Showing 10082 items
matching art
Artwork, other (1260)
Ceramic (763)
Decorative object (698)
Drawing (4603)
Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1394)
Work on paper (2040)
-
Brimbank City Council Art Collection
Decorative object - Stained glass window, Glass Dreams Leadlight, 1996
UnknownMotek, Stella. Glass Dreams Leadlight. 1996, stained glass window, Brimbank City Council At Collection, Brimbank Glass Dreams Leadlight 1996. Leadlight panels depicting historical views of Keilorkeilor, stella motek -
Federation University Art Collection
Sculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 77 Normanby Road, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 77 Normanby Road, Kew by Margaret Picken.77 NORMANBY RD., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 77 normanby road -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2 Fakenham Road, Ashburton, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4 Hampton Grove, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/1488-1490 Malvern Road, Glen Iris, 1987
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 4/7 Canterbury Road, Camberwell, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 50 Christowel Street, Camberwell, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Digging the bank, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Portrait of unknown Internee, 1940
Dr. Leonhard Adam was an internee in Camp 2.Original painting depicting an internee during the artist's time in Internment at Tatura.Portrait of unknown 'Camp 2 Internee', by Leonhard Adam. Cream coloured painted old-fashioned frame (plaster?), with decorative scrollwork on corners. Male subject, brown hair & goatee, blue eyes. Blue/ white background. White shirt.Leonhard Adam Tatura / Vic Weiten 1940tatura, dunera, internee camps, leonhard adam -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed the restrictions lessened gradually and in the late Georgian and Victorian eras ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularize it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria.(1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Machine made Torchon lace in Cluny style, with geometric patterns and wheat design, probably on a Barman (Swiss) machine. janet amess lace collection, churchill island, lace, trim, amess, barman, machine -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, c. 1910
This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, Maltese Cross shape, crocheted. From the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, maltese cross -
Australian Lace Guild - Victorian Branch
Textile - Antwerp Potten kant lace
Use: Domestic. FashionBobbin lace bonnet -
Melbourne Legacy
Decorative object, Melbourne Legacy Presidents
An honour board listing the past presidents of Melbourne Legacy that hangs in the main function room at Legacy House.A record of the past presidents being honoured in a prominent position at Legacy House.Wooden panel with gold lettering showing the names of Legacy Presidents from 1996 onwards.past presidents, honour roll -
Whitehorse Historical Society Inc.
Drawing - Illustration, Barak
Picture of the Aboriginal, Barak, who was present when Batman signed the agreement with the Aborigines acquiring the land for the site of Melbourne.Picture of the Aboriginal, Barak, who was present when Batman signed the agreement with the Aborigines acquiring the land for the site of Melbourne. Barak later lived at Coranderk Aboriginal Reserve near Healesville. Taken from 'Lilydale' by Marian Aveling.Picture of the Aboriginal, Barak, who was present when Batman signed the agreement with the Aborigines acquiring the land for the site of Melbourne.aborigines, barak, aveling, marian -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 248 Nott St built environment - domestic, frank gordon real estate, nott street -
Horsham Regional Art Gallery
Sculpture, Bruce ARMSTRONG, The cricketer, 1987
Donated through the Australian Government's Cultural Gifts Program by Bruce Armstrong, 2022red gum -
Swan Hill Regional Art Gallery
Drawing, SANTRY, John, Figure study with beret, unknown
-
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Macartney Avenue, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Macartney Avenue, Kew by Margaret Picken.18 MACARTNEY AVE., KEW / MARGARET PICKEN © 2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 macartney avenue - kew (vic). -
Moorabbin Air Museum
Drawing (Item) - Gypsy Major Engine - Gusset (joint C) Drawing No. A2733/11
-
Horsham Regional Art Gallery
Painting, John RUSSELL, The olive grove, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1988watercolour on paper -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 24 Cooloongatta Road, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - United Aircraft of Canada Engine Installation PT6A-27 3011200
-
Whitehorse Historical Society Inc.
Textile - Doyley
Square white cotton doyley with centre flower embroidery in white. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen -
Gippsland Art Gallery
Painting, Leach-Jones, Alun, The Golden Bowl, 2003
Donated by the estate of the artist, 2019Acrylic, Canvasgippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (Item) - HS748 Aircraft Finish and Markings
-
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) IX, 2022
-
National Wool Museum
Sculpture - Cocoon Sculpture, Kathy Holowko, 2018
Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018 -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Prospect Hill Road, Camberwell, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Mixed media (Item) - Temora Air Show 2006 Photos on Disc, Temora Air Show 2006 Nov Personal Photos