Showing 6702 items
matching art
Artwork, other (1266)
Ceramic (766)
Decorative object (716)
Drawing (4609)
Mixed media (520)
Painting (2481)
Print (1658)
Sculpture (402)
Textile (1395)
Work on paper (2054)
-
Federation University Art Collection
Ceramic, Set of Four Mixing Bowls
Four Domestic Bowls, Stoneware fired Temaku Glazejilliby pottery, jan feder memorial ceramics collection, mixing bowls, russell thorpe -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Tatura Camp No 3, Victoria, 10/8/1941
Leonhard Adam was a Dunera internee in Camp 2 TaturaRomanticismWatercolour painting of Tatura Internment Camp 3 barracks.Tatura Camp No. 3, Victoria, 10th August 1941, 2 pmdunera, internee camps, leonhard adam -
Australian Lace Guild - Victorian Branch
Textile - Milanese or Flemish lace, 1680-1720
Use: Domestic. Household trimmingBobbin lace border -
Latrobe Regional Gallery
Sculpture, FOLLAND, Nicholas, A job for tomorrow, 2009
A chandelier resting on a stainless steel bench which houses a refrigeration unit. The unit is connected to the chandelier and generates ice growth around its central body. -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1910
Two White Doylies. One round with white linen design worked butterflies. One fine linen hand worked in pale pink flowers on edge.stawell clothing material -
Tatura Irrigation & Wartime Camps Museum
Print - Painting - watercolour - photocopy, Fritz Gruen
Gruen 1941 E. Fabian -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, J & G Meakin, Early to mid 20th century
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchenware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the 'Bull in a China Shop' and 'Creative Tableware' names. 'Sol' (c.1912-1963), 'Studio' (1953 on) and 'Royal Staffordshire' (post-1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Chamber pot ceramic white with handle at side and decoration around top. Unclearwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, champer pot, personal hygiene, personal item, ceramic pot, domestic object -
Darebin Art Collection
Print - Nusra Latif Qureshi, Nusra Latif Qureshi, Island Dream I, 2004
print -
Gippsland Art Gallery
Painting, Lloyd, Tony, Tomorrow Follows Yesterday, 2008
Purchased, 2009Oil on linengippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Textile - Doyley
Belonged to Jean's grandmother, Eliza Waite of Gippsland, married John Tredilock, and died in 1942. Jean and John have lived in Mitcham since 1956.14cm Silk doyley crocheted to a 9.3cm square, in Maltese Hairpin crochet.handcrafts, crocheting or crochet work -
Gippsland Art Gallery
Print, Looby, Keith, 4th Class, 1976
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish Floral embossed design on the undersidepottery, ceramic, archaeology -
Federation University Art Collection
Painting - Artwork, [Unknown]
If you can provide information on this artist or artwork please use the comment link below. horsham campus, wimmera campus, painting, artwork, alumni -
Geelong Gallery
Painting - View from Fritz Wilhelmberg, Herne Hill, Geelong (Mr Levien's hut on the Barwon), von GUERARD, Eugene, 1860
Oil on canvas -
Australian Lace Guild - Victorian Branch
Textile - Machine or Bobbin lace, 1900-2000
Use: Domestic. FashionMachine lace insertion -
Kew Historical Society Inc
Ceramic - Bookends, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Pair of handmade ceramic bookends fully covered in a white, black and predominantly blue glaze. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), bookends, viola ayling -
Horsham Regional Art Gallery
Painting, Di BRESCIANI, Keep on singing that song, 1995
Gift of the artist, 1995oil on Belgian linen -
Swan Hill Regional Art Gallery
Painting, GLEGHORN, Thomas, Landscape and Coast, No. 2, 1965
-
Ballarat Heritage Services
Ceramic - Artwork - Ceramics, Peter Devanny, Bendigo Pottery Lidded Bowl, c1979
This work is by Peter Devanny who worked at Bendigo Pottery between July 1971 and 1979.Photograph of a saltglazed vessel by Bendigo PotteryBendigo Pottery PDbendigo pottery, ceramics -
Swan Hill Regional Art Gallery
Print, HEALY, Christine, Songlines, 1988
-
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - etching, Vicki Couzens, Yams and eels, 2010
As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Yams and eels 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, yams, eels, vicki couzens, bayside indigenous coastal trail, carolyn briggs, bayside -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1910
Double Crocheted Baby’s Bib with ribbon threaded near fancy edge. Belonged to Roger Family.stawell clothing material -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
see 359Brown glazed border tile - crazed with dark brown edgingceramics, earthenware -
Gippsland Art Gallery
Print, Ryrie, John, Pygmalion, 1998
Acquired, 1999Woodcut print on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Textile - Pillow Slip, c1919
Handmade for Glory Box by Emily Templeman in 1917.|Aunt of Bruce Reynolds.Fine white cotton - edged with pin tucked and lace frill - with tapes.manchester, bedding -
Federation University Art Collection
Painting - Watercolour, McGeorge, Norman, Untitled, c mid 1940s
Norman MacGEORGE (08 July 1872– 2 September 1952) Born Adelaide, South Australia Norman Macgeorge taught drawing at Wesley College, Melbourne from 1902-06. He also taught at Melbourne Teachers' College and at Melbourne Church of England Grammar School. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape depicting the confluence of the Darebin Creek and the Yarra River. Purchased by the Ballarat Teachers' College in 1964. This work was exhibited in "Norman MacGeorge: Man of Art" at the Ian Potter Museum of Art, The University of Melbourne, 22 September to 25 November 2001.art, artwork, norman mcgeorge, mcgeorge, watercolour, available, landscape, darebin creek, yarra river, ballarat teachers' college art collection -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES GREY COTTON CROCHETED HANDBAG, 1900's Edwardian
Textiles. Grey cotton crocheted handbag with cream coloured xylonite or celluloid frame. Circular crocheted pattern with scalloped edge. Swivel opening clasp. Plastic chain link handle attached to frame. Lined with pink silk fabric.textiles, domestic, grey cotton crocheted handbag -
Federation University Art Collection
Painting, [Abstract]
An abstract painting on canvas.horsham student collection, abstract, available -
Ballarat Heritage Services
Ceramic, Old Ballarat Pottery, Old Ballarat Pottery Jug
Old Ballarat Pottery was set up by John Gilbert as part of the Old Ballarat Village, opposite Sovereign Hill. Gilbert had lectured at Ballarat College of Advanced Education before establishing the Edinburgh Pottery at Sovereign Hill in 1972 to enable visitors to see traditional trades at work. The Old Ballarat Pottery was a much larger concern, producing wares for sale through department stores and on party plan via Faberware as well as through the village. Early works looked as though they might have been made in the 1850s, with unturned bases, crude marks and dark treacle-like glazes. Peter Pilven, one of Gilbert's students, worked there after graduating from the Ballarat College of Advanced Education, teaching throwing to students like the potter John Ferguson, who was there from 1978-79. Potters were initially employed by Gilbert's company Pontresina Pty Ltd, registered in 1973. (The Old Ballarat Pottery was registered as a company from 1984-1994.) Early works are marked with an impressed long-tailed 'B', or an 'OB' on either side of a mine tower. A printed stamp also features a mine tower surrounded by the text 'Old Ballarat Pottery Made in Australia'. Later work is impressed 'Stoneware Old Ballarat Pottery Australia' with a kangaroo.Hand thrown blue glazed jug.Stamped 'Stoneware Old Ballarat Pottery?old ballarat pottery, australian studio pottery, jug, pontresina, ceramics -
Queenscliffe Maritime Museum
Painting - MV Tasmania, Dacre Smyth, Tasmania
A painting of a passenger ship operating in Australia in the 1950s and 60s.Mrs B SmythA framed oil painting of the passenger shhip MV TasmaniaTasmaniamigrant ships, passenger ships