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Artwork, other (1305)
Ceramic (767)
Decorative object (724)
Drawing (4628)
Mixed media (539)
Painting (2490)
Print (1671)
Sculpture (407)
Textile (1401)
Work on paper (2109)
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Gippsland Art Gallery
Print, Jose, Ellen, Pelicans are Home I, 1989
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print, (untitled), n.d
Abstract depiction of a bird in trees. Trees are picked out in strong vertical strokes of white, grey, black and russet. Background and foliage is depicted in swirling blues and greens; the sky is grey at top of image. At top centre is a bird in blue and white. Mounted in a cream matt in aluminium frame.Front: Monoprint and montage (lower left) (pencil). Back: Nancy Malseed (top centre) (pencil). 1990 (top right) (pencil) 1996 (top left) (pencil). -
Federation University Art Collection
Ceramic - Platter, 'Platter No 131' by Milton Moon OA, 1979
Milton Moon (1926-2019) Born Melbourne, Victoria Milton Moon attended the Central Technical College, Brisbane where he studied painting and drawing. In 1950 he undertook study in Ceramics with Harry Menmott and Mervyn Feeney at the Sandison Pottery, Brisbane. He lectured in Ceramics at Central Technical College, Brisbane, and he was awarded a Churchill a Fellowship in 1966. In 1974 he travelled and worked in Japan for a year, and established a workshop at Summertown in the Adelaide Hills. In 1984 Milton Moon was awarded the Order of Australia Medal for his services to ceramics. Milton Moon died in 2019. At the time of his death his website included the following:- "In this, my 'ninety second year,' over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant. The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently the Pilbara and Kimberley areas of Western Australia, where rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world. All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful 'spirit-presence.' It is impossible to ignore the feeling that this country remains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large ceramic platter, framed for display on wall.art, artwork, milton moon, ceramics -
Federation University Art Collection
Print - Printmaking - Etching, 'La Veronica' by Harry Halpern, 1965
Harry HALPEN This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching of a bullfighter. art, artwork, halpern, bullfighting, harry halpern, available -
Bendigo Military Museum
Print - PRINT, FRAMED, RAAF, RAAF (c) Juanita Franzi 2013/ AERO ILLUSTRATIONS, 2013
Heading to printed information - "Lockheed C-130 Hercules/ A97-010- Mambo 34/ Number 36 Squadron/ In the vicinity of Al Asad Air Base, Iraq, Middle East Area of Operations, 1336Z 24 April 2003" Further information below heading.Framed Print. Print - in colour on paper, photograph of a RAAF aircraft "Lockheed C.130H Hercules" with information on aircraft below in black print. RAAF and 36 SQUADRON crest in colour, either end of the printed information. Frame - moulded black plastic with gold inner edge. Glass front and timber back.framed print, raaf, lockheed aircraft -
Federation University Art Collection
Work on paper - Printmaking, University of Ballarat Printmaking Book, 1997, 1997
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Red hard covered book with original limited edition prints by Printmaking student at the University of Ballarat (later Federation University Australia).art, artwork, alumni, printmaking, artist's book, sean doherty, sue armstrong, emma stoneman, dianne jacono, maryanne coutts, carole wilson, anne mcalpin, janine coatsworth, helen errington, james bryant, linda woodfield, ann o'grady, michelle charman, lnda woodfield, zoe mcmahon -
Bendigo Military Museum
Print - PRINT, FRAMED, WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary -
Federation University Bookplate Collection
Work on paper - Bookplate, Alice in Wonderland
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists. as well as Australian secondary school students. Art movements Artist’s statement Subjects Bookplate, Australian Bookplate Design awards, Kieth Wingrove Trust Entered in the International Bookplate Design section of the the Australian Bookplate Society's 'Australian Bookplate Design competition for 2020.Pencilled beneath image: 17/40- "Alice e il Bianconiglio" - signature of artist. -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Les Chemins de Fer 861, Honore Daumier
LithographSigned l.l -
Swan Hill Regional Art Gallery
Print, BRACK John, Fourth Daughter, 1954
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Bass Coast Shire Council - Art Collection
Sculpture - Shaft, Shane Cargill/Martin Moore
AustraliaConcreteSigned -
Kyneton RSL Sub Branch
Print - Framed print, Sgt Jack Dodd of Goolwa, S.A, 1984
Illustration of Sgt Jack Dodd of Goolwa, S.A. Jack joined the 3rd Light-Horse Regiment in 1929 and served with the Second AIF in Britain and the Middle East including Tobruk. Jack is depicted tent-pegging.Print by Madeleine Cobb 1984 (series)325 /1000 -
Gippsland Art Gallery
Print, MacFarlane, Stewart, The Believer, 1991
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Coloured linocut print on papergippsland, artwork, permanent collection -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Hampton High School, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003.Annette Meikle, Hampton High School 1977, ink and watercolour, 35 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, sandringham, hampton high school, school, hampton -
Warrnambool and District Historical Society Inc.
Work on paper - Report, Warrnambool Surf Lifesaving Club, 40th Annual One Mile Swim of the Hopkins River, 1999
The Hopkins River One Mile Swim started in 1960 as part of an Aquatic Day to raise funds for the Warrnambool Olympic Pool. Since 1961 a measured One Mile Course (1600 metres) was used, the course being up river for approx. 286 metres, then to the bridge and back to the jetty to the finishing line. It was a handicap race. The race was abandoned after 46 years (2005). The booklet is of some importance as it gives the details of the Hopkins River One Mile Race, an event that was a prominent one in Warrnambool for 46 years. The booklet records the achievements of the competitors and the work of the committees involved and will be useful for researchers. This is a booklet containing a souvenir program for the 40th Annual One Mile Swim in the Hopkins River in 1999 and a Full Race History from 1960 to 1999. It has been produced in-house by the Warrnambool Surf Lifesaving Club and has a blue cardboard front cover and a grey back cover. The photocopied and typed pages have been bound with black plastic. The contents include newspaper cuttings, photocopies of photographs, lists of winners and a list of the race’s sponsors. There are three loose sheets.Front Cover: Warrnambool Surf Lifesaving Club, 40th Annual One Mile Swim in the Hopkins River, Sunday 14th March 1999, 2 p.m., Souvenir Program and Full Race History 1960-1999warrnambool surf lifesaving club, hopkins river mile swim, hopkins river -
Wodonga & District Historical Society Inc
Decorative object - Faceted Bead Necklace, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of mauve faceted beads. Faceted beads have many flattened edges done in such a way as to make them look like a cut gemstone.decorative items, women's jewellery, fashion accessory -
Ringwood RSL Sub-Branch
Work on paper - Assorted photo's, 3 pictures
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Clunes Museum
Work on paper - SCRAPBOOK
.1 ORNATE RED HARDCOVER, NEWSPAPER CLIPPINGS FROM 1906 ABOUT CONCERTS .2 POSTER - GRAND CONCERT AUGUST 27 RECHABITE HALL-PENGUIN IN AID OF RED CROSS UNDER THE DIRECTION OF MISS FLORENCE PERRY ASSISTED BY MISS MAY HULL A LEADING LAUNCHESTON SOPRANO .3 PROGRAM GRAND CONCERT , PUBLIC HALL BOWENVALE ON WEDNESDAY 1ST SEPTEMBER THE CONCERT WILL BE GIVEN BY MISS PERRY'S JUVENILE CHOIR HALF PROCEEDS IN AID OF ST. JOHN'S SUNDAY SCHOOLD BUILDING FUND.1 INSIDE IN INK HANDWRITTEN: FLORRIE PERRY CLUNES APRIL 18 07florrie perry, florence perry, penguin juvenile choir -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Lindenow Flats - Gippsland VIC I, 2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Phantom, 2001
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Tatura Irrigation & Wartime Camps Museum
Decorative object - Monkey
Item made by an Italian POW held in Camp 13murchison, camp 13, pow, italian, monkey, ' -
Ringwood RSL Sub-Branch
Work on paper - Commemorative WWII sites map Northern Territory, Maps
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Gippsland Art Gallery
Print, Durre, Caroline, Three Tanks, 1990
Purchased, 2018Etching on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, SENBERGS, Jan b.1939 Riga, Latvia. Arrived Australia 1950, Lithograph, 1985
LithographSigned and dated 'J. Senbergs. '85.' lower right corner under printed image. Titled 'Looking at Jesus Houses in Italy' centre bottom under print. Edition CT/P in lower left corner under printed image. -
Latrobe Regional Gallery
Print, SCHELL, Frederick B. b. c.1838 d.1905, Wilson's Promontory, c. 1890
Wood engraving. Not an original work. Signed with monogram lower right corner of image 'S.F' (stylised). Lower right area within image, word 'Echen'. Not dated. -
Royal Australasian College of Surgeons Museum and Archives
Decorative object - Japanese Hakata doll, Tomi Kono for Kyugetsu,Toyko
Hakata doll was given to RACS as a gift from the Japanese College of Surgeons. Made by Tomi Kono for Kyugetsu,Toyko. Kyugetsu is a famous doll store in the Asakusabashi district of Tokyo. This was founded in the Edo period and has been making dolls for 150 years.This elaborately costumed ceramic doll has its origins in simple clay figurines first produced in the Hakata district of the Japanese city of Fukuoka in the 17th century. They made their appearance in the West at the Exposition Universelie in Paris in 1900 by which time they had been transformed from toys into an artform. Most dolls are inspired by figures from the theatre: Noh, Kabuki and Ukiyo-e. These figures are sometimes connected with Geisha dolls although this is not necessarily a correct description. The robes and hairstyle are traditional but not confined to geisha.Hakata Doll dressed in elaborate kimono, in glass display case. Wooden plaque in cabinet with Japanese characters/script - presumably describes the doll. Doll has porcelain face, hands and feet, and a cloth body. This doll depicts a young unmarried woman dancing and holding an elaborate drum (tsuzumi).On plaque in cabinet: "Japanese College of Surgeons. Founded in 1974"hakata, diplomatic gift, japanese college of surgeons -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - Patch
This seems to be a recently produced patch that may have been made for an anniversary/commemorationCloth patch, round. Embroided with a yellow border around the outer circumference of the patch. "VILLERS-BRETONNEUX" is embroided in red cotton along the top half of the circumference. There is a yellow kangaroo with the year 1918 in white cotton. The lower area of the badge has "AUSTRALIA" in yellow cotton."VILLERS BRETONNEUX 1918 AUSTRALIA" -
Uniting Church Archives - Synod of Victoria
Print, H Room, C. 1820
Rev. Richard Fletcher (1800 - 1861), born in Newcastle-upon-Tyne, was agent of the Colonial Missionary Society and came to Australia with his wife and five children after the discovery of gold in Australia. The original of this engraving is in the Scottish National Portrait Gallery (Print Room).Black and white portrait print of engraving of the head and shoulders of Rev. Richard Fletcher with an inscription. He is wearing Regency clothing, looking to his left and is holding a paper. The print appears to be taken from a book and tipped onto a piece of brown paper."Revd. Richard Fletcher Manchester"colonial missionary society, rev richard fletcher independent minister -
Bendigo Historical Society Inc.
Decorative object - PLASTER BOY STATUE
Plaster statue of small Dutch boy with clogs, seated with legs crossed & carry bag at his feet, wearing a hat with feathers, blue vest, red shirt and brown pants. Signed by artist - unreadable.Mattei Bros & Co Melb 25ornaments, plaster, statue, dp550 -
Ballarat Heritage Services
Ceramic - Studio Pottery, Pottery Pot Pourie Pot
Photo of a hand thrown ceramic vase. ceramics, australian studio pottery