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Artwork, other (1261)
Ceramic (764)
Decorative object (705)
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Mixed media (515)
Painting (2476)
Print (1654)
Sculpture (402)
Textile (1393)
Work on paper (2041)
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Horsham Regional Art Gallery
Painting, John LONGSTAFF, Lady in black, n.d
Gift of Mack Jost, 1989 -
Federation University Art Collection
Painting
Abstract paintingabstract, available -
National Vietnam Veterans Museum (NVVM)
Print, Fire Support Base Coral - Vietnam 1968
Colour photo in brown, wooden frame 7 cream coloured matt board. Depicting a Centurion tank, bulldozer and 6 soldiers inside Fire Support Base Coral.My Vietnam collection. Fire Support Base Coral, Vietnam 1968 @ Fred Bowden.fire support base - coral -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: MCALPIN'S FLOUR, 1900-1950
Textiles. Calico bag printed on one side in red and green. ''McAlpin's Self Raising Flour''. Alpine Brand. There's no other 25 lbs net when packed. Malto Pepsin Process. Prepaired with phosphate Aerator Aerophos. J.McAlpin & Sons, Abbotsford, Melbourne, Phone JA 3126. Centre picture of three mountain peaks in oval frame. Border edge of wheat stalks on either side. Remnants remain of stitching used to seal the top of the bag. The collection has other uncatalogued samples of McAlpin wheat bags as listed. Eight 25 lb bags. Three bags with slogans ''Enriched Self Raising Flour, Sure success every pack''. Four bags with slogans,''Pre-sifted Self Raising Flour. Sifted through silk seven times''. One bag with slogan ''Malto Calcium Enriched''. These eight bags are packed by McAlpine Flour Pty., Ltd., Abbotsford, Victoria. Three 7 lb bags. All bags include the slogans''Specially Milled, No Substitutes used''. "There's no other''. These bags packed at ''Factory Abbotsford, Melbourne, Phone JA 3126''. McAlpin's was a major Victorian flour company in the nineteenth and early twentieth centuries. Owned and operated by J. McAlpin and Sons, the company sold its flour products across Australia and overseas.textiles, domestic, mcalpin flour calico bag -
Horsham Regional Art Gallery
Painting, Leonard FRENCH, Christian sun, 1963
Gift of Mack Jost, 1994 -
Geelong Gallery
Print - Mirrors and Scissors, BRACK, John, 1966
Etching -
Geelong Gallery
Painting - A bush burial, McCUBBIN, Frederick, 1890
Oil on canvas -
Clunes Museum
Painting - PASTEL DRAWING
Pastel drawing of a black and white dogs head, glass covered gold inner frame and light brown wooden outer frame with mottled effectSticker 38 Pencil writing on back "Ölsen No.1"pastel, art, olsen -
Bendigo Military Museum
Painting - PAINTING, CENOTAPH FRAMED, 1988
Bendigo's Cenotaph Bendigo's War Memorial in the city centre is a half size replica of the famous Cenotaph in London. Some 4-1/2 metres high, the Bendigo RSL President described it as the best country Memorial in Australia during its rededication just before ANZAC Day 1988, following its extensive refurbishment. It had first been dedicated in June 1957 and it is normally flood lit at night. By Dacre Smyth November 1988. Frame - Light timber, gold trim, no glass. Original coloured oil painting of the Cenotaph, Bendigo in foreground with Charing Cross buildings & fountain in the background. Label black print on gold bottom centre: "Bendigo's Cenotaph" Rear of painting hand written in black felt pen & black ink: "History of the Cenotaph by Dacre Smyth, 1988" cenotaph, bendigo, painting, brsl, smirsl -
Bendigo Historical Society Inc.
Painting - PEKINESE DOG AND BUTTERFLY PRINT
Pekinese Dog and Butterfly, Signed by Perris Kirmse (print only). Print is pasted on card. Persis Kirmse (1884 Bournemouth - 1955) was a British painter and etcher noted for her images of dogs and cats.Peris Kimse, printer unknownartwork, print, dog, pekinese dog and butterfly print persis kirmse (1884 bournemouth - 1955) british painter etcher -
Merri-bek City Council
Painting - Liquid nails and spray enamel on canvas, Brian McKinnon, Scars, 2008
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Geelong Gallery
Painting - Children playing, Collingwood, VASSILIEFF, Danila, c1937
Oil and pencil on canvas -
Glenelg Shire Council Cultural Collection
Print, Kingsley, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33 -
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Geelong Gallery
Painting - Gum trees in Flinders Ranges, HEYSEN, Hans, 1936
Watercolour over pencil -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Painting, Portrait of Mrs Ruth Tideman Headmistress 1983-2000
The portrait was painted by Robert Hannaford in 2000, Archibald prize finalist. Painted by South Australian artist Robert Hannaford AM. He started off as a cartoonist for the Adelaide Advertiser, studied in the School of Mines in Ballarat and has lived and worked in India, Europe and Africa. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Mrs Ruth Tideman Headmistress Mrs Ruth Tideman Headmistress 1983-2000 -
Bendigo Military Museum
Painting - PAINTING MENIN GATE, FRAMED, post WW1
Colour painting of Menin Gate, Ypres Belgium at midnight by Will Longstaff, Australian Painter & War Artist. Printing mounted on white background with gold painted wooden frame, glass front & white cardboard backing.Black & white stick RHS front bottom & LHS bottom of backing: "No 70" Stamp on back: "Passchendaele Barracks Trust" passchendaele barracks trust, painting, menin gate -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 1850-1900
Use: Domestic. FashionBobbin lace dress front -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Kirkby Lonsdale Church Yard, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Nillumbik Shire Council
Painting, Fan Dongwang, Pandemic Bodies #1 (Inverted), 2020
My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it -
Benalla Art Gallery
Painting, Ethel CARRICK, In the Luxembourg Gardens (Champs Elysee), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Mrs Erma Ledger, 1981Garden setting with figures and chairs. Carved gold painted timber frame.Recto: Not signed; Not dated; Not titledgarden, figures, chairs, australian art -
Australian Lace Guild - Victorian Branch
Textile - Filet (syn Lacis) lace, 1800-1900
Use: Domestic: Household trimmingDarned lace edging -
Geelong Gallery
Painting - The finding of Buckley, CAMPBELL, OR, 1869
Watercolour -
Lilydale RSL Sub Branch
Print - Framed Print, Spitfires over London
Framed print of painting by John Young entitled "Spitfires over London" showing three Spitfires flying over London with Tower Bridge in the background.Inscribed plaque reads " SPITFIRES OVER LONDON BY JOHN YOUNG PRESENTED TO LILYDALE RSL BY GORDON ANDERSON 1997. -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1985
Beaded Crocheted Sofa Spread (Hand worked floral design by Emily J Ewins) stawell clothing material -
Warrnambool and District Historical Society Inc.
Textile - Skirt, Fletcher Jones
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Waranga (Victoria, Australia) 25.i.42, Staurmus SW
Dr. Leonhard Adam was a Dunera Internee in Camp 2RomanticismVictoria, Australia 25.I.42 Staurmus SW -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Boy Holding a Leaf, 1999
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Latrobe Regional Gallery
Print, PARTOS, Paul b. Bratislava, Czechoslovakia d. 2002 Melbourne, Australia, Untitled, 1985
LithographSigned and dated 'Paul Partos 1985' lower right corner under printed image. Edition A/P, lower left corner under print. -
Mont De Lancey
Textile - Doiley
Used for placing food on or ornaments on furniture.A small square ornamental handmade doiley made of white cotton with a large lace patterned border and scalloped edging for use under cakes or ornaments placed on furniture.table linen, lace, cotton, cotton thread, table accessories, soft furnishings