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Artwork, other (1261)
Ceramic (764)
Decorative object (711)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2041)
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Moorabbin Air Museum
Drawing (Item) - Canberra Stations Diagram Mk 20 A12022 Shts 1, 2 and 3
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Moorabbin Air Museum
Drawing (item) - De-icing assembly technical drawings, Deicer Assy, Propeller
No clear indicator of what aircraft the drawing relates to -
Hymettus Cottage & Garden
Decorative object - Decorative panel, Foliate decorative panel
Example of wood work and woodgraining popular in 1901 when the room was decorated. Mantel and mantel surround of pine turned and carved with this central panel beneath the mantel shelf all woodgrained in an oak finish.Fireplace surround featuring under-mantel panel with decorative carved acanthus leaves in urn with a rose at each extremity all in a woodgrain finish.woodgrain, decoration, mantel, oak finish, pine -
Federation University Art Collection
Painting, Williams, Albert E, 'Celtic Art Design' by Albert E. Williams, 1936
Albert E. WILLIAMS (1899-1986) Born Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. From its inception in 1914, it was 30 years before the first candidate achieved the certificate’s exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Mounted original illuminated artwork in Celtic style"Design for Title Page, in Historic Style of Ornament." "Submitted by Albert E. Williams, Technical Art School, Ballarat, for Art Teacher's Certificate" "Celtic Art. A treatise on the history and peculiarities of Celtic Art with numerous illustrations in colour taken from ancient national manuscripts in the British Museum and other libraries." "Ballarat A.D. 1936". Monogram of AW forms part of the artwork.art, artwork, albert e. williams, celtic art, ballarat technical art school, art teacher's certificate, illumination, title page, design -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 38-40 Adeney Avenue, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38-40 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1997, was commissioned from the artist by Woodards, Camberwell.38-40 ADENEY AVE., KEW / MARGARET PICKEN ~91 / WOODARDS C'WELLarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 38-40 adeney avenue -- kew (vic.) -
Charlton RSL Sub Branch
Decorative object - Christmas Cards WW1, Set of 3 Christmas cards
Glass frame with three(3) Christmas cards with the emblem of the 2nd Australian Tunnelling Company on rear.From Officers and Men of the 2nd Australian Tunneling Company "Somewhere in France" -
Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Mack Jost, 1974
Gift of Mack Jost, 1994 -
Melton City Libraries
Drawing, Staughton Memorial Lamp, 1982
The Staughton Memorial on High Street, Melton, is a memorial to Captain S.T. Staughton, D.S.O, M.L.A., scion of the locally prominent Staughton family who died at a young age. Sketch of the lamp and design for the restoration of the memorial pioneer families -
Swan Hill Regional Art Gallery
Mixed media, CONNELLY-NORTHEY, Lorraine, Dilly bag, 2004
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 3/8 Maverston Street, Burwood, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Whitehorse Historical Society Inc.
Textile - Table centre
Purchased from Turriff Antiques, 5 Carpenter St., Bendigo 3550Cream cotton oval cloth inset with pink, blue, yellow and green design outlined with grey overstitchingdomestic items, table setting -
Horsham Regional Art Gallery
Drawing, George COATES, Untitled (nude figure study), n.d
Gift of Mr and Mrs Laurence Scott Pendlebury, 1982pastel on paper -
Vision Australia
Painting - Artwork, F.R. Fowler, Sydney Industrial Blind Institution, 1976
This oil painting of the Sydney Industrial Blind Institution (later Royal Blind Society of New South Wales) at William Street was painted by F.R. Fowler in 1976. It was inspired by an original etching. The building was erected between 1876 and 1879 and was designed by Edmund Blacket. It was funded through a generous bequest by John William Wood. The Institution provided the first employment training in NSW for people who were blind or vision impaired.Oil painting in wooden frame with nameplate at baseThe Sydney Industrial Blind Institution 1879sydney industrial blind institution, f.r. fowler -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, You are the sunshine of my Life, 2008
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Stawell Historical Society Inc
Drawing, Stawell Water Supply Bovine Aqueduct 1881 -- Sketch
Sketches of Stawell Water Supply Bovine Aqueduct 1881stawell water supply -
Swan Hill Regional Art Gallery
Painting, BROWNLIE, Judy, Morning in the Dandenongs, 1979
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Stawell Historical Society Inc
Textile - Costume and Accessories, c1930
Cream Pure Silk centre Table Mat, Square Lace Border stawell clothing material -
Horsham Regional Art Gallery
Painting, Rupert BUNNY, The artist's home, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1990 -
Horsham Regional Art Gallery
Drawing, Philip HUNTER, Flatlands, 2005
Purchased through the Horsham Art Gallery Trust Fund, 2005 -
Geelong Gallery
Drawing - House, WATSON, Jenny, 1978
Coloured pencils -
Glenelg Shire Council Cultural Collection
Painting, (Untitled - still life), n.d
Painting, oil on board. Floral design, white flowers, green foliage, greenish-grey background. Gilded wooden frame. Two eyelets, wire for hangingBack: Picture framer's sticker, white, blue print. 'DG Coope and son, Bendigo -
Hawthorn Historical Society
Drawing - Property Illustration, 833 Burwood Road, Hawthorn, 2000
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 833 Burwood Road, Hawthorn by Margaret Picken.833 Burwood Rd, Hawthorn, Margaret Picken 2000. Woodards - Hawthorn. artist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - RAAF Dakota Exterior Finishing Schemes
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 47 Bowen Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Work on paper, DAVIS, Jan, Georgica #25, 2017
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Glenelg Shire Council Cultural Collection
Print, Angela Gee, Tuna Fishing Pt Lincoln, 1986
UnknownFive portraits of male figures in five square at top of print. Each man is in a different pose, with a blue wash background. Underneath are hand-written inscriptions identifying them as different people involved in the tuna-fising industry. The bottom part of the print is a handwritten short essay on the tuna-fishing industry. Mounted without a matt in a pale blue metal frame with glass glazing.Front: 9/40 (lower left) Tuna Fishing, Pt Lincoln (lower centre) Angela Gee '86 (lower right) (pencil) Back: (no inscriptions) -
Kew Historical Society Inc
Print - Subdivision Plan (copy), Plan of Section 79 Parish of Boroondara (Clifton Estate), Nineteenth Century
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic reproduction of a plan in the Vale Collection of the State Library of Victoria. The numbered lots represent the first land sales in Kew in the area north of Studley Park Road.maps (kew), plan of section 79 parish of boroondara -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Painting - Painting the Battle of Arnhem
A copy of painting of the "Bridge at Arnhem" depicting the battle of Arnhem. The painting is painted by Alan Fearnky -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Fisherman's Breakwater, c. 1954
Lithograph, black and white, couta boat, crane, Fishermens Breakwater, Portland; off-white mount, matte black wooden frame, reflective glass, silver hanging wire on back.Front: 'K. JACK 54' - part of lithgraph, top left hand corner. 'KENNETH JACK' - embossed lower right hand corner beneath lithograph Back: Black stamp 'KWD Jack P/L P.O. BOX 1, Doreen, Vic, 3754 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Tatura 28-7-42, Jul-42
Painted by Fred Lowen, "Dunera" boy internee. Interned in Hay 1940 and Tatura 1941-42, Purchased by Philip Mactier, a member of the Tatura Historical Society after a visit to Mr. Lowen's homeLeft side huts, gates to camp, two large trees left of centre and tent. Smaller trees on right side of track and two lights atop tall post. Fence running along horizon. Black frame with gold strip"FL" Tatura 28.7.42painting, water colour, lowen f, dunera boy, camp 3, tatura, ww2 camp 3, illustrations, watercolour