1238) Work on paper (2028)-
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish Floral embossed design on the undersidepottery, ceramic, archaeology -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, Carmel Beavis, The Rowitta, 2012
The artist’s comment on her work: “The Rowitta”, Flagstaff Hill. Warrnambool: "This boat was the venue for our daughter’s Wedding. The pastel work was undertaken after a beautiful day at Flagstaff Hill in 2012. I enjoyed working with the shadows and the foliage. Carmel Beavis” The popular steam ferry Rowitta is featured in this pastel picture on canvas by local artist Carmel Beavis. The iconic Norfolk pines stand tall against a blue sky, while colourful reflections shimmer in Flagstaff Hill’s harbour. The historic lifeboat “Warrnambool” is dwarfed by Rowitta’s size. Carmel’s daughter celebrated her wedding on board the Rowitta, which had been a very popular exhibit visitors for around forty years. This picture is one of several that were created by Carmel for her family and friends as a memento of the wedding and a way to keep the memory of Rowitta alive. Some of Carmel’s other works illustrate Flagstaff Hill’s 2017 publication “Tearooms Cookbook”. Some of Carmel’s paintings featured in the Tearooms Cookbook, produced around 2017 for fundraising for Flagstaff Hill. The Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. She was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta was also known as Tarkarri and Sorrentoand had worked as a coastal trading vessel between Devonport and Melbourne as well as along the southern coast of Australia. In 1974 Rowitta was purchased by Flagstaff Hilt to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought her to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. She was the largest ship ever registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, she was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting Rowitta into the Speculant were no longer available, so she was restored back to her original configuration. She represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of on-going repairs. She had given over 100 years of service and pleasure to those who knew her. Early in 2019 Carmel gifted this picture to her friend Shirley Lindsay, who had been President of Wadas Artist Society. A few months later Shirley and her husband John (founding Director of Flagstaff Hill Maritime Village) thought the picture would be appropriate to Flagstaff Hill and presented it with pleasure to the Friends of Flagstaff Hill group later that year.The Rowitta represents the importance of coastal traders to transport, trade and communication in Australia before rail and motor vehicles. The painting is also significant as a record of an exhibit at Flagstaff Hill Maritime Village from is early beginnings. The painting is locally significant for being connected to a local and well known artist Carmel Beavis.Picture, coloured pastel work on canvas in timber frame behind glass. The artist, Carmel Beavis, depicts the steam boat “Rowitta” moored beside the historic lifeboat “Warrnambool” on the lake at Flagstaff Hill Maritime Village. The Rowitta is reflected in the water. The background includes the iconic Norfolk Pine trees. The work was framed by Warrnambool Picture Framing & Gallery in 2012.Signed on front, bottom left “C.L. Beavis”. Artist’s printed label on reverse “The Rowitta, Flagstaff Hill. Warrnambool: / This boat was the venue for our daughter’s / Wedding. / The pastel work was undertaken after a/ Beautiful day at Flagstaff Hill in 2012. / I enjoyed working with the shadows and / The foliage. / Carmel Beavis / Warrnambool. VIC. 3280. / Telephone (03) 5562 1806. / Price: $” Handwritten on artist’s label “250.00” Framer’s printed label “Warrnambool / Picture Framing / & Gallery / 42 Kepler St, Warrnambool 3280 03 5561 5722 / www.wboolframing.com.au” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, picture, pastel, carmel beavis, rowitta steam boat, warrnambool picture framer & gallery, wedding on the rowitta, the rowitta, tearooms cookbook, hobart steam ferry rowitta 1909, tarkarri, speculant, coastal trading vessel, p j mcgennan & co, peter mcgennan, sorrento -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Sandra Johnstone, Salt Glazed Platter by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-Jan 1991) Born Southern California, USA Worked California, USA Sandra Johnstone was awarded a MA in Ceramics and an MFA in Plastic Arts at San Jose State University, where she later also lectured. Specialiing in functional and sculptural forms, with emphasis on wheel-thrown shapes and salt-glazed stoneware and porcelain, her work is best known for salt glazing, using surface texture and colour to enhance the character of the clay. Sandra Johnstone was a visiting artist to the Gippsland Centre for Art and Design (GCAD). Salt glazed platter. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there."Johnstone" on basesandra johnstone, ceramics, artist, artwork, gippsland campus, jan feder memorial ceramics collection -
Castlemaine Art Museum
Painting, Louis Buvelot, Bush Creek, Coleraine, 1874
T.C. Stewart Bequest Fund, 1953 -
Federation University Art Collection
Painting - Artwork, 'Smeaton' by Wes Walters [and charcoal study], 1978
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. Bruce Smeaton (born 5 March 1938) is an Australian composer who is well known for a variety of Australian film and television scores in all genres, including features, shorts, television, documentaries and advertisements.[1] His scores include Picnic at Hanging Rock, Seven Little Australians, Roxanne, Iceman, and Circle of Iron. He has won the Australian Film Institute 'Best Original Music Score' Award for The Cars That Ate Paris (1974), The Great McCarthy (1975), The Chant of Jimmie Blacksmith (1978) and Street Hero (1984, shared with Garth Porter and others). (Wikipedia).1) Portrait of Bruce Smeaton in oil on an unframed stretcher. .2) Charcoal sketch of the head of Bruce Smeatonwes walters, portrait, artist, artwork, bruce smeaton, musician, sketch, walters, alumni, available -
Swan Hill Regional Art Gallery
Painting, MITCHELL, Kathleen, Untitled, unknown
-
Federation University Historical Collection
Painting - Coat of Arms, Ballarat School of Mines Coat of Arms, c1969
Under the heading 'Ballarat Technical School' the words 'a division of the School of Mines' has been whited out. The Coat of Arms was attached to the door of the Ballarat Junior Technical School (later used as Prospects Restaurant) Latin inscriptions: Ingenio effodere Opes - with skill to dig out wealth Scientia Laboris Coadjutrix - knowledge the handmaiden of labour Around 1913 a foundation student from the Ballarat Junior Technical School, Angus Henderson, won a competition to design a monogram for the school. At that time the school was situated at the Dana Street Primary School. This design remained the official insignia for about 40 years. Angus Henderson became a renowned Ballarat signwriter. Ballarat School of Mines Coat of Arms painted onto galvanised iron, with the words 'Ballarat Technical School' at the top. ballarat junior technical school, signwriting, ballarat school of mines, sign, coat of arms, heraldic device, latin inscription, angus henderson, henderson, logo, signwriter -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with brown gloss finish. pottery, ceramic, archaeology -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Kurt Winkler, Return of the Woodcutters, 1943
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.A large white tree with bare limbs in centre of picture. There are fallen limbs at the foot of the tree. There are rows of other bare trees and other trees with green foliage as well as several tree stumps scattered among them. The sky and earth are sepia toned with a scattering of white fluffy clouds. Black and white coloured birds are in the sky and a black bird is perched on top of one of the branches of the tree. Walking in a line though the trees are eleven figures with red coats, black pant and white hats. Some are carrying axes on their shoulders. A soldier is on horse back riding beside them.kurwin, woodcutters -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Decorative object - Badge-Large, 6 Battalion -City of Melbourne Regiment
Badge of pre curser unit to 5/6 RVRLarge carved wooden badge of the 6th Battalion city of Melbourne Regiment. The badge is painted green and metallic gold on the obvers, has the image of a Kangaroo located above a "6" centrally on a victory green background "City of Melbourne Regiment" and "Semper Paratus are caved into the badge and a Kings crown is located centrally atop of the badge. The reverse has "W McAllum" & " Youngman st. Preston " painted in green and "190549" hand cared into it.The reverse has "W McAllum" & " Youngman st. Preston " painted in green and "190549" hand cared into it.wark vc club, 6 battalion, melbourne rifles -
Federation University Art Collection
Ceramic, Two Pottery Vases by Mark Reid
Mark REID Mark Reid began working in clay in the early 1980. He was working for a time at Kairi Pottery in North Queensland. In 1985, Mark and Robyn Reid established Torvil Pottery at Buninyong, Victoria. In 1991 he relocated to a 10 acre property in nearby Magpie and set up the Ballarat Clayfire Gallery. In 2005, Clayfire Gallery relocated to Daylesford. Two pottery vases by Mark Reid. He signs his work with an incised 'Mark Reid' or 'MR'.ceramics, mark reid, torvil pottery, clayfire gallery -
Clunes Museum
Painting - PASTEL DRAWING
PASTEL DRAWING BY MRS. HOLLY BARKELL.FRAMED PASTEL DRAWING OF A LADY'S HEAD AND SHOULDERS.local history, illustration, harris family, holly barkell, pastel drawing -
Swan Hill Regional Art Gallery
Painting, SUMNER, Alan, Buildings, unknown
-
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359White glazed border tile with blue geometric pattern'676A' '436' '33'ceramics, earthenware -
Federation University Art Collection
Ceramic, Ian Sprague, [Ceramic Panel] by Ian Sprague, c1977
Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra -
Gippsland Art Gallery
Ceramic, Welch, Robin, Cylindrical Form with Flange, 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980gippsland, artwork, permanent collection -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting, Oil, Centaur, 1945
Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father, the seller's grandfather was Dr. Bruno Koenig, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Oil painting, depicting mythological scene. Female figure (unclothed), holding a red cloth/ garment trailing behind her. Centaur / faun? walking beside her. Outdoor scene. Trees, mountains & cloudy blue sky visible in background. Sandy coloured soil. Painted on reverse of old "Choice Tea" box.(On back): 1945 Tatura; ... remember ..... and us, Cesare and Maria Vagarini; On back, on sticker: Va(r)garini, Tatura Internment Camp, 1945 "Choice Tea" stencilled on back, part of original box material.tatura, camp 3, cesare vagarini, camp 3 artwork, victorian internment camps, doctor bruno koenig -
Wyndham Art Gallery (Wyndham City Council)
Painting, Kathy Vafiadis, Portrait of Joan Ryan, 2001
Portrait of Joanne Ryan ( MP, member for Lalor). Jo was chair person of the Toxic Dump movement. A very strong and pivotal community leader during the campaign . Hence the use of metal. -
Darebin Art Collection
Painting - Janet Mathews, Janet Mathews, There will be Dragons: Journey into the Unknown IV, 2005-2006
-
Mission to Seafarers Victoria
Painting, David Rowe, Diaspora, 2019
"Asylum seekers in great desperation."This artwork was an entry for the Maritime Art Prize 2019. David Rowe, editorial Ccrtoonist of The Australian Financial Review, has won the Art Prize in 2010.Marine artOil on canvas depicting asylum seekers in great desperation as they are helping two men in the water to get on board.mission to seafarers victoria, artwork, mission to seafarers, seamen's mission, flinders street, artwork-paintings, maritime art prize, sea, ship, 2019, migrants, migration, diaspora, asylum, desperation, sinking, david rowe, cartoonist -
Gippsland Art Gallery
Painting, Struss, Elsie, Head Study - Male, c.1929-33
Donated from the estate of Wemyss Struss, 2016Oil on canvasgippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic - Artwork - Ceramic, [Large Bowl] by Vesna Medavarsky
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large wheel thrown terracotta bowl with abstract decoration including text and gold lustre glaze. art, artwork, vesna medavarsky, ceramic, terracotta, wheelthrown, oxides, gold luster, pottery, bowl, large bowl -
Ballarat Heritage Services
Ceramic - Ceramics, Pottery Vase by Kevin Crick
Potter Kevin Crick was based in or around Moruya on the south coast of NSW in the late 1980s and 1990s. He exhibited at the Granite Grove Art Gallery in Moruya in 1987 according to an article in the Canberra Times. He made well-thrown and glazed functional ware with an impressed mark consisting of three horizontal lines in a square, with a raised circle bisecting the top line. Photograph of a hand thrown and decorated ceramic vase by Kevin Crick with impressed studio mark on the base. ceramics, pottery, kevin crick, studio pottery -
City of Kingston
Ceramic - Moorabbin Arts Centre sugar bowl, Royal Porcelain Kingdom of Thailand, c. 1990
Sugar bowl belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic sugar bowl with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre -
Swan Hill Regional Art Gallery
Painting, GRAHAM, Anne-Marie, Sunflower stall, 1992
-
Flagstaff Hill Maritime Museum and Village
Ceramic - Bowl, Broadhurst Staffordshire Ironstone Pottery, 1950s - 1960s
Broadhurst China was established in 1862 the firm was based at the Crown Pottery, Longton, Staffordshire until 1870 where James Broadhurst made a range of gold and silver lusterwares. In 1870 the firm moved to the Portland Pottery at Fenton, Staffordshire and continued to produce good quality earthenware. In 1897 "& Sons" was added to the company name and "Ltd" from C.1922. The full name, James Broadhurst & Sons Ltd. appears from 1957. In 1984 James Broadhurst & Sons Ltd became Churchill Tableware Ltd.Items made around 1950s or slightly later that are now collectors items made by one of the founders of ironstone pottery in England.Small ironstone willow pattern bowlThe back is stamped "WILLOW BROADHURST STAFFORDSHIRE IRONSTONE Made in England Detergent and Dishwasher Proof" Mass produce, Ceramic, Potteryironstone pottery, staffordshire pottery, flagstaff hill museum, crockery, dinner set, willow pattern -
Darebin Art Collection
Painting - Phyllis Faldon, Phyllis Faldon, Convergence, 2010
painting -
Horsham Regional Art Gallery
Painting, John LONGSTAFF, Still life, n.d
Gift of Mack Jost, 1989 -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Faux Crystal Necklace from the Sarah Coventry Jewellery Range c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Faux purple crystal pendant set in a claw clasp ,with silver tone chain."(c)SARAH" on back of pendant sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Horsham Regional Art Gallery
Painting, Marion BORGELT, Liquid Light - 67 Degrees, 2011
Purchased through the Horsham Art Gallery Trust Fund with the assistance of Quota International, Horsham and the Robert Salzer Foundation, 2013acrylic on canvas, pins