Showing 3621 items matching art
Artwork, other (1219) Ceramic (747) Decorative object (665) Drawing (4560) Mixed media (471) Painting (2383) Print (1653) Sculpture (397) Textile (1238) Work on paper (2028)-
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Untitled, Not dated
Oil on canvasSigned top left corner of work. -
Federation University Art Collection
Painting - Acrylic on canvas, 'Kookaburras' by Harry Taylor, 1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of two kookaburras. If you can provide information on this artist or artwork please use the email link below.art, artwork, aboriginal, kookaburra, bird, harry taylor, horsham campus art collection -
Geelong Gallery
Painting - Children playing, Collingwood, VASSILIEFF, Danila, c1937
Oil and pencil on canvas -
Swan Hill Regional Art Gallery
Painting, ARMSTRONG, Ian, Spanish still life, 1982
-
Swan Hill Regional Art Gallery
Painting, BARKER, Walter, Infinity Series "Orange Six", 1977
-
Federation University Art Collection
Painting, Diana Nikkelson, 'My Family, My Life Goes On' by Diana Nikkelson
Diana NIKKELSON (c1943-30 December 2022) Diana Nikkelson is a Ballarat-based Gunditjmara elder. Her grandfather was Watchobaluk. A part of the stolen generation, Diana Nikkelson was one of 10 children, and she had nine children of her own. A founding member of the Ballarat and District Aboriginal Co-operative in the late-70s, Diana Nikkelson was a board director for 16 years and chair for six years. She worked on the Bunjil the Eagle installation at the Koorie Playground at Lake Wendouree, and designed the goanna which was etched into the paving along Police Lane in 2006, and has painted murals across Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 000 works and was listed as a 'Ballarat Treasure' in 2007.AboriginalThis work by Ballarat-based Gunditjmara elder Diana Nikkelson was commissioned by the University of Ballarat (later Federation University) for use on the Aboriginal Employment Strategy brochure. The central figures in this painting represent the artist and the fathers of her children. The outer groups are Diana Nikkelson’s children and their families. art, artwork, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara, aboriginal employment strategy -
Australian Lace Guild - Victorian Branch
Textile - Nanduti lace
Use: Domestic Needle weaving lace round mat -
Castlemaine Art Museum
Painting, Elizabeth Parsons, Chinaman's Hut, Dalesford, c. 1880
Gift of Adeline Parsons -
Federation University Art Collection
Painting, Vienna Bischard, It's Me
Painted portraitportrait, dvc art award -
Gippsland Art Gallery
Painting, Johnston, Margaret, The Old School House, 1983
Purchased, 1983Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Fitzpatrick, Samuel Charles, Port Albert, 1976
Donated by the artist, 1983Watercolour on papergippsland, artwork, permanent collection -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Sunset, Tatura Camp 4
-
Whitehorse Historical Society Inc.
Textile - Tray Cloth, not known
Fine linen tray cloth with tape lace edging which is wider and more elaborate in each corner. Cream colour.domestic items, trays -
Latrobe Regional Gallery
Painting, VERHEESEN, Ludouicus, Fransicus (Franz) b. 1928, Holland d.1983, Latrobe Valley, VIC, Aus, Untitled, 1967
Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner -
Gippsland Art Gallery
Painting, Smith, Peter James, History of the Gabo Island Lighthouse, 2008
Purchased, 2008Oil and chalk on canvasgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - George Eustice, George Eustice, Rooftops, 2012
suburbs -
Flagstaff Hill Maritime Museum and Village
Textile - Jug Cover, ca. 1910
The jug cover has beads on the border, which are used to weigh the cover down and keep it on the jug. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Jug Cover, square shape, swan incorporated in crochet with blue beads on the crocheted edge. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, jug cover, crocheted cover -
Darebin Art Collection
Painting - Elyss McCleary, Elyss McCleary, My Tuxedo, 2018
painting -
Gippsland Art Gallery
Painting, Long, Jan, Chinaman's Creek, Metung, 1993
Purchased with the assistance of the Mayor's Discretionary Award Fund, 1993Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Struss, Elsie, Seated Woman, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Bendigo Art Gallery
Painting, Julie YATJITJA, Iwantja Tjukitji (Iwantja Soakage), 2018
(verso) l.r; AK21298australian artist, first nations artist, female artist, abstract, cultural story, landscape -
Gippsland Art Gallery
Painting, Struss, Elsie, Head Study - Turk, c.1929-33
Donated from the estate of the artist, 1987Oil on canvasgippsland, artwork, permanent collection -
Mont De Lancey
Textile - Pillow Slips
White cotton pillow slip with embroidered flowers.pillow slips, household textiles -
Bendigo Art Gallery
Painting, Paul Borgmann, The Bawler, circa 1888
Signed, l.l., brown oil "P. Borgmann" -
Whitehorse Historical Society Inc.
Textile - Tablecloth, 1950s
Embroidered by donor - from Weldon's pattern.Cream linen square tablecloth. Cream and brown cotton one inch. Decorative 2cm Drawn threadwork around edge.domestic items, table setting -
National Vietnam Veterans Museum (NVVM)
Painting, John Methven AOM
An original painting of John Methven OAM, 7th Battalion RAR 1967 - 1968. Founder and Curator of the National Vietnam Veteran's Museum in Newhaven Victoria.7 rar, vietnam lest we forget, order of australia, john methven -
Ararat Gallery TAMA
Textile, Heather Dorrough, Wool Corporation, 1976
-
Bendigo Art Gallery
Painting, Albert Chevallier Tayler, Gentlemen, "the Queen", 1894
Signed and dated, l.r., brown oil, "A CHEVALIER TAYLER. 94". -
Port Melbourne Historical & Preservation Society
Painting - National Bank, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'National Bank - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Federation University Art Collection
Painting - Artwork, Wes Walters, [Nude Study] by Wes Walters, c1987
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Pastel and paint study of a nude framed behind glass. wes walters, nude, life drawing, available, alumni