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Artwork, other (1304)
Ceramic (767)
Decorative object (722)
Drawing (4625)
Mixed media (536)
Painting (2488)
Print (1671)
Sculpture (406)
Textile (1400)
Work on paper (2105)
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Bendigo Historical Society Inc.
Textile - PALE GOLD SILK AND COTTON EMBROIDERED CUSHION FROM PALESTINE, 1942
Textiles. A war time souvenir from Palestine. Pale gold silk, embroidered with a depiction of the''Mosque of Aman (?) Souvenir of Palestine, 1942, floral emblems and a bow. A 4cm long silk fringe in gold and reddish colours borders the cushion. Back of the cushion is gold coloured cotton. Machine and hand stitching. Possibly machine embroidery, in a ''chain-stitch'' pattern.Souvenir of palestine 1942. Mosque of Aman (?) (Omar).textiles, domestic, pale gold cushion from palestine. -
Bendigo Historical Society Inc.
Textile - FIJIAN TAPA CLOTH
Fijian tapa cloth wall hanging. Top edge has a 2 cm timber piece attached at each end with 3 brass drawing pins. 74 cm piece of tapa cloth extends 27cm folded over the back of the wall hanging.. Fastened with 8 brass drawing pins. 84 cm piece of wire attached has metal eyes for hanging. Manufactured 1935. Also document explaining the origins and manufacture of tapa cloth. Document is mounted on timber and has plastic affixed over the surface via drawing pins. there is wire on reverse to enable hanging. -
Warrnambool and District Historical Society Inc.
Print - Warrnambool Standard 1930
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Glenelg Shire Council Cultural Collection
Print, The Captain Sails, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a child's drawing of a ship. The work is a red line drawing with "Michael" written in a child's hand. The image show a ship with a person standing on board and a flag above them which says 'ME'. On the left of the work is the sun.Front: (no inscriptions) Back: 49 -
Glenelg Shire Council Cultural Collection
Print - Contact Print, 1960-1979
Black and white contact print from glass plate negative. Image is of a group of 8 women and a man, sitting or standing on lawn with a backdrop of trees. Dress is late 19th or early 20th century. -
Kew Historical Society Inc
Textile, 68 Eglinton Street, Kew, 1980-2000
Framed embroidery, 68 Eglinton Street Kew. Undated. Home of the Bogle family during the First World War. Thomas Bogle Reg No. 479 Church of England, Single, Labourer, Father William Bogle (same address), enlisted 1915 29th Battalion B CompanyNoneSmall framed tapestry of 68 Eglinton Street, a single-fronted weatherboard cottage in Kew.68 EGLINTON STREEThouses - eglinton street - kew (vic), tapestries -
Horsham Regional Art Gallery
Print, Kevin LINCOLN, Untitled, 1972
Donated through the Australian Government's Cultural Gifts Program by Mia Heriot, 2005monotype, pen and ink on paper -
Uniting Church Archives - Synod of Victoria
Textile - Tablecloth, 2004
Paynesville Uniting Church Uniting Church Fellowship members 1998-2004 oblong cream tablecloth with the UCA logo in the centre and years and names of members radiating from it in red, black and white fabric ink. paynesville uniting church uniting church fellowship -
National Vietnam Veterans Museum (NVVM)
Print, Plane Guard
A coloured print of HMAS Perth escorting HMAS Melbourne at sea. Bottom right hand is the signature of Peter Blenkinsopp 1993. At the bottom of the print reads from an original iol painting by Peter Blenkinsopp.print, hmas perth, hmas melbourne, cerberus collection -
Ararat Gallery TAMA
Textile, Frances Burke, Zen, c. 1965
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Whitehorse Historical Society Inc.
Textile - Handkerchief
Cream silk handkerchief with deep border of Maltese lacecostume accessories, female -
Bendigo Historical Society Inc.
Textile - Blacksmith's apron
A leather apron is a protective garment worn by blacksmiths to shield their clothing and skin from sparks, heat, and other hazards while working with hot metals. Leather aprons are typically made of high-quality leather that is durable and resistant to heat and flames. Black leather blacksmith's apron. Used by Norm Harris while working in the blacksmith workshop at the Central Deborah tourist gold mine and while conducting tours of the mine for the tourists.mining, clothing, deborah gold mine, blacksmith, leather apron -
National Wool Museum
Textile - Quilt, Child's Coverlet, 1930s - 1950s
Child's coverlet made from old blankets and clothing pieces with curtain and blanket backing. Part of the "Wagga" collection. Maker unknown, from the Ballarat area.Child's coverlet made from old blankets and clothing pieces with curtain and blanket backing.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history -
Alfred Hospital Nurses League - Nursing Archive
Print - Coloured print, The Original Design of The Alfred Hospital
The Alfred Hospital commissioned architect Charles Webb to design the hospital. [Picture submitted 1869. Open for inspection Dec 1870.]A historical record of the original Alfred Hospital designFramed photo print of original design of Alfred HospitalPerspective of original design of Alfred Hospital / by C Webb, Architectstreet view of building elevation, horse and carriage in foreground, alfred hospital, architects drawing -
Ararat Gallery TAMA
Textile, Patricia Langford, Lewers Garden, 1985
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Federation University Historical Collection
Print, 1 Pussy-cat, pussy-cat where have you been? .2 Abstract Print - Open
Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair. -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and drypoint on copper on papergippsland, artwork, permanent collection -
Port Melbourne Historical & Preservation Society
Print - Wilbraham Liardet by Pamela Horsley, Pamela Horsley
Framed print of original painting by Pamela Horsley of Wilbraham Liardet. Dark Grey frame with beige "mask". Original on exhibition at Gasworks Park, 2014Pamela Horsley Label of authenticity . Title "Wilbraham". from original 2013 acrylic on canvascelebrations fetes and exhibitions, liardet family, wilbraham frederick evelyn liardet, wfe liardet, pamela horsley, liardet anniversary -
Latrobe Regional Gallery
Print, QUIRK, Bonnie b. 1932, Suburb Shifting, Not dated
Hard and soft ground etching with aquatint.Signed 'Bonnie Quirk' lower right under printed image. Title 'Suburb Shifting' middle centre beneath image. Edition 9/50, lower left corner under printed image. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Print - lithograph, Deborah Tate, Girl talk, 2009
Created at Billilla Mansion when Deborah Tate was an Bayside Artist in Residence in 2009-10.Deborah Tate, Girl talk 2009, lithograph, 27 x 25 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2010lithographdeborah tate, lithograph, billilla, billilla mansion, artist in residence, bayside artist in residence, girl talk, school children -
Ararat Gallery TAMA
Textile, Olga de Amaral, Coraza En Dos Colores, 1973
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Hymettus Cottage & Garden
Textile - Bookmark, Fuzzy Wuzzy of New Guinea1943
The poem "Fuzzy Wuzzy Angels" was written by H. (Bert) Beros and published in the Courier Mail (Brisbane) on 31 October 1942.This poem gained popularity and was widely read and then published privately by Beros running to several editions. The bookmark produced in 1943 is an example of how revered and popular in the Australian public mind the New Guinea natives became. This bookmark is significant in its association with the popular legend of the loyalty and self sacrifice of the New Guinea natives popularly termed Fuzzy Wuzzy. with the added sobriquet of Angels, in their support of the Australians in New Guinea in World War II without which Australia may not have been able to halt the Japanese advance.Painted figure of New Guinea native on felt marker with caption and date 1943Fuzzy Wuzzy of New Guinea 1943 colour printed on brown feltnew guinea, aif, fuzzy wuzzy, bookmark, kokoda track, world war ii, australia -
Glenelg Shire Council Cultural Collection
Print - Contact Prints - Portland, 1960-1970
Set of 6 contact prints from glass plate negative. Top 2: Cnr Bentinck and Gawler Streets looking south. Post office on left, Mac's Hotel right, crowd of people in intersection . Slight difference in two prints. Middle 2: Several men at lighthouse, next to wall. Photo on left, playing leap frog, photo on right men appear to be dancing. Bottom 2: Stereoscopic prints of waves breaking on rocks, group of people on rocks watching. -
Churchill Island Heritage Farm
Textile - Bed Jacket, Cuff, 1860
This is a fine cotton bed jacket decorated with beautiful whitework embroidery. Whitework is any type of embroidery where the threads worked are the same colour as the base fabric. It is usually worked on white linen but this could be worked on Hardanger fabric which is 22 thread count cotton. The embroidery is a combination of types but drawn thread work and Hardanger work can be clearly seen on this garment.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.Bed Jacket with open frontPackaged with note: "Limerick lace bed jacket Janet Amess 1860 from Kel Bright collection with separated cuff".janet amess lace collection, lace, churchill island, janet, amess, bed, jacket, cuff, garment, clothing, princess, machine, bobbin -
Melton City Libraries
Textile, Lizzie Daley's ornaments and her sewing box, Unknown
A collection of some of Lizzie’s ornaments, furniture, sewing box with her label inside was retained by the Myers family at the Burnbank house. local identities -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1980
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, SIBLEY, Andrew, It's only a paper moon, 2008
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Whitehorse Historical Society Inc.
Textile - Doyley, 4/06/1997 12:00:00 AM
White cotton cloth - a semi-circle with 9 patterns of embroidered butterflies around edge. Butterfly wings are made of mesh- possibly machine made, but embroidered edging around wings is hand made. It is likely that piece is one side of the tea pot cover.handcrafts, needlework, manchester, table linen -
Flagstaff Hill Maritime Museum and Village
Textile - Doily
Linen doily with orange crochet with spoke stitched scalloped edges.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, doiley, doyly, doyley, haberdashery, manchester, linen, decorative napkin -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 1850-1900
Use: Domestic. FashionBobbin lace cuffs