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Ceramic (766)
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Bialik College
Mixed media (Collection) - Prince of Egypt Theatre production music, soundtrack, and audio tracks
production, music, audio, bialik, judaismproduction, music, audio, bialik, judaism -
Clunes Museum
Mixed media - GRANT APPLICATION, 2006 /2007
APPLICATION FOR GRANT TO RESTORE THE LARGE PHOTOGRAPHIC RECORD OF THE "CLUNES IN MELBOURNE CLUB" IN THE CLUNES MUSEUM.AN APPLICATION TO VICTORIA'S HERITAGE GRANTS PROGRAM COMPILED IN A MAROON BOUND FOLDER, WITH 2 CD'Slocal history, document, grants application, grant application -
Federation University Art Collection
Ceramic - Ceramic - stoneware, [Pot] by John Gilbert, 1968 /1975
John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large stoneware pot with brown swirling glaze design. art, artwork, john gilbert, gilbert, ceramics, stoneware, alumni, edinburgh pottery, old ballarat pottery -
Whitehorse Historical Society Inc.
Mixed media - Video Tape, Cottage Craft
Video - taken in April 2002 During Nunawading & District Historical Society Open Day by Barrie Thompson. Records all the activities taking part in the grounds of Schwerkolt Cottage and Museum Complex. Running Time: Six minutes.non-fictionnunawading and district historical society, schwerkolt cottage and museum complex, thompson barrie, argyle movie presentaton, open day 2002 -
Flagstaff Hill Maritime Museum and Village
Ceramic - Plate, 1920s
This plate is part of a four-piece place setting, comprising a teacup, saucer and plates, from a tea set. The tea set was given by Eva Carmichael, one of only two survivors of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, the young woman who supported Eva during her recovery from the ordeal. Ms Shields was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This blue china tea set, comprising a teacup, saucer and two plates, is of high significance as it is closely connected to the wreck of the Loch Ard, and one of only two survivors, Eva Carmichael. Memorabilia connected to Eva Carmichael are precious and rare. The Loch Ard shipwreck is significant for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Plate; this plate is part of a ceramic tea set place setting, comprising a cup, saucer and two plates of slightly different sizes. The plate is a royal blue colour with a gold rim.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, ceramic tea set, plate, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, coffee cup plate -
Working Heritage Crown Land Collection
Ceramic - pottery shard, Mint pottery shard
White pottery shard with glazed finish -
Melbourne Legacy
Ceramic - Mug, Captain Syd H Birrell MC, 23/02/1946
This tankard mug was produced by Legacy to honour Legatee Syd Birrell possibly after he was awarded the MC. Legatee Birrell was President of Melbourne Legacy in 1949. The maker was the firm of EG Greenway, a pottery manufacturer in Blackburn, which was connected to Legatee Herb Greenway.Shows the high regard Legatee Syd Birrell was held in by the other legatees.Cream Ceramic mug with handle, with a relief portrait of Captain Syd.H. Birrell MC on one side and relief image of the Legacy Torch and Wreath of Laurel.Underneath etched - Capt Syd. H. Birrell MC. 23.2.46 Label affixed - E G Greenway Australiasouvenir, founding legatee, syd birrell -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Brown glazed border tile with rolled and decorated edge'1502'ceramics, earthenware -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic - stoneware, Gerry Wedd, Wayne Lynch pot, 2015
hand-built, slip decorated and glazed, mid-fired stonewarestoneware, ceramic, surf, wayne lynch, gerry wedd, flowers, waves, beach, urn, vase -
Federation University Art Collection
Ceramic, Woodfired Jug by Karen Wells, c1986
Karen WELLS Karen Wells was apprenticed to Janet Mansfield. She was involved in Woodfire '86.Woodfired jugkaren wells, ceramics, jan feder memorial ceramics collection, gippsland campus, woodfire 86 -
Mont De Lancey
Mixed media - Book and Record, Australian Bush Sounds - book, Australian Bush Sounds, 1968
A book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.A slim square hardcover book with text by Allen Keast and a record of Australian Bush Sounds. The cover has a photograph of a Black Swan nesting in open wetlands. Inside the left front cover is a pocket with an EP record by Carl and Lise Weismann. The book has explanations of the sounds recorded as well as black and white photographs of the creatures featured. p.20.non-fictionA book and recording of Australian Bush Sounds from the Victorian border to Cape York. It is a follow-up to the previously very successful record of Australian Bird songs by Carl and Lise Weismann in 1957 - 58. All were recorded in their natural surroundings but for the Dingoes which they had to insert the howls of a group in a faunal reserve. The lyrebird was drawn from and excellent sequence by Harold Pollock. The book describes the Sound and Communication in Animals and Insect Sounds.animals, insects, mammals, australian birds, australian animals -
Gippsland Art Gallery
Ceramic, Swen, Hiroe, Untitled, 1988
Donated from the estate of Patricia Marie White, 2013gippsland, artwork, permanent collection -
Queenscliffe Maritime Museum
Ceramic - Saucer
Mark verified from Staffordshire Potteries websiteOwned by Bay steamers Ltd who operated in Port PhillipSaucer, vitreous china, white glaze; 1/4 broken offBay Steamers Ltd Melbourne - black crest John Maddock and Sons Ltd Englandchina, bayside steamers -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359White glazed border tile with blue geometric pattern'676A' '436' '33'ceramics, earthenware -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Lustre Dragon by Heather Wilson, c1985
Heather WILSON (1961- ) Born Rotherham, England. Arrived Australia 1967. Heather Wilson graduated with a Bachelor of Education (Art & Craft) from Melbourne State College in 1982, majoring in Ceramics. Artist's statement - "All of my work is hand built and explores animal forms in various ways. Animals have always fascinated me and have been a part of my work for the last 30 years. Whether appearing as dragons, exotic birds or bones, most of my images have a basis in nature. Sometimes it is just a characteristic or a quirky gesture that will inspire a piece, sometimes a photograph or a drawing done at the zoo or museum. Dragons have always given me the freedom to explore an emotion or attitude without the restrictions of a form being right, no one can tell you what a dragon should be like as they are an imaginary beast. All of my work is hand built from earthenware or porcelain. Each of them is unique and they may be similar but no two are ever the same. Most of my vessels are coil built and the dragons and birds are constructed on their bases. The pieces are fired to 1080 C in a gas kiln."heather wilson, ceramics, jan feder memorial ceramics collection, gippsland campus -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn
Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with a cream gloss glaze finish and an emboss floral design painted in blueEmboss floral design painted in bluepottery, ceramic, archaeology -
Bialik College
Mixed media (series) - Items relating to Jewish festivals
judaism, events, musicjudaism, events, music -
Federation University Art Collection
Ceramic - Raku, Holmes, Sue, [Untitled] by Sue Holmes, 1989
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two raku bowlsart, artwork, raku, ceramics, sue holmes -
Bialik College
Mixed media (series) - Friends of Bialik, 1990s-2000s
1990s, 2000s, alumni1990s, 2000s, alumni -
Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, Lighthouses - Doug Watkins, 1/06/2001
Tape of talk by Doug Watkins to Nunawading Historical Society on Lighthouses at General Meeting on 2 June 2001.Tape of talk by Doug Watkins to Nunawading Historical Society on Lighthouses at General Meeting on 2 June 2001.watkins, doug, lighthouses -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finish -
Port Melbourne Historical & Preservation Society
Mixed media - Presentation Board, Ancient Order of Foresters Lodge, C HANDS, 22 Dec 1927
Found in Hands family home, 402 Williamstown Rd Port MelbourneLarge brown ply board with a photo of C Hands at bottom. 12 medallion photos of Lodge (Ancient Order of Foresters) members around the board. Coloured certificate in centre presented to C HANDS when he was enrolled as Past Chief Ranger of Court No 5504A.O.F. Court of Forest of Dean No 5504 in Victoria. Presented to Bro C H Hands, P.C. for services rendered 22.12.27societies clubs unions and other organisations, c h hands, ancient order of foresters, masonic, forest of dean, a carpenter, a g harris, t allan, c tucker, a copley, a tucker snr, a eddy, m daley, a j tucker jnr, w thomas, f c reiger -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with orange matt finish. pottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with blue and white design with a glazed finish -
Federation University Art Collection
Ceramic - Wheel thrown pottery, [Bowl]
Australian Studio CeramicsWheel thrown bowl decorated with glazes. Artist unknown.ceramics, bowl -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Mixed Media - Compact Disc, Family Tree Magazine, Family Tree Magazine Various Discs, 2011c
Free Disc from Family treee magazine includes census Yorkshire, Londongenealogy -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with a cream gloss glaze finish and a pictorial design painted in bluePictorial design painted in bluepottery, ceramic, archaeology -
Greensborough Historical Society
Mixed media - Audio Cassette and Program, Diamond Valley Choral Society, Handel's Messiah, performed by Diamond Valley Choral Society 1983, 1983
A recording of 'Messiah', an English language oratorio by George Frederic Handel, composed in 1741. The text was compiled from the King James Bible; it contains 3 parts and part 2 ends with the 'Hallelujah' chorus. This performance by the Diamond Valley Choral Society and combined choirs was recorded at St John's Church of England, Heidelberg 13/11/1983 and at St David's East Doncaster 20/11/1983.3 audio cassettes in clear plastic case, 4 copies of a printed program and an invitation to join the singers.Handwritten on case: "Messiah rehearsals '83" and "St John's 1983".diamond valley choral society, messiah (oratorio), st john's church of england heidelberg -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Bottle, Alexander Hall and Son, ca. 1855
Schomberg was a large three-masted full-ship rigged wooden ship built in 1855 by Alexander Hall and Co in Aberdeen, Scotland for James Baines' famous Black Ball Line at £43,103. The vessel was 288 feet (88 meters) in length, with a beam of 45 feet (14 meters), a depth of 29.5 feet (8.99 meters) of 2,284 tons. The mainmast was 210 feet (64 meters) high and she carried 3.3 acres of sail. The vessel was constructed with three skins. One planked fore and aft, and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). The Schomberg is one of only three clipper wrecks in Victorian waters that operated the England to Australia run. While the other two, Empress of the Sea and Lightning, were built by the famous American shipbuilder, Donald Mac Kay. Schomberg was an attempt to build a faster ship than Mac Kay and a vessel fast enough to break the sailing record to Australia. The Schomberg sailed on her maiden voyage from Liverpool on 6 October 1855, under the command of Captain James Forbes, on its maiden voyage to Australia with a general cargo, jewellery, spirits, machinery, and 2,000 tons of iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, plus 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. There were approximately 473 passengers and a crew of 105. It was hoped that Schomberg would make Melbourne in sixty days, setting a record for the voyage, but light winds at the equator dashed those expectations. The ship sighted Moonlight Head in south west Victoria on Christmas Day but through a deadly combination of wind, currents and unmarked sand spits, the vessel gently ran aground on 26 December 1855 on a spit that juts into Newfield Bay, just east of Curdies Inlet, and the present town of Peterborough. Fortunately, the SS Queen was nearby and managed to save all passengers and crew. The steamers Keera and Maitland were dispatched to salvage the passenger's baggage and the more valuable cargo. Other salvage attempts were made, but deteriorating weather made the work impossible, and within two weeks the Schomberg's hull was broken up and the vessel abandoned. The wrecking of the Schomberg caused quite the public stir particularly in light of the fact the vessel was supposed to be, the most perfect clipper ship ever built. Captain Forbes was charged in the Supreme Court under suspicion that he was playing cards with two female passengers below decks when his ship ran aground. Despite a protest meeting, two inquiries and the court proceedings, he was found not guilty and cleared of all charges. In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery at the Flagstaff Hill Maritime museum that also displays ship fittings and equipment, personal effects. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill.The Schomberg has historical significance as one of the first luxurious ships built to bring emigrants to Australia to cash in on the gold rush era. And is included on the Victorian Heritage Register (VHR S612). The collection of Schomberg artefacts held at Flagstaff Hill Museum is primarily significant because of the relationship between these recovered items having a high potential to interpret the story of the Schomberg and its foundering during a storm. The shipwreck is of additional historically significance for representing aspects of Victoria’s shipping history and for its association with the first passenger ship, which was designed not only to be the fastest and most luxurious of its day but foundered on its maiden voyage to Australia.Stoneware Bottle, wide mouthed, covered in white encrustation, recovered from the wreck of the Schomberg. warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, stoneware bottle, james baines, black ball, container, clay bottle