Showing 4369 items matching art
Artwork, other (1226) Ceramic (747) Decorative object (667) Drawing (4560) Mixed media (486) Painting (2384) Print (1653) Sculpture (397) Textile (1238) Work on paper (2029)-
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, Late 19th Century
Although this piece was probably made between 1870 and 1900 the motif designs are copying 18th Century designs. Would have been used as costume trimming.Bobbin lace motifs with needle made ground and fillings. Edging. -
Mission to Seafarers Victoria
Painting - Watercolour, R.T. Miller, Harbour Reflections, c. 2000
Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime artA framed and glazed mat mounted watercolour painting by award winning artist Robert T Miller in ''landscape" format showing moored, masted ships; The modern frame is of moulded or carved wood with appearance of brushed gilt type gilding; image is mounted with pale grey window mount; Backing sealed with paper wire strand hanging system;Artist signed front lower right corner of painting in black ink; no date; sepia label adhered on top centre Verso with artist bio and brief CV ; Other exhibition labels adhered ; inscription describing acquisition and title of work; ( details TBA) M3 in black markerharbour, dockside, artwork, marine art, robert thomas miller, robert t. miller, watercolour, artwork-paintings -
Glenelg Shire Council Cultural Collection
Painting, Harry Rosengrave, (Untitled - Landscape), 1969
Caltex $500 Prizewinner at Portland Arts Festival - retained for Portland Collection.Landscape scene, densley treed. There is a clearing on the left with 3 houses and possibly a figure in the centre of the clearing. Blue sky with a long cloud. Mounted in a tan-coloured matt in a wooden frame with a faux-distressed gold finish.Front: H. Rosengrave 69 (lower right). Back: Top right - yellow sticker "1969-". Bottom centre - "Gary Hayman. Picture framer. 41 Julia Street, Portland, 33-5. 055 233154. Custom framing, framed printed, photos and oils." -
Whitehorse Historical Society Inc.
Textile - Cloth, 1950
Beige linen tea cloth with brown drawn thread centre and brown stitched box thread hem.domestic items, sewing, handcrafts, embroidery -
Ararat Gallery TAMA
Textile, Julie Montgarrett, Exhibition poster
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Mission to Seafarers Victoria
Ceramic - Brick, 1936-1937
This brick was salvaged by the donors, members of PMHPS and former residents of Port Melbourne from the ruins of the Art Deco Mission to Seamen also known as King George V memorial building, built in 1937 by Harry Norris and demolished in 1995. Used in their former courtyard the donors, who recently moved to Docklands offered the brick to MTSV when they sold their Port Melbourne house in 2017.One of the few remaining tangible materials from the architecturally significant Mission to Seamen, the George V Memorial building dedicated in 1937 and demolished in the 1990s. The Brick adds to the MTSV collection of Port Melbourne material from the 1930s. See also Research and clippings folder and records such as 0641 and 0233. The brick was donated to the Mission by the Port Melbourne Historical and Preservation Society (PMPHS) who had two bricks in their collection.A terra cotte standard construction Brick Two embossed letters on face of the brick "B" and "L"port melbourne, king george v, mission to seamen building, brickwork, art deco, harry a. norris, alfred m. nicholas, beach street, 1937 -
Whitehorse Historical Society Inc.
Textile - Doyley
From the estate of the late Jean Ord, mother of the donor.An ecru round mat with a tatted edge hand mounted.handcrafts, tatting -
Mont De Lancey
Textile - Wall Bag, Unknown
Beige, diagonal-shaped wall hanging pouch to hold letters and papers, with tapestry floral pattern and white and silver beading. The pouch has a crimson, satin lining, gold-colouring backing and brown and black braid edging.pouches, wall hangings -
Whitehorse Historical Society Inc.
Textile - Doyley
Square white doyley with wide inner border of drawn thread embroiderymanchester, table linen, handcrafts, needlework -
Gippsland Art Gallery
Painting, Watson, Douglas, The Wrestlers, c.1958-59
Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Gesso, acrylic and aluminium foil on boardgippsland, artwork, permanent collection -
Latrobe Regional Gallery
Ceramic, Noah Celadon, 1981
Porcelain, glazed. -
Whitehorse Historical Society Inc.
Textile - Pillow Slip, c1919
Handmade for Glory Box by Emily Templeman in 1917.|Aunt of Bruce Reynolds.Fine white cotton - edged with pin tucked and lace frill - with tapes.manchester, bedding -
Uniting Church Archives - Synod of Victoria
Textile
From Were Street Methodist Church c1950Triangle piece of fabric with unfinished edges and 34 names hand-embroidered on it red, blue and yellow.were street methodist church brighton -
City of Kingston
Ceramic - Moorabbin Arts Centre coffee pot, City of Moorabbin, c. 1990
Coffee pot belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic coffee pot with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeceramic, ephemera, crockery, moorabbin arts centre -
Whitehorse Historical Society Inc.
Textile - Tray Cloth
Ecru coloured linen tray cloth with cream machined cotton lace edging.manchester, table linen -
Swan Hill Regional Art Gallery
Painting, ROWE, Peter, Smoked Cadmium Coits, 1985
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Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Mack Jost, 1974
Gift of Mack Jost, 1994 -
Horsham Regional Art Gallery
Painting, John OLSEN, Wattletree and the Clarendon Hill, n.d
Gift of Mack Jost, 1995 -
Castlemaine Art Museum
Painting, Elioth Gruner, In the Orchard, 1920
Gift of the artist, 1920 -
National Vietnam Veterans Museum (NVVM)
Painting, Ziggy at the Switchboard
Colour acrylic or oil painting of a signals radio room. The painting depicts an operator facing the artist whilst tuning in a frequency.The operator is in a Green uniform with two bars and two chevrons on his sleeve is a Raeme Lad - Ziggy. The painting is set in an ornate Gold frame.Donated to the N.V.V.M. Phillip Island. In memorry of Dr. Zygmunt A Gizyckide Gozdawa. MDDS ( Poznan - Poland B.D Sc (Melb) L.D.S. (Vic) By Gizycki De Gozdawa Family Heritage Foundation Ziggy @ Raeme Lad Radio Wksp. 7 BN RAR 1st Tour NUI DAT.1967.painting, signals, gizycki -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This is a machine made copy of a geometric bobbin lace. It is quite narrow and was most likely made on the Barmen machine which was developed in the 1890s in Germany from a braiding machine Its bobbins imitate the movements of the bobbins of a hand-made lace maker and it makes perfect copies of torchon and the simpler hand-made laces. It can only make one width at a time and does not have the pattern potential of the Leavers machine. This lace was meant to be used as an edging and would not have been gathered.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine made length of geometric bobbin lacejanet amess lace collection, lace, churchill island, trim, machine -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, c.1945
Original painting by Vagarini given to Mrs. Beinsenn who also was interned in Camp 3. : Vagarini, an Italian artist interned from Palestine, Camp 3.Copy of water colour painting in simple black frame depicting internment camp huts with dividing compound fencing.nilinternment camp 3, tatura, vagarini, artist, tatura internment camp3, cesare, illustrations, reproductions -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Queenscliffe Maritime Museum
Painting - MV Oranje, Dacre Smyth
In February 1951, the Oranje made her first around the world cruise: from Amsterdam via the Panama Canal to Australia and New Zealand and back via Singapore and the Suez Canal to Amsterdam. Between 8 and 18 June 1951, she voyaged to Lisbon and Madeira with 650 passengers. On 4 September 1964, both she and the MS Willem Ruys were sold to an Italian company, Flotta Lauro Lines. Oranje was then sent to Genoa for an extensive refit at the Cantieri Navali del Tirreno shipyards. On 6 March 1966 the Angelina Lauro departed on her maiden voyage from Bremerhaven to Fremantle, Melbourne and Sydney. In 1941 the Netherlands Government offered to the Governments of Australia and New Zealand the MV Oranje, a ship of 22,000 tons, for use as a hospital ship to convey Australian and New Zealand sick and wounded from the Middle East. This offer was gladly accepted by the two governments.A framed oil painting of the migrant ship 'Oranje'Oranjemv oranje, mv angelina lauro, migrant ships -
Federation University Art Collection
Painting, Panke, Birgit, [landscape] by Birgit Panke, c1971
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted landscapeart, artwork, painting, acrylic on canvas, birgit panke, micich -
National Vietnam Veterans Museum (NVVM)
Painting, 'Tin Can Fiddle", c. 1962 - 1978
Painting / Sketch in Black (Sienna?) in rough timber. Blackened frame depicting Vietnamese man playing a 'Tin Can Fiddle' Vietnamese woman holding child in arms in the side/background.(On Back) Joy with a beer can fiddle 60 Dollars.artwork - vietnamese -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ana-Gama Wood Fired Iron Stoneware Pot by Les Clough, c1982
Les CLOUGH Les Clough was a Diploma Student at the Gippsland Institute of Advanced Education from 1979 to 1982. This work is part of the Jan Feder Memorial Ceramics Collection. It was presented to the collection by Les Clough. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.les clough, ceramics, artwork, artist, jan feder memorial ceramics collection, alumni -
Darebin Art Collection
Painting - Jason Emilianowicz, Jason Emilianowicz, Untitled, 2010
painting -
Castlemaine Art Museum
Painting, Harold Herbert, Castlemaine Art Gallery and Museum, 1931
Gift of the artist, 1931 -
Horsham Regional Art Gallery
Painting, Nornie GUDE, The 'Zebu' at Williamstown, n.d
Gift of Mack Jost, 1992watercolour on paper