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Artwork, other (1259)
Ceramic (763)
Decorative object (700)
Drawing (4603)
Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1394)
Work on paper (2040)
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Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Marker on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Ceramic, Sheridan, Steve, Jug, c.2005
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection -
Wangaratta Art Gallery
Painting, Howard Sparks, World of Blue, 1966
Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular landscape painting of trees and rocks at night painted in oil in shades of blue and brown.wangaratta art gallery, howard sparks, landscape, painting -
Mont De Lancey
Textile - Serviettes, Unknown
Seven white cotton Richelieu cutwork serviettes with the embroidery worked on the bottom left hand corner. They have a filet lace border.tableware, serviettes, table napkins, table linen -
Federation University Art Collection
Ceramic, Four Lace Pieces by Warren Arthur, c1979
Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Warren Arthur trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Four porcelain lace pieceswarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery -
Gippsland Art Gallery
Painting, Sumner, Alan, Preparing for Fishing - Spain, c.1950
Donated from the estate of the artist, 1995Oil on canvasgippsland, artwork, permanent collection -
Moorabbin Air Museum
Work on paper (Item) - Boeing 747 history, Boeing 747
Boeing -
Melbourne Legacy
Work on paper, Handwritten sheet music, 194
Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 20 March 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 20 March 1941.changi prison, pow, music -
Castlemaine Art Museum
Painting, Harold Herbert, Castlemaine Art Gallery and Museum, 1931
Gift of the artist, 1931 -
Dandenong/Cranbourne RSL Sub Branch
Work on paper (item), Painting HMAS Australia 1945
Painting by Edward H Thornton 2003 -
Kilmore Historical Society
Textile - Feather fan, c1900
Carried by Elsie Monk ( b.1886), daughter of Stephen Turner, sister of Mary Monica Fleck Turner (Smith) when presented at Court (Buckingham Palace), unknown date thought to be early 1900s.Item used by member/s of early Kilmore family.Tortoise shell frame with feathers forming a ladies fan. In good condition. Feathers tending to shed.fan, monk, turner collection -
Wangaratta Art Gallery
Painting, Judith Garde, Pumpkins and Copper, 1994
Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner1994.A still life of pumpkins, a copper pot, a cleaver, and other vegetables sitting on top of a kitchen bench painting in oil using tonal shades of orange, brown, red, green, and blue.Obverse: Grand Winner 1994/ 'Pumpkins & Copper'/ By JUDITH GARDE/ Judge - EDWARD BERRY/ (plaque mounted on frame)wangaratta art gallery, judith garde, still life, painting -
Churchill Island Heritage Farm
Textile - Lace Trim
This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled āvā shapes. At 5cm in width, it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era, the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed, the restrictions lessened gradually and in the late Georgian and Victorian eras, ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularise it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria (1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.machine made Torchon and Cluny lace trim with both edges similar, v shape design and 8 braid geometric design in centrechurchill island, lace, janet amess lace collection, amess, trim, torchon, cluny -
Glenelg Shire Council Cultural Collection
Work on paper - Annual Report - Portland High School 1976, c. 1976
Blue cardboard folder, Portland High School Annual report 1976 and school logo, in red, front cover. 20 page Principal's report for 1976 stapled inside folder -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic, Tony Hutchison, Ikebana pots
ikebana, vase, urn, vessel, tony hutchison -
Australian Lace Guild - Victorian Branch
Textile - Tatted lace, 1900-2000
Use: DomesticTatted Square -
Federation University Art Collection
Ceramic, Valerie Marshall, Shingle Style Hand Built Pot by Valerie Marshall, 1985, 1974
Valarie Marshall was a Diploma student at the Gippsland Institute of Advanced Education from 1972 to 1974.Shingle style hand built pot with clay pellets lightly coloured with copper oxide. gippsland campus, jan feder memorial ceramics collection, ceramics, valerie marshall, gippsland institute of advanced education, alumini -
Federation University Bookplate Collection
Work on paper - Bookplate, Queen of Compost
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Pencilled beneath image Rhyll Plantearthworm, chicken, ex libris, rhyll plant, wood engraving, printmaking, australian bookplate awards, bookplate, australian bookplate design awards, kieth wingrove trust -
Flagstaff Hill Maritime Museum and Village
Textile - Tray Cloth
Drawn Thread Tray Cloth, white, handmade, tatted lace edge. The cotton circular centre filled with a hand tatted lace pattern.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tatting, tatted edge, tray cloth -
Australian Lace Guild - Victorian Branch
Textile - Mixed lace
Use: Domestic. FashionMachine made lace collar, bertha -
Federation University Art Collection
Mixed media - Artwork, Megun Ayunsoye, [Untitled]
If you can assist with information on this artist or artwork please use the comment link below.megun ayunsoye, artwork, portrait -
Federation University Art Collection
Ceramic, Raku Grid Form by Susan Ferns, 1983
Susan Ferns was a Diploma Student at the Gippsland Centre for Art and DesignEarthernware slabbed and slip trailed with onglaze enamelssusan ferns, jan feder memorial ceramics collection, alumni -
Federation University Art Collection
Work on paper - Bookplate, 'John Zelma'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman lies on her side reading a book with a two story house surrounded by trees and shrubs in the backgroundZ 363 (0), signature 200/65 bottom centrebookplate, keith wingrove memorial trust, australian bookplate design awards, printmaking, life drawing -
Port Melbourne Historical & Preservation Society
Painting - Port Melbourne Town Hall, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'Town Hall Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Whitehorse Historical Society Inc.
Painting - Picture
Framed copy of a picture of six children gathering firewood by Margaret Tarrant - in wooden frame. See Supplementary File for NA248.illustrations, prints -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp 4 Victoria, 19/12/1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour -
Whitehorse Historical Society Inc.
Ceramic - Tile
See 359Pale blue glazed border tile with white edged gumnut and leaf pattern'1503'ceramics, earthenware -
Australian Lace Guild - Victorian Branch
Textile - Binche lace, 1700-1730
Use: Domestic: Household trimmingBobbin lace edging -
Horsham Regional Art Gallery
Painting, John RUSSELL, The olive grove, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1988watercolour on paper -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Preserve Our Historic Port"public action campaigns, amalgamation, local government - city of port melbourne