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Artwork, other (1261)
Ceramic (763)
Decorative object (704)
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Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (402)
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Work on paper (2040)
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Gippsland Art Gallery
Painting, Payne, Harold T, Petunias, 1984
Donated by the artist, 1985Watercolour on papergippsland, artwork, permanent collection -
Ringwood RSL Sub-Branch
Work on paper - Royal Marines Association, Victoria, Australia, framed insignia of the Royal Marines
Printed poster in wooden frame -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Wash and marker on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Federation University Art Collection
Painting - poster, Don Refshauge, Victorian Centenary Band Contest (Ballarat), 1934
Donald REFSHAUGE (1912-1952) A Senior Technical Scholarship recipient, Donald Hamilton Refshauge studied Commercial Art between 1929 and 1935. He was a highly successful student, winning multiple prizes at competition. His father, John Henry (Johann Heinrich) Refshauge, was headmaster at the Ballarat Agricultural High School. Donald Refshauge worked as a commercial artist near Ballarat, until he moved to Hamilton with his aging mother, Donella, in 1949. Sadly, within three years he died, aged 40. His probate notice labelled him a ‘retired farmer’. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Commercial artFramed original poster by Don Refshauge of the Ballarat Technical Art School. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students.art, artwork, don refshauge, brass band, ballarat, competition, ballarat town hall, uniform, south street, south street competitions, donald refshauge, boer war memorial, coats of arms, band contest, available -
Federation University Art Collection
Painting - Acrylic on Canvas, Reinhard Gromm, Thoughts, 1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Landscape in acrylic paint. If you can assist with information on this artist or artwork please use the email link below. art, artwork, reinhard gromm, wimmera campus, horsham campus art collection, landscape -
Moorabbin Air Museum
Work on paper (Item) - Australian Aircraft Restorations Group documents, Australian Aircraft Restorations Group Future Directions
Australian Aircraft Restoration Group -
Federation University Art Collection
Ceramic - Artwork - Ceramic, (Untitled) Tea cup
Wheel thrown cup with handle glazed and surface decorated with three drawn faces. If you can assist with information on this artist or artwork please use the comment box below. teacup, ceramics -
Flagstaff Hill Maritime Museum and Village
Ceramic - Plate, Minton Potteries, ca 1878
This plate is one of a collection of plates with the Asiatic Pheasant design from recovered from the wreck o the Loch Ard. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. This plate is significant for its connection to the potters Minton. It is also significant for its connection with the wreck of the sailing ship Loch Ard. The Loch Ard shipwreck is significant for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The group gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.China dinner plate, scalloped rim. Floral arrangement with Asiatic Pheasant design, made by Middleport Pottery. Recovered from the wreck of the Loch Ard. Within cartouche "B & L / MIDDLEPORT POTTERY" and an 'L" handwritten in black pen.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, plate, minton, loch ard, asiatic pheasant design -
Federation University Art Collection
Painting, Inoue, Miwako, Untitled by Miwako Inoue, 2001
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting.art, artwork, miwako inoue, inoue -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Caitlin Taylor, Luminous Landscape Design Documentation Plan, 5th November 2018
Submitted as an assignment for HORT90035, a subject at Burnley Horticultural College coordinated by Andrew Laidlaw. -
Gippsland Art Gallery
Painting, Pattinson, Elizabeth (Betty), Face on the Hill, 1986
Purchased, 1986Oil on boardgippsland, artwork, permanent collection -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Bill Perrin, Conundrum, 2005
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Bendigo Historical Society Inc.
Painting - Stone building, William A. Delecca
Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Sunset, Tatura Camp 4
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Gippsland Art Gallery
Painting, Piggott, Owen, Flooding Light, 2008
Donated from the estate of the artist, 2016Oil on canvasgippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Renowned Landscape Gardener, Hugh LINAKER, Argus Newspaper, death notice, Tuesday 11 October 1938, page 2 - Transcription & Original
Hugh LINAKER, born in Ballarat 1872 to Thomas & Catherine Linaker (nee Gibson). Hugh LINAKER, died 1938, death details in Argus Newspaper, Tuesday 11 October 1938, page 2.john garner collection, garner, dr, linaker, ballarat botanical gardens, gardens, landscape gardener, gardener -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finish -
Gippsland Art Gallery
Painting, Rogers, Muriel, Untitled, 1974
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Painting, DEB, Julia Street, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with ten buildings in a line. The foreground represents a road and is depicted in various shades of brown, green and yellow. The row of buildings is a mixture of double and single storeys. The most prominent building is a double storey grey building with four top storey windows and a chimney. The top half of the work is a blue and yellow sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions) -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finish -
Bialik College
Work on paper (Item) - The Survivor, 2010 performance diaries
In 2010 Bialik VCE Drama students created and partook in a theatre production of 'The Survivor'. Work was completed by a range of students, primarily Shanee Sommer and Kira Zeldin. visual and performing arts, theatre production, student work -
Gippsland Art Gallery
Sculpture, Steinkellner, Karl, Midnight Philosophers, 1982
Purchased, 1982White beechgippsland, artwork, permanent collection -
City of Whittlesea Art Collection
Painting - Oil on board, James Waltham Curtis, Road to Whittlesea, circa 1839 – 1901
whittlesea -
Eltham District Historical Society Inc
Decorative object - Inkwell, Inkwell and pen stand
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Darebin Art Collection
Ceramic - Premier Pottery, Premier Pottery, Earthenware 'Remued' globe-shaped bowl, brown / blue, 1941-1955
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Mont De Lancey
Decorative object - Hampden Buggy Model, Chas W. Davis, Unknown
The collection of thirteen horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Hampden Buggy replicates the vehicle that enjoyed respect from the public from c.1800's. It came in various types.A model of a Hampden buggy, c1900. The body is low to the ground, making it easy for passengers to board and disembark as well as allowing for speed and is lightweight for one horse to pull, making the journey cheaper than using four horses. It has four spoked wheels, two large and two small which have gold painted mudguards. It has brown padded seating, gold painted armrests and two coach lamps. There are two long shafts on each side to surround the biscuit coloured horsel with a white tail and mane, which has the necessary horse tack for carriage use to help the driver communicate with the horse. The original Hampden buggy was the inspiration of K.Booth, an American coach maker. It was designed for the ladies to show off their finery. Keep Bros. and Wood of Melbourne built many variations of buggies for wet or dry conditions.replicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses -
Castlemaine Art Museum
Painting, Rupert Bunny, Figure Group (possibly The Lace Caught), 1913
Gift of Mrs Beth Sinclair, 1999 -
Gippsland Art Gallery
Work on Paper, Reynolds, Fiona, Port of Sale - Canal, 2019
Purchased, 2019Ink on papergippsland, artwork, permanent collection -
Unions Ballarat
Work on paper - Blue, White and Pink Collar Workers in Australia (D.J. Spiers Collection), Williams, Claire, 1988
Emerging unionism of phone technicians, flight attendants and bank employees in Australia. Effects of technology upon these professions. Equal opportunity and women's rights perspectives.Workplace change - technology - management of change. Exposition of industries covered by the following unions: Australian Telecommunications Employees' Association; Australian Flight Attendants' Association; Australian Bank Employees' Union.Book.Title page: 'D.J. Spiers, Curtin University, December 1988', in blue ink. Front cover: author's name and title.btlc, ballarat trades and labour council, unions, telecommunications - telstra, aviation - flight attendants, banking - employees, technological advancement, equal opportunity - women's rights, management of change