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Artwork, other (1260)
Ceramic (763)
Decorative object (698)
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Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1393)
Work on paper (2040)
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 10 McEvoy Street, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 10 McEvoy Street, Kew by Margaret Picken.10 McEVOY ST., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 10 mcevoy street - kew (vic). -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvasboard, John Bredl, Brighton beach, 2000
John Bredl, Brighton Beach 2000, oil on canvasboard, 13 x 60 cm. Bayside City Council Art and Heritage Collection. Purchased 2000 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/190 Cotham Road, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/190 Cotham Road, Kew by Margaret Picken.1/190 COTHAM RD., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 / 190 cotham road - kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 68 Glen Iris Road, Glen Iris, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Visitation, 2001
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Swan Hill Regional Art Gallery
Painting, GRAY, Sister Dorothy, Nymphea lake, botanical gardens, 1974
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Swan Hill Regional Art Gallery
Print, HUNTER Philip, Large Plain 4, 2003
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Moorabbin Air Museum
Drawing (Item) - Seaking Drawing , Seaking MK 50 Colour Markings & Scheme Drawing No. AMR/SK 50/1-1 SHT.1
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Ulrich Stalph, Autumn at Clunes, 1980
Acquired by the Sandringham City Council in 1981 as winner of the acquisitive Inez Hutchison Award, established by the Beaumaris Art Group in 1966. Lenton Parr was the judge.Ulrich Stalph, Autumn at Clunes 1980, oil on canvas, 135 x 100.5 cm. Bayside City Council Art and Heritage Collection. Winner of the Inez Hutchison Award, 1981.clunes, autumn, landscape, rural, trees, ulrich stalph, beaumaris art group, inez hutchison award -
Ararat Gallery TAMA
Textile, Ben Shearer, Untitled (wall hanging), c. 1975
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Moorabbin Air Museum
Drawing (Item) - RAAF AESL Airtrainer CT-4 Exterior Finishing Scheme
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Bendigo Military Museum
Print - PRINT, FRAMED, RAAF, RAAF (c) Juanita Franzi 2013/ AERO ILLUSTRATIONS, 2013
Heading to printed information - "Lockheed C-130 Hercules/ A97-010- Mambo 34/ Number 36 Squadron/ In the vicinity of Al Asad Air Base, Iraq, Middle East Area of Operations, 1336Z 24 April 2003" Further information below heading.Framed Print. Print - in colour on paper, photograph of a RAAF aircraft "Lockheed C.130H Hercules" with information on aircraft below in black print. RAAF and 36 SQUADRON crest in colour, either end of the printed information. Frame - moulded black plastic with gold inner edge. Glass front and timber back.framed print, raaf, lockheed aircraft -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 28 Marshall Avenue, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 28 Marshall Avenue, Kew by Margaret Picken.28 MARSHALL AVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 28 marshall avenue - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 48 Foley Street, Kew, 1993
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 48 Foley Street, Kew by Margaret Picken.48 FOLEY ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 48 foley st - kew (vic). -
Gippsland Art Gallery
Painting, Pattinson, Elizabeth (Betty), Face on the Hill, 1986
Purchased, 1986Oil on boardgippsland, artwork, permanent collection -
Melbourne Tram Museum
Drawing - Illustration - Art work, Trish Hill, 1980s?
Illustration, ink pen and water colours of W2 515 (City Collins St, Route 12) in Collins St by Trish Hill with the Town Hall and the Manchester Unity building.trams, tramways, collins st, illustrations, town hall, w2 class, tram 515 -
Gippsland Art Gallery
Print, Sandby, Paul (after), A View down the River Clyde, from the top of Cory-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Australian Lace Guild - Victorian Branch
Textile - Machine lace
Use: DomesticMachine lace motif -
Vision Australia
Painting - Artwork, Portrait of John Wicking, 1980
Framed portrait of John Wicking who was President of the Association for the Blind 1973-1984 as well as a generous benefactor. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Wicking wears a navy suit, white shirt and navy blue Kiwi tie. John Wicking served as President of Vision Australia from 1973 to 1984 and as Vice President in 1990. He was Managing Director and Chairman of Kiwi International when he was introduced to the Committee in 1971. With a natural air of authority, he was known to be both strong and wise. One of the first hurdles Mr Wicking faced following his election as President in 1973 was understanding the health service system and sorting out the differing views of committee members over recommendations for projects costing hundreds of thousands of dollars with no funds to implement them. The ten years of his Presidency were a time of exceptional growth and expansion. He was instrumental in acquiring an adjacent property to those already owned in Glenferrie Road in 1974 at a cost of $120,000, on which the Low Vision Clinic was erected – the first of its type in Australia. Land was also bought in both the metropolitan and country areas for future expansion. Day care centres were opened in Ballarat and Bendigo and new metropolitan services commenced. Mr Wicking formed a committee to explore the possibility of a radio station people unable to read standard print. As a result 3RPH commenced broadcasting in 1981. Mr Wicking was also involved in the incorporation of Vision Australia under the Companies Act in 1990. After his retirement as President Mr. Wicking continued as a committee member until 1994. In 1995 he was instrumental in the establishment of the Tilly Aston Heritage Collection, on which he served as Chairman until sadly passing away in 2002. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John O. Wicking AM / President 1973-1984 / Association for the Blind'. association for the blind, vision australia, john wicking -
Swan Hill Regional Art Gallery
Drawing, HEARMAN, Louise, Untitled, 1988
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Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of three Aboriginal women in foreground with red text "PORTLAND IS FOR EVERYONE" at the top. The Aboriginal women are portrayed with blue skin and orange, yellow and pink clothing. The background is a mix of yellow and pink lines, over which black leafless trees are printed. At the bottom of the work is purple text which reads "Thanks to the Aboriginal Cultural Centre, Heywood and the Portland Historical Society".Front: 47/60 Angela Gee '83 Back: 10 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Theodor Engel, Tatura 1941, 1941
Painted by Theodor Engel whilst in Camp 2. Donated by son of Lieutenant F. Hardy, Paymaster at Camp 2Framed watercolour painting of 4 army huts, 2 trees, garden structure and 2 people sitting at a bench. Gold colored wooden frame.Tatura 1941 Theodor Engel. on the back: n. Col Colliver, Shepparton high above all otherstheodor engel, col colliver, camp 2 artists, internment camp 2 artists, don hardy, lieutenant hardy -
Moorabbin Air Museum
Drawing (Collection) - Lockheed C-130 Hercules miscellaneous schematic drawings, C-130 Misc
Lockheed AircraftSchematic drawings of various Lockheed Hercules components/parts -
Swan Hill Regional Art Gallery
Drawing, O'DONNELL, Catherine, Torn #1, 2020
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Camp 2, Victoria, Australien, 18/03/1942
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of barracks and perimeter fencing in Tatura Internment Camp 2. The evening sky is blue with a full moon. Lights are on in the barracks.Leonhard Adam. Camp 2 Victoria, Australien, 18.iii.42tatura, dunera, internee camps, illustrations, watecolour -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 62 Fairmont Avenue, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES COIN PURSE, 1900's Edwardian
Textiles. Brown leather coin purse with fold over flap at front with suitcase metal fastener.Inside fold out concertina spaces (four).textiles, domestic, ladies coin purse -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-110-250 Blade Assembly Metal Main Rotor Sheet 1 of 2
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Castlemaine Art Museum
Painting, Hugh Ramsay, (Landscape with fence), c. 1904
Estate of J.O. Wicking, 2003 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 29 Stevenson Street, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 29 Stevenson Street, Kew by Margaret Picken.29 STEVENSON ST., KEW / MARG. PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 29 stevenson street - kew (vic)