Showing 4271 items
matching art
Artwork, other (1263)
Ceramic (764)
Decorative object (711)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2044)
-
National Wool Museum
Textile - Quilt, Rosemary A.O. Cameron, Celebration Quilt, 1990
From Rosemary Cameron - This quilt has been made in 100% wool to celebrate the diversity, durability and beauty of pure wool, especially the lightweight cool wools. The woollen patches were kindly donated by Mr. David Jones, managing Director of Fletcher Jones and Staff which were pre-cut samples of European Fabrics in various weights, textures and colours. I had the task of creating a design around the fabrics available, some of which I only had to sample. I chose to surround my design with dark shades to encompass at the top of the quilt, the lightness of the sky and the trees, in the middle the warmth of summer, the dryness of central Australia and at the bottom the rick tones of Opals, our mineral wealth and the internal heart of earth. To add excitement and texture to this design I chose 31 Australian Wildflowers including all the Australian Floral Emblems, some unusual wildflowers and favourite small wildflowers. Twice life size, these flowers have been made of silk wool and cotton, embroidered, painted and beaded by our creative and talented Hamilton Quilters, their results are fantastic! The brilliance and timeless quality of these Australian Wildflowers intensify and complement the colours of the Wool Quilt. The Quilt was hand pieced and hand quilted at quilting bees. It has a woollen batting, binding and backing which was a delight to work with and very easy to quilt. The flowers were assembled and attached in small working bees. To the fifty-two Hamilton Quilters who have worked on this quilt for six months thank you for you hard work and creativity especially Joan H. Lyons for her time, enthusiasm and knowledge when difficulties arose. Joan M. Lyons has worked with me on various stages of this Quilt, her help and support has been tremendous. To my family who have tolerated scraps of wool and silk, photographs, wildflower books and specimens and drawings which have at times almost taken over our house, a year from ideas to completion, thank you for your support and help in many ways.Multi coloured patchwork quilt with native flowers protruding from centre in a diamond shape.Embroidered on back - "The Celebration Quilt" Made in 1990 by The Hamilton Quilters, Designed by Rosemary A.O. Cameron. Made of Pure Wool. Beryl Anderson, Joan Askew, Bett Basham, Marilyn Baulch, Rau Blaby, Pauline Boyd, Aileen Beckwith, Dorothy Beveridge, Ros Brommell, Rosemary Cameron, Gwen Cook, Anne Cordner, Kaylene Cowland, Elaine Denby, Barbara Dolman, Rosalie Duffield, Helen Fry, Glennys Gardner, Nola Gunning, Margaret Irvine, Bev Jeffrey, Emma Jensen, Betty Lacy, Helen Lampard, Joan H. Lyons, Joan M. Lyons, Elaine McDonald, Carole McEwan, Joy McLeod, Joyce McLeod, Mary May, Joan Mallinson, Susan Mason, Anne Menzel, Val Mills, Betty O’Brien, Di Pettigrew, Therese Read, Sherry Robertson, Lee Rowland, Irene Saddler, Nanette Templeton, Glenys Tindall, Liz Wallis, Ruth Walter, Marion Warburton. Alison Waterman, Pat Wilmot, Nola Malcolm, Ann Nicholls, Margaret Rowe, Jill Hillier.celebration, flowers, hamilton quilters, quilt, native flowers -
Benalla Art Gallery
Painting, Frederick MCCUBBIN, The artist's home, South Yarra, Not dated
Born: Melbourne, Victoria, Australia 1855; Died: Melbourne, Victoria, Australia 1917Heidelberg SchoolLedger Gift, 1987House on top of hill in rural landscape with sloping hill to a pond and trees and grasses in foreground. Copper brushed timber frame.Recto: Signed "F. McCubbin" in brown oil in l.r.c of composition; Not dated; Not titledpainting, waterscape, hills, house, landscape, water, impressionist -
Darebin Art Collection
Painting - David McLeod, David McLeod, Incandescent, 2011
streets -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Ronald C. Skate, Untitled (Early Maritime Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right. -
Gippsland Art Gallery
Painting, Rankin, David, River Flat, 1986
Donated from the estate of Patricia Marie White, 2013Oil on canvasgippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Textile - Glove Case
Oblong green plush velvet glove holder with 'Gloves' embroidered in pink and pink binder. Lined with pink silk and pink ribbon ties at ends.costume accessories, glove accessories -
Ballarat RSL Sub-Branch Inc.
Textile - Souvenir - Egypt 1941, c. 1941
Cloth, embroideredsouvenirs, ballarat rsl, ballarat, embroidery, wwii, world war 2, second world war, world war two, egypt, pyramids -
Gippsland Art Gallery
Painting, Smith, Peter James, History of the Gabo Island Lighthouse, 2008
Purchased, 2008Oil and chalk on canvasgippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Oil on Canvas, Johnson, George, 'Symbols of Life' by George Johnson, 1965
George JOHNSON (18 August 1926- ) Born Nelson, New Zealand Arrived Australia 1953 George Johnson's formalised abstractions usually feature a pattern of small related geometrical shapes which give life, luminosity and fluidity to forms which might be mechanical and lifeless. Later his forms become become much larger and more architonic. The work of George Johnson debuted at the Herald Outdoor Art Show in 1953. The George Johnson Mural was commissioned by the Ballarat Teachers' College Students' Representative Council in 1965. It was purchased with funds raised by staff and students. At the unveiling of this work at the Ballarat Teachers' College Johnson's work was described at belonging to the "Hard Edged" school of abstract painters who had set themselves far above the mass of abstract painters by the vitality and artistic ability displayed in their work. Of the work John JOhnson said "We are all part of life and are growing and developing in many different ways, the process of development is often taking place without us even being aware of it. In my painting the embryo shapes appear and grow. I have tried to make the mural symbolic of life and growth. I do not thank that anything has been left to chance in the mural. Everything is working, and, I feel, working well. It has balance and harmony - and perhaps discord, as does life - one malfunction or imbalance throws everything out." This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A painted mural in three panels, including hession collage. art, artwork, george johnson, johnson, ballarat teachers' college art collection, mural, hard edged -
National Vietnam Veterans Museum (NVVM)
Painting, H.M.A.S. Sydney Vung-Tau Ferry 1965-1973
A framed original coloured painting by Norman G. Crew '92 of HMAS Sydney out at sea. .H.M.A.S. Sydney Vung-Tau Ferry 1965-1973hmas sydney, vung tau ferry, cerberus collection -
Horsham Regional Art Gallery
Painting, John RUSSELL, New Zealand landscape, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1989watercolour on paper -
Federation University Art Collection
Painting, Pauline O'Shannessy-Dowling, 'Tree (V)' by Pauline O'Shannessy-Dowling, 05/2005
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting on stretched canvas featuring the colours pink, grey and silver. School of Business Services Art CollectionVerso: Pauline O'Shannesy-Dowling May 2005 "Tree" (V) Mixed media on canvas 30 cm x 40 cmart, artwork, o'shannessy-dowling, pauline o'shannessy-dowling, available, tafe business collection -
Wangaratta Art Gallery
Textile, Liz Williamson, Rose Round, 2011
Wangaratta Art Gallery CollectionA handwoven textile sculpture made from red fabrics and threads shaped into a tubular shape.textile, liz williamson -
Geelong Gallery
Sculpture - Reclining form II, VASSILIEFF, Danila, 1980.19
Lilydale limestone -
Gippsland Art Gallery
Painting, Watson, Douglas, Young Man, 1958
Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Oil on canvasgippsland, artwork, permanent collection -
Wangaratta Art Gallery
Textile, Treahna Hamm, Cormorant, 2011
The cormorant weaving was depicted through the traditional weaving method of the blanket stitch of the Yorta Yorta people. As birds are very significant and important in Aboriginal culture, the cormorant was created to represent the meaning of Wangaratta for the local people and wider community. The weaving is an extension of my series of works which represent wildlife along the waterways, particularly in the North East of Victoria and within my tribal homelands. In 2001 I was taught to weave at a weaving workshop held at Gas Works in Port Melbourne by old aunties from Victoria and South Australia which included Yvonne Koolmatrie. A body of my weaving works, which include turtles and spirits, is held at the National Gallery of Victoria. Other collections which hold my fibre weavings are the National Museum of Australia, Albury Museum and Wagga Wagga MuseumWangaratta Art Gallery CollectionA textile sculpture of a cormorant woven from natural and man made fibres.cormorant, treahna hamm, yorta yorta people, traditional weaving, weaving -
Whitehorse Historical Society Inc.
Textile - Tray Cloth
Cream lnen tray cloth embroidered in each corner with blue bells and green stalks.manchester, table linen, handcrafts, needlework -
Clunes Museum
Textile - DOLLS CLOTHES, 1932
.1 Hand-sewn pink floral dress with cream trim .2 Hand-sewn beige cotton petticoat, cotton tape shoulder straps, cream lace hemline .3 Hand-sewn cream petticoat, cotton with lade hemline .4 Hand-sewn black georgette dress lace trimmed bodice, handkerchief hemline .5 Hand-sewn petticoat, black, handkerchief hemline .6 Hand-sewn floral dress, full skirt, Bertha collar .7 Hand-sewn salmon pink pants, beige trim Nilbrusaschi, dolls clothes, 1932, hand-sewn -
Kew Historical Society Inc
Textile, Lace
Piece of very finely constructed coffee-coloured lace probably removed from the bodice of a dress.fashion and textiles collection - kew historical society, textiles - lace -
Numurkah & District Historical Society
Painting - Man in a boat painting
Original colour painting by Tom Howard of a man in a boat, dragging a net. Painting in a wooden frame without glass -
Gippsland Art Gallery
Painting, Johnston, Margaret, The Old School House, 1983
Purchased, 1983Watercolour on papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Acrylic on canvas, Blitner, Eddie, 'Barramundi Spirit' by Eddie Blitner
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007..1) Barramundi Spirit .2) Mimi Spirit .1) and .2) are framed togetherart, artwork, eddie blitner, blitner, rarrk, aboriginal, barramundi, fish -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES COIN PURSE, 1900's Edwardian
Textiles. Brown leather coin purse with fold over flap at front with suitcase metal fastener.Inside fold out concertina spaces (four).textiles, domestic, ladies coin purse -
Bendigo Historical Society Inc.
Painting - WES HARRY COLLECTION: S.T. GILL PRINTS, 1852 - 53
A collection of nine prints of watercolours by S.T. Gill, depicting life on the goldfields in 1852 - 53. (a) Tin dish washing, (b) Mt. Alexander Gold escort on road to Melbourne, (c) Road from Forest Creek to Bendigo, (d) Diggers Licensing, Castlemaine Camp, (e) Eaglehawk Gully, Bendigo, (f) Cradling, (g) The license inspected, (h) Puddling, (i) Fryers Creek Nr. CastlemaineS. T. Gillpainting, watercolour, gold diggers, s.t. gill, life on the goldfields, diggers, mining -
Wangaratta Art Gallery
Painting, Arthur Victor Gregory, The Wangaratta Off Gabo, before 1946
Gregory is from an artistic family who are well known for their maritime paintings, with his father being G. F. Gregory. Through his paintings, Gregory has left a valuable record of the maritime history in Australia.maritime artRural City of Wangaratta Collection. Gift of Transatlantic Steamship Company, Gothenburg.A maritime painting of a steamship in watercolour and gouache.Obverse: WANGARATTA/ Off Gabo/ A. V. Gregory (along bottom edge of painting) PRESENTED TO THE BOROUGH OF WANGARATTA/ BY THE CAPTAIN OF THE M V WANGARATTA/ OWNED BY TRANSATLANTIC STEAMSHIP CO LTD/ GOTHENBURG/ February 1946/ (inscription of plaque mounted to frame)wangaratta art gallery, maritime art, arthur victor gregory, wangaratta, gabo -
Australian Lace Guild - Victorian Branch
Textile - Machine Knitted lace
Machine knitted lace shawl -
Darebin Art Collection
Sculpture - Claire McArdle, Claire McArdle, The Missing Parrot, 2016
parrot, hammer, lorikeet, cockatoo -
Australian Lace Guild - Victorian Branch
Textile - Tatted lace, 1900-2000
Use: Domestic5 sided tatted mat -
Swan Hill Regional Art Gallery
Painting, JACK, Kenneth William, Gem, 1963
-
Australian Lace Guild - Victorian Branch
Textile - Crochet lace
Use: Domestic: Household trimmingCrochet lace edging