Showing 6304 items
matching art
Artwork, other (1304)
Ceramic (767)
Decorative object (722)
Drawing (4625)
Mixed media (536)
Painting (2489)
Print (1671)
Sculpture (406)
Textile (1402)
Work on paper (2106)
-
Hymettus Cottage & Garden Ballarat
Ceramic - Plate, Begonia Festival Souvenir Plate, 1994
These plates were produced by Ballarat potter John Gilbert at his Old Ballarat pottery in Mt Clear in 1994. Gilbert established two potteries in Ballarat , the Edinburgh Pottery at Sovereign Hill Historical village and the Old Ballarat Pottery. Gilbert studied art at the School of Mines Ballarat, now Federation University and went on to lecture there. Notable for his studio pottery these plates were more a commercial production and were among the later products from the Old Ballarat Pottery before it closed in 1994.Small stoneware plate transfer printed with "Ballarat Begonia Fesival 40th Anniversary around rim and colour print of Begonias in centre.label to the underside with printed with Old Ballarat Pottery around poppet head logo and a second triangular Made in Australia sticker. -
Merri-bek City Council
Work on paper - Gouache on paper, Nusra Latif Qureshi, Balancing Act II, 2004
Nusra Latif Qureshi was trained in Mughal miniature painting in Lahore, Pakistan. From this, she has developed a rich contemporary visual style. Her works feature themes and techniques from the past and present. Qureshi often layers appropriated images from colonial photography. Balancing Act II is a gouache painting that depicts the outline of two figures balancing on bottles placed carefully on a small table. This drawing is layered on top of an orientalist colonial image that has been appropriated for the work. -
Federation University Art Collection
Painting - Portrait, Wes Walters, [Portrait] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 to 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1979 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large portrait of a man painted in oil.wes walters, artwork, artist, portrait, alumni, archibald prize winner, available -
Latrobe Regional Gallery
Painting, HENG, Euan b. 1945 Scotland. Arrived Australia 1977, Jeeralang Still Life I, 1985
Oil on canvasSigned and dated on reverse top left "Euan L Heng 85" -
Moorabbin Air Museum
Mixed media (Item) - Temora Air Show 2006 Photos on Disc, Temora Air Show 2006 Nov Personal Photos
-
Federation University Art Collection
Ceramic, [Untitled] by Ino Kiyoshi, c1982
Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia. Gift of the artist, 1982impressed seal for Kiyoshi Ino on baseceramics, shikuhu ino, jan feder memorial ceramics collection, gippsland campus, yinnar, yinnar art resource collective -
Latrobe Regional Gallery
Work on paper - Print, JONES, Timothy b. 1962 North Wales, arr. Australia 1984, Gippsland, 1985
Wood engravingSigned and dated bottom right beneath printed image, "Jones 85" Edition and title in lower left corner "A/P Gibsland" -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finish -
Ringwood RSL Sub-Branch
Work on paper - Postcards from War Memorial, photograph
Framed photograph -
Federation University Historical Collection
Work on paper - Calligraphy, University of Ballarat Inauguration, 1993
The University of Ballarat was inaugurated on 01 January 1994. The inaugural Chancellor was Geoffrey Blainey.Framed Calligrarphic presesntation on Ballarat School of Mines letterhead.The School of Mines and Industries Ballaraty extends congratulations and best wished to teh University of Ballara i the occasion of its inauguration on 1 january 1994 [signed] Bill Gribble W.J. Gribble President of Council [signed Brian McLennan] B.C. McLennan Acting Directorballarat school of mines, university of ballarat, university establishment, inauhuration, bill gribble, brian mclennan, calligraphy, letterhead -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, 1912
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot -
Federation University Art Collection
Ceramic, Lidded Cheese Platter
Dish and lid by Jilliby, Stoneware, Temaku Glazejilliby pottery, jan feder memorial ceramics collection, cheese platter, russell thorpe -
RMIT Design Archives
Mixed media - Textile Design Sample, Design for Clothing Label, 1958
Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. The Boy Scouts commissioned this point paper design featuring a boy, puma and snake. It is inspired by imagery from Kipling’s Jungle Book.Point paper design featuring boy, puma and snake. Corresponding clothing label attachedtextile design, design -
Ballarat Heritage Services
Work on paper - Image, Joseph Banks
Botinit Joseph Banks who voyaged to Australian on the vessel 'Endeavour' with Captain James Cook. james cook, botany bay, endeavour, tall ship, explorers, joseph banks -
Federation University Art Collection
Ceramic, [Glazed Bowl]
This work is part of the Jan Feder Memorial Ceramics Collection .Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation Univesity Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students culd benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residendence Program assisted the collection, with many resident artists conrtibuting to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection.A hand thrown stoneware bowl with with a stunning gold and black glaze. If you can assist with information on this artist or artwork please use the email link below. jan feder memorial ceramics collection, alumni, japanese? -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Connell's Van and Mr H.W. Connell Lessee, at the Refreshment Rooms, Gardens Pavilion, Lake Wendouree, Ballarat
john garner collection, ballarat botanical gardens, gardens, ballarat, connell, refreshment rooms, pavilion -
Queenscliffe Maritime Museum
Ceramic - Saucer
Mark verified from Staffordshire Potteries websiteOwned by Bay steamers Ltd who operated in Port PhillipSaucer, vitreous china, white glaze; 1/4 broken offBay Steamers Ltd Melbourne - black crest John Maddock and Sons Ltd Englandchina, bayside steamers -
Ballarat Heritage Services
Painting, B. Binovitch, [Portrait], 1978
Framed portrait of a man. If you can provide information on this artist or artwork please use the link below. LRS - {B.R.?] Binovitch '78 Wien 28 Aprilpainting, portrait -
Orbost & District Historical Society
Painting - Painting, framed, Oyster Dredging, c.1940s
Painting of five ships at sea, one in foreground is manned. Framed using a small replica life bouy; two crossed flags top centre, one Union Jack flag mid left, one British Naval flag mid right, title 'Oyster Dredging' lower quadrant.OYSTER . DREDGING paintings, decorative life bouys, oyster dredging, fishing, harvesting -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Bank protection works at the Diamond Creek sports oval
Colour photograph of bank protection works, using large stones at the Diamond Creek Sports oval. Note the eroded state of the bank above the rock liningeltham, diamond creek, erosion, protection, stone, diamond creek sports oval -
Ballarat Heritage Services
Ceramic, [Gumnut Vase] by Lorraine Simpson
Lorraine SIMPSON Lorraine SImpson sold most of her pottery to Bangles Gallery in Cobargo NSW which unfortunately burnt in the 2019/2020 bushfire. She was also known for making bonsai pots which were well loved by the bonsai community.Blue hand thrown vase with gumnut and leaf decorative feature.ceramics, australian studio pottery, gumnuts, lorraine simpson -
Darebin Art Collection
Painting - Adriana Cosshall, Adriana Cosshall, Not All That Glitters is Gold, 2010
-
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Section of the Prisoner of War Memorial, Prisoner of War Memorial, Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, memorial, prisoner of war memorial -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, Charles Douglas Richardson, The rainbow at Cheltenham, 1914-16
watercolourfarm, horses, landscape, rainbow, cheltenham, charles douglas richardson, cd richardson, cloud, rural -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, View downstream from the Susan Street culvert
Colour photograph of the view downstream from the Susan Street culvert, Elthameltham, susan street, culvert, drain, channel -
Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, 'Disston Saws', 8/4/2006
recorded by Ray Meagher on Saturday 8 April 2006Talk on 'Disston Saws' from Ray Meagher on Saturday 8 April 2006tools, meagher, ray -
Swan Hill Regional Art Gallery
Painting, SUMNER, Alan, Washing Day (Eugenie Howard hanging out her smalls), 1944
-
Federation University Art Collection
Painting - Gouache, 'Annual Royal Show' by Nornie Gude, c1935
From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting showing two horses jumping over a fence.art, artwork, gude, royal melbourne show, poster, available, horses, animals, alumni, nornie gude -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic - stoneware, Garry Bish, Cauldron, 2011
wheel thrown and hand built stoneware, wax resist, stencil and airbrushed glaze and stainsceramic, stairs, sky, stencil, stoneware, garry bish, cauldron -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Garden Concept, Masterplan and Management Strategy, Unknown
This map is important in terms of the planning and management of the Ballarat Botanic Gardens The Map adds to our understanding and knowledge of the history of the Ballarat Botanical Gardens 1 page of a map in black and white. the number 44 is circled in pencil on the top righthand corner of the back of the page.john garner, doctor, john garner collection, ballarat botanic gardens, maps, masterplan, management strategy, john patrick, landscape consultants, ballarat city council, friends of ballarat botanical gardens, gardens, ballarat