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Artwork, other (1263)
Ceramic (764)
Decorative object (712)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2044)
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Ballarat Tramway Museum
Textile - Framed Tapestry - Zoo Tram, 1980s
Depicts Zoo Horse Tram No. 100. Possibly from a purchased outline of the image which a person then sewed with wool.Demonstrates a hand made item depicting the zoo horse tram that operated in Melbourne.Hand made woolen tapestry (could be machine made) of a Zoo horse drawn Tram framed within a wooden frame. Paper backing with a brass hanging wire and two eye screws on either side of the frame. tramways, zoo tram, tapestry, souvenirs, memorabilia -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Port Phillip Heads, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Young, William, Moon in the Water, 2011
Donated by the artist, 2013Paint, Acrylic, Oil, Canvasgippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Sculpture - Boot Sculpture, Royal order of the Boot
An old boot made into a sculpture, there are papers inside the boot as required to keep the books out, the boot is fixed onto a piece of wood -
Castlemaine Art Museum
Painting, Leslie Wilkie, The Pink Hat, 1920-1935
Gift of Miss F.A. Wilkie, 1963 -
Gippsland Art Gallery
Print, Unknown Artist, View of Western Spit, Lakes Entrance, c.1878
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Weathercote Cave, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, HAMM, Treahna b. 1965, Melbourne, Drought Spirit, 1995
Hand coloured etching on paperEdition 39/50 - bottom left corner Titled 'Drought Spirit' on centre bottom of print Signed and dated 'Treahna Hamm '95' - bottom right corner.linework, drought, etching, spiritual, land -
Swan Hill Regional Art Gallery
Mixed media, PAISIO, Franco, Evocation XI, 1990
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Whitehorse Historical Society Inc.
Textile - Embroidery Piece and Frame
Unfinished piece of embroidery still in circular embroidery frame. Embroidery pattern of large shells in grey, blue and white silks and pink flowers.handcrafts, equipment, needlework -
Glenelg Shire Council Cultural Collection
Print, Pandora's Box, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of abstract chess board with chess pieces and blocks of text. The chess board has abstract shaped squares of red and black. The chess pieces appear in the normal form and as images which have been cut into pieces. The blocks of text are red with black text and refer to controversial events in Portland's history.Front: 5/12 Pandora's Box. P. Tsernjavski '84 Back: 45 -
Glenelg Shire Council Cultural Collection
Painting, Julie Kent, Beach Scene, n.d
Hung in CEO's Office 5/9/2003Scene depicting a beach. On the right are sand dunes with grass covering them. On the left is the ocean. The beach runs from foreground left to the upper centre of image, diminishing in size. In centre left of image three standing adult figures and one child stand to the left of a seated figure wearing a red hat. A fishing pole is braced in the sand beside the figure's chair.Front: J Kent (blue paint, lower right) Back: (unknown) -
Gippsland Art Gallery
Print, Denton, Chris, Burnt Landscape XII, 1989
Donated from the estate of Patricia Marie White, 2013Etching and aquatint on papergippsland, artwork, permanent collection -
Benalla Art Gallery
Painting, W. B. MCINNES, Moonrise, 1910
Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismGift of Wooleen Pty. Ltd., 1980Evening rural landscape with buildings, trees and moon. Gold brushed timber frame.Recto: Signed and dated 'W.B. / McINNES 10' in brown oil in l.l.c of composition; Not titled painting, landscape, tree, sky, house, farm, moon -
Swan Hill Regional Art Gallery
Painting, MITCHELL, Kathleen, Untitled, unknown
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Clunes Museum
Textile - BLANKET
CREAM COLOURED THROW WITH A LITTLE EMBROYDERY AND FRINGE FROM LAURA HUDSON'S HOUSEthrow banket, laura hudson -
Bendigo Historical Society Inc.
Painting - WES HARRY COLLECTION: S.T. GILL PRINTS, 1852 - 53
A collection of nine prints of watercolours by S.T. Gill, depicting life on the goldfields in 1852 - 53. (a) Tin dish washing, (b) Mt. Alexander Gold escort on road to Melbourne, (c) Road from Forest Creek to Bendigo, (d) Diggers Licensing, Castlemaine Camp, (e) Eaglehawk Gully, Bendigo, (f) Cradling, (g) The license inspected, (h) Puddling, (i) Fryers Creek Nr. CastlemaineS. T. Gillpainting, watercolour, gold diggers, s.t. gill, life on the goldfields, diggers, mining -
Federation University Art Collection
Sculpture, 'Desire' by Trefor Prest, c1997
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Metal sculptureart, artwork, trefor prest, sculpture -
National Vietnam Veterans Museum (NVVM)
Print, Bird Dog Over Vietnam
Gold framed bone matt board colour print of a Cessna Bird Dog single engine light aircraft flying over jungle with mountains in the background and river belowForward Air Controllers in Vietnam 1965 - 1971. Bird Dog Over Vietnam. Donated by the FAC Association - presented by the RAAFVVAcessna o.1 bird dog, framed print -
Moorabbin Air Museum
Mixed media (Item) - Temora Air Show 2006 Photos on Disc, Temora Air Show 2006 Nov Personal Photos
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Uniting Church Archives - Synod of Victoria
Print - Photograph, C. 1933
Born 1867 in Caniambo, Victoria, died 1951 Springvale, VictoriaOval shaped black and white, head and shoulders photographic print portrait of Rev. Henry W. Frederick who is wearing his clerical collar and looking to his right."REV. HENRY W FREDERICK, PRESIDENT OF THE CONFERENCE, 1933"rev henry w frederick methodist minster, methodist conference president, rev henry w frederick president methodist conference -
Flagstaff Hill Maritime Museum and Village
Print - Vessel - Sailing Ship, Loch Vennachar, 1875-1905
This framed print of the Loch Vennachar has been framed as a gift given by McPherson's Ltd. of Melbourne Sydney Brisbane Perth, as per the inscription below the print. Loch Vennachar made many journeys from Britain to Australia and was well-known in Australian ports. On one of its homeward-bound journeys from Australia, the ship sank in the River Thames. Its cargo included 850 tonnes of preserved canned rabbits from Warrnambool's Western Meat Preserving Company. The ship was raised and continued trading for another four years. On 14th June 1905, Loch Vennachar departed Glasgow for Adelaide and Melbourne. The last known sighting of it was on 6th September 1875 when overtaken by the SS Yongala; the captains exchanged the “all well” signals. After that, the ship disappeared with loss of all 27 lives, according to a list that was received by Fremantle through the English mail. The list indicated that there were no passengers on that voyage. Sadly, other Loch Line ships med with similar disasters. The list of lost crew on the Loch Vennachar included Thomas. W. Pearce, apprentice, Southampton. His father was Tom Pearce, one of the two survivors of the Loch Ard, wrecked in 1878. Also, Thomas’ grandfather, James Pearce, was the captain of SS Gothenburg at the time of her wrecking in 1875. Consequently, the wrecking of the Loch Vennachar and the Loc Sloy near the southwest point of Kangaroo Island, a lighthouse was erected, officially opening in June 1907. The northern headland of West Bay was named Vennachar Point in memory of the ship in 1908. The wreck was discovered in 1976 by divers from the Society for Underwater Historical Research, over seventy years after being lost off Kangaroo Island. The Loch Vennachar performed a significant role in Australia’s colonial trade, taking goods between Great Britain and Australia. These goods included locally preserved tinned rabbits processed at a factory in Warrnambool for overseas trade.Print of painting clipper ship Loch Vennachar. (aka Loch Vennacher, as spelled on this print). Print is under glass in white painted timber frame. The vessel was wrecked on Kangaroo Island September 1905 with the loss of all hands. There is an inscription below the print"Loch Vannacher" on right below print, "Compliments from McPherson's Ltd. Melbourne,Sydney, Brisbane, Perth" on left below printflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch vennachar, loch vennacher, loch line ship, glasgow shipping co, mcpherson's ltd. melbourne sydney brisbane perth, loch vennachar image., kangaroo island shipwreck, 1905 shipwreck, mcpherson's ltd. melbourne sydney brisbane perth, canned rabbits, preserved rabbits, western meat preserving company -
Darebin Art Collection
Painting - John Warren, John Warren, Before Playstation, 2008
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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Painting - Portrait, J Williams, Lt-Col Fred Cron, Jan 2005
Lt-Col F Cron was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1981 to 1984One of a series of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt Col F Cron EDportrait, cron -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Judith Wharington, Echo of Orpheus, 1981
judith wharington, orpheus, echo, river, landscape, greek mythology -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, The Old Flame, 2001
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Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES BROWN FABRIC HANDBAG, 1900's Edwardian
Textiles. Brown fabric handbag with brown xylonite or celluloid frame with hinged clasp. Brown silk fabric with insert at lower edge of brown and gold patterened fabric. Plastic chain link carrying handle (broken). Lined with patterned cotton fabric (blue,red,yellow).textiles, domestic, ladies brown fabric handbag -
Federation University Art Collection
Sculpture, Donna Marcus, 'Colour Study 36' by Donna Marcus, 1999
Donna MARCUS Featuring instantly recognisable post war kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context.Annodised alumnium cookware made into a sculptural wall hanging. art, artwork, anodised aluminium, sculpture, donna marcus -
Nillumbik Shire Council
Sculpture, Ghost, 2012
The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Theorist, 2019