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Artwork, other (1263)
Ceramic (765)
Decorative object (713)
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Mixed media (517)
Painting (2480)
Print (1657)
Sculpture (402)
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Work on paper (2049)
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Ringwood and District Historical Society
Mixed media, Ringwood CWA's 50th Birthday cards in 1996
Kindly scanned from Ringwood Branch archival collection -
Federation University Art Collection
Work on paper - Print - linocut, 'Two Ardent J.T.S. Fishermen' by Max Coward, 1930s
Max COWARD ( -1991) Born BallaratBlue and black linocut of a scene depicting two fishermen wearing hats.Two Ardent J.T.S. Fishemen Lino cut, by M. Cowardlinocut, printmaking, alumni, fisher, fishermen, ballarat junior technical school, max coward -
Glenelg Shire Council Cultural Collection
Mixed media - Video - Mount Gambier and District, n.d
Bought from Filmart Australiana, Adelaide.Casterton. Covered well and interestingly over eight to nine months of well photographed material from 1936 (silent) Parade in honour of late King, Australia day carnival, Casterton gift won by swimmers;G. Spoof fight outside pub. Portland - from 1927, with various tints, about eight months (slient) Pan over Bay; Henty monument and homes; Church; School; Holidays via train; Admella lifeboat 1859 guesthouse Bridgewater lakes; Cattle raising. Government opens Harbour 1960 about three minuits (sound)Front: Back- Description supplied by David Donaldson of Filmart Australiana -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Charcoal and ink on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Prime Ministers Avenue, History, The Sculptors and The Prime Ministers, 1997
john garner collection, gardens, ballarat, prime ministers, sculptors, ballarat botanical gardens -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Marker on papergippsland, artwork, permanent collection -
Greensborough Historical Society
Mixed media - Scores (Music), Diamond Valley Choral Society [collection of music scores], 1920s - 1972
A collection of music used by the Diamond Valley Choral Society for performances.1 red folder containing 43 music scores of various sizes.diamond valley choral society, scores, scores(music) -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Obituary for Councillor F.M. Claxton 4th August 1888, Mayoral Report Book, 1888. Mayor W. Collard Smith, 4th August 1888
Mayor W.Collard Smith records a brief obituary to F.M.Claxton in his report.The Obituary is evidence of the esteem in which Claxton was held in the "Municipal life" of Ballarat.one page, half of it printed.The word Obituary is highlighted in green texta and at the bottom of the page in blue biro is written john garner, doctor, ballarat botanical gardens, frederick moses claxton, claxton memorial fountain, lake wendouree, obituary, claxton, john garner collection, gardens, ballarat -
Hymettus Cottage & Garden
Work on paper - Bookplate, Captain James Fawthrop Bookplate
Bookplate in book from Fawthrop collection of maritime works. Captain James Fawthrop was presented with a gold medal for his leadership and seamanship in captaining the rescue lifeboat from Portland in the rescue of survivors of the Admella in 1859. His bookplate carries the image of the medal. -
Ringwood RSL Sub-Branch
Work on paper - 3rd annual trophy presentation dinner
Paper books -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glazeSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Container, 1900 to 1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base. Handholds moulded on each side glazed finish, cracks in base.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware -
Ararat Gallery TAMA
Work on paper, Rafael Gurvich, Figures in Landscape
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Federation University Art Collection
Work on paper - Print - linocut, [Fish] by Iris Leviston, c1937
Iris Leviston attended the Ballarat Tecnical Art School.Stylized linocut of an orange fish.Lino cut, by I. Levistenlinocut, printmaking, alumni, fish, iris leviston -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Untitled - Studies of a Woman's Head, Allan Baker
Australia 1922-2004ConteSigned l.r -
Federation University Art Collection
Work on paper - Printmaking - Screenprint, Lin Onus, 'Garkman' by Lin Onus, 1991
Lin ONUS (1948-1996) Lin Onus was integral to the recognition of Aboriginal art in the contemporary Australian art landscape. His work expresses the dynamism of living culture; Onus was a prominent figure in renegotiating the history of colonial and Aboriginal Australian. An early influence of this dedication was his father, who was the founder of the Aboriginal Advancement League in Victoria and a maker of artefacts. As a young boy Onus was subsequently exposed to visiting Aboriginal artists and assisted his father in decorating artefacts. His painting Barmah Forest won the Aboriginal Heritage Award in 1994; Onus also received a Member of the Order of Australia “for service to the arts as a painter and sculptor and the other promotion of Aboriginal artists and their work.” (https://www.portjacksonpress.com.au/artists/lin-onus)Unframed colour screenprint with a limited edition of 60.lin onus, frogs, aboriginal, screenprint, printmaking, gippsland campus, print council australia -
Federation University Art Collection
Ceramic, Sarah Canham, #Fliporflop1, 2 & 3, 2021
'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Swan Pool, Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, bridge -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, 'Pool' by Graeme Drendel, 1974
Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking -
Gippsland Art Gallery
Ceramic, Sheridan, Steve, Jug, c.2005
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Mike Green, 'Table Blue' by Mike Green, 1988
Framed silkscreen. Donated through the Australian Gifts Programme by Katherine Littlewood.printmaking, silkscreen, mike green -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Lindsay Gordon's Cottage, Ballarat Courier 15 August, 1934, 15 August 1934
The Australian poet Lindsay Gordon had a strong following in Ballarat half a century ago.The cottage where Gordon lived was once the sample room at Craig's Hotel and by renovating and moving it to the Ballarat Botanical Gardens, it was hoped that it would become a tourist attraction.2 pages of newspaper print with one column relevant to Gordon on each page.In the top lefthand corner of p.1 15 August 1934 is written in blue biro.adam lindsay gordon, adam lindsay gordon cottage, lindsay gordon's cottage, craig's hotel, poet, ballarat botanical gardens, john garner, doctor, john garner collection, craft cottage, brighton cemetery, "the sick stockrider"., westminster abbey, livery stables 1867-1868, gardens, ballarat -
Kew Historical Society Inc
Work on paper, Joy Stewart, 6. War Memorial: Unveiled 1925, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.6. War Memorial: Unveiled 1925. A Handcoloured cartoon created by the artist Joy Stewart as a template for the sixth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "WAR MEMORIAL: Unveiled 1925. Post Office, Court House and Police Station erected 1888. ... The Junction of High Street and Cotham Road became the commercial heart of Kew." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart, wwi, kew war memorial -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Plaster Cast Study, c.1929-33
Donated from the estate of Wemyss Struss, 2016Charcoal on papergippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Lustre Dragon by Heather Wilson, c1985
Heather WILSON (1961- ) Born Rotherham, England. Arrived Australia 1967. Heather Wilson graduated with a Bachelor of Education (Art & Craft) from Melbourne State College in 1982, majoring in Ceramics. Artist's statement - "All of my work is hand built and explores animal forms in various ways. Animals have always fascinated me and have been a part of my work for the last 30 years. Whether appearing as dragons, exotic birds or bones, most of my images have a basis in nature. Sometimes it is just a characteristic or a quirky gesture that will inspire a piece, sometimes a photograph or a drawing done at the zoo or museum. Dragons have always given me the freedom to explore an emotion or attitude without the restrictions of a form being right, no one can tell you what a dragon should be like as they are an imaginary beast. All of my work is hand built from earthenware or porcelain. Each of them is unique and they may be similar but no two are ever the same. Most of my vessels are coil built and the dragons and birds are constructed on their bases. The pieces are fired to 1080 C in a gas kiln."heather wilson, ceramics, jan feder memorial ceramics collection, gippsland campus -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Xueli Ruan, Sunbury Crescent Landscape Design, 2016
Created as an assignment for HORT90035 'Landscape Construction and Graphics,' a subject at Burnley Horticultural College coordinated by Andrew Laidlaw. There may be a sheet missing because usually these assignments would have three sheets. There was however a marking rubric found with the project. assignment, landscaping, burnley, 'landscape construction and graphics' -
Phillip Island Conservation Society Inc.
Work on paper - Photocopy of newspaper cutting, The Express, "ISLAND PENGUINS/MORE NUMEROUS", 20/01/1966
Article written in Wonthaggi newspaper giving up to date information about facilities, visitation and numbers of Little Penguins at the Phillip Island Penguin Parade in 1966.The information in the article is a very valuable record of the population of the penguins, (small compared with 2023); the huge numbers of visitors permitted per night - 10,000 compared with maximum of about 2,500 per night 2023; facilities available then and how funded.photocopy cutting of newspaper article. 4 columns text but right hand column cut in half. large photo of penguins above text. Poor photocopy20/1/66phillip island, phillip island penguin parade, tourist attraction., a h bert west, souvenirs, little penguin behaviour -
Gippsland Art Gallery
Mixed Media, Piggott, Owen, Omega, 1969
Donated by the artist, 1970Sand, pigment, polymer paint, and glue on canvasgippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Stoddart Statues, Ballarat Botanical Gardens, Victoria
john garner collection, ballarat botanical gardens, gardens, ballarat, stoddart, statues -
Federation University Art Collection
Mixed media, Philip Berry, "Don't Be Alarmed" by Philip Berry, 2011
Phil BERRY (1963 - ) Born Ballarat Completing a Master of Arts at the University of Ballarat (now Federation) in 2012, he workes as a sessional staff member for the Arts Academy. This item won the 2011 Lucato Peace Prize and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Winner of the 2011 Lucato Peace Prizeart, artwork, berry, phil berry, philip berry