Showing 5675 items matching art
Artwork, other (1231) Ceramic (748) Decorative object (667) Drawing (4562) Mixed media (487) Painting (2388) Print (1653) Sculpture (397) Textile (1237) Work on paper (2033)-
Federation University Art Collection
Painting - Artwork, 'Seated Figure' by J.S. Jarvis
Framed painting of a nudeartist, artwork, jarvis, nude, j.s. jarvis -
Gippsland Art Gallery
Painting, Dridan, David, Jacksons Creek near Richie Well, Nockatunga, 1983-84
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Acrylic, Canvasgippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Painting, Roy CHURCHER, Summer painting, 1985
Gift of Mack Jost, 1994 -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape, artist -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, N. Lubeck, Alan Marshall
Alan Marshall (1902-1984) was an Australian writer, story teller, social documenter and author of 'I Can Jump Puddles'. For many years, Marshall lived in Sandringham. A bronze bust dedicated to him stands outside the Sandringham Library in Waltham Street. He died on 24 January 1982 in Brighton East, Victoria.alan marshall, portrait, n. lubeck, writer, i can jump puddles, social documenter, australian literature, australian author -
Horsham Regional Art Gallery
Painting, Len ANNOIS, Road to Sunbury, n.d
Gift of Mack Jost, 1986 -
Gippsland Art Gallery
Print, Waters, Louisa, Sentiments from Briagolong Correspondent 1888, 2015
Donated by the artist, 2015Silkscreen print on papergippsland, artwork, permanent collection -
Bendigo Art Gallery
Painting, Harold POWER, Ploughing, 1917
l.r; H S POWER 1917painting, horses, farming, field, ploughing, dog, plough, farmer, agriculture, horse, farm -
Gippsland Art Gallery
Painting, Fox, Allan, Untitled, 1967
Donated by the artist, 2017PVA (Acropol CA146) and powdered pigments on canvasgippsland, artwork, permanent collection -
Australian Commando Association - Victoria
Painting - ‘The Raid’ – 1st Commando Regiment
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Stawell Historical Society Inc
Textile - Costume and Accessories, c1930
Jug Cover. White circular net with crochet edge . With blue beads weighing the edge.stawell clothing material -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, 1986
Purchased, 1986Forest Red Gumgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Boniton-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Gardiner, Peter, Ravensworth (Swamp Lantern III), 2012
Purchased in memory of Tim Wright with donations from the Wright Family, 2012Oil on canvasgippsland, artwork, permanent collection -
Australian Lace Guild - Victorian Branch
Textile - Irish Crochet, Early 20th Century
For domestic use. Possibly home madeCrochet edged oval mat -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer to Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original postcard. " Produced as a Gallipoli souvenir" - "Reproduces a poem "Bravo Anzacs" by Willmer. At the top left is a head and shoulders oval portrait of the Anzac Commander Lt.Gen William Birdwood, "a map of the Gallipoli Peninsula and a shield showing the Southern Cross constellation" on right full length photograph of a New Zealand trooper. "The border is an embossed pattern of ivy leaves and roses". Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print in black ink,' "POSTCARD Bravo Anzacs! 1915-1916".framed accessories, prints, ww1, gallipoli, centenary -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Poppies
Frau C Rippert was a Lutheran Missionary worker in Cairo, Egypt when the British Army was in north Africa and she was arrested and transferred to Palestine and later sent on the Queen Elizabeth to Australia where she was internedOil painting of poppies in a brown vase beside a blue cylindrical bowl with lid. On a green cloth which is draped over a fawn coloured table. Brown frame with pale strip.painting - oil, rippert fc, vollmer h, poppies, camp 3, tatura, ww2 camps, illustrations, oil -
Wangaratta Art Gallery
Painting, Christine Cochran, Untitled #1, 1974
Rural City of Wangaratta Collection - Wangaratta Art Prize 1975A square painting that features blue, green and red brush strokes on a olive green backgroundwangaratta art gallery, christine cochran, painting -
Gippsland Art Gallery
Painting, Jennings, Mavis, Serenity, c.1970s
Donated by the artist, 1976Gouache on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of three Aboriginal women in foreground with red text "PORTLAND IS FOR EVERYONE" at the top. The Aboriginal women are portrayed with blue skin and orange, yellow and pink clothing. The background is a mix of yellow and pink lines, over which black leafless trees are printed. At the bottom of the work is purple text which reads "Thanks to the Aboriginal Cultural Centre, Heywood and the Portland Historical Society".Front: 47/60 Angela Gee '83 Back: 10 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Theodor Engel, Tatura 1941, 1941
Painted by Theodor Engel whilst in Camp 2. Donated by son of Lieutenant F. Hardy, Paymaster at Camp 2Framed watercolour painting of 4 army huts, 2 trees, garden structure and 2 people sitting at a bench. Gold colored wooden frame.Tatura 1941 Theodor Engel. on the back: n. Col Colliver, Shepparton high above all otherstheodor engel, col colliver, camp 2 artists, internment camp 2 artists, don hardy, lieutenant hardy -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Textile - Handkerchief
White cotton handkerchief with white embroidered corner.costume accessories, female -
Horsham Regional Art Gallery
Painting, John LONGSTAFF, Portrait of my son Frank, n.d
Mack Jost Bequest, 2001.oil on canvas -
Horsham Regional Art Gallery
Print, Mark GALEA, Loose stasis blue red yellow 1, 2001
Gift of the Department of Infrastructure, 2002monoprint on paper -
Gippsland Art Gallery
Painting, Pelchen, Bob, The Rosedale Hotel, 1985
Acquired, 2013Watercolour on papergippsland, artwork, permanent collection -
Churchill Island Heritage Farm
Textile - Lace Trim
This length of machine embroidered insertion was most likely intended to be sewn into children’s wear, women’s undergarments and nightgowns or as an embellishment for bed linen. Fagoting is a stitch used to join two hemmed edges together or an embroidery done by pulling out horizontal threads and using the vertical stitches to decorate the gap. This fagoting is quite dainty and the satin stitch four leaved flowers add further decoration. This would have been created on an embroidery machine most likely in the early 19th century. The first known use of the word ‘fagoting’ was in 1868 and relates to small sticks of firewood tied into bundles.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Length of machine embroidered lace trim, with thick bands of plain white material and small insert of white lace.janet amess lace collection, lace, churchill island, janet, amess, machine, embroidery -
Whitehorse Historical Society Inc.
Textile - Duchess Set, Doyley
From the estate of the late Jean Ord, mother of the donor.one oval and two round pieces, coffee coloured, machine made.domestic items, ornaments / decorative, manchester, table linen -
Federation University Art Collection
Painting - Artwork, "An Open Book" by Annette Kane, 2008
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a still life scene.art, artwork, annette kane, still life -
Federation University Art Collection
Print - Artwork, Ricordi Souvenir Series by Antoinetta Covino-Beehre, 2013
Antoinetta Covino-Beehre A triptych of three framed artworks. One features a kangaroo, one Pinocchio and another a lyrebird.kangaroo, lyrebird, animals, pinocchio, fauna, antoinetta covino-beehre, available