Showing 5619 items
matching art
Artwork, other (1265)
Ceramic (766)
Decorative object (713)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
-
Stawell Historical Society Inc
Textile - Costume and Accessories
Embroidered Cushion Cover. Two flowers embroidered in corners. Miss J Aitken Patrick Street. stawell clothing material -
Bendigo Military Museum
Work on paper - LETTER & ENVELOPE, 1) & .2) 30.5.16
LEO HARRIS No 3132, KIA 9.8.16. Refer 2478 for service history also 2476, 2477P, 2479.3..1) Small, yellowed envelope addressed to L HARRIS. .2) - .4) 3 page yellowed letter on ruled lines dated 30.5.16. Addressed to L HARRIS & written in blue ink & was in .1). Letter is from CARRIE LUCK, ALMA 15 Wigton Street, Ascot Vale, Melbourne.letters, envelopes -
Latrobe Regional Gallery
Print, LINDSAY, Lionel b. 1874 Creswick, Victoria d. 1961, Morning Glory, Not dated
Woodcut printSigned lower left beneath print, pencil; "Lionel Lindsay" Signed lower left within print, woodcut; "LIONEL LINDSAY" Numbered '100' lower right corner beneath print. -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, c 1880
This fine linen pillow slip was made in Austria about 1880. The insertion of French Valenciennes lace is of about the same date, being 5.0 cms wide and having a round ground. The border frill is also of French Valenciennes lace being a little earlier around 1850, it is 16 cms wide and has a square ground. The pillow slip was made especially for the mother of a first grandchild.Pillow slip with Valenciennes lace insertion and border -
Bendigo Historical Society Inc.
Textile - Linen Tablecloth, 1920s 1930s
Possibly used in Favaloro cafes.An unbleached linen tablecloth made from three widths of fabric sewn together.favaloro, tablecloth -
National Wool Museum
Textile - Blanket, Eagley Mill, 1955-59
This blanket was owned by the Rosenberg family from the late 1950s onwards. It was the donor Denise’s blanket. Born May 1958, her late mother Elfie kept it safe for many decades after Denise had outgrown it. Elfie returned the blanket to Denise 20 years ago, in its current near new condition. Jacques Rosenberg and Elfie née Naparstek, Denise’s parents, met in Melbourne in the Summer of 1950. They both survived being young and Jewish in Europe during the Second World War. Jacques grew up in France and Elfie in Germany, she was a child of the Kindertransport. They married in 1952 and by 1958 had a son and two daughters. Denise, the youngest daughter, donated the blanket on behalf of the Rosenberg family to the National Wool Museum in 2021. The Kindertransport was a program designed to facilitate the immigration of Jewish children from Nazi Germany before the outbreak of the Second World War. The United Kingdom took in nearly 10,000 predominantly Jewish children from Germany, Austria, Czechoslovakia and Poland. The children were placed in British foster homes, hostels, schools and farms. Tragically, these children were often the only members of their families to survive the tragedies that were to unfold in Europe. Fortunately, Elfie’s parents did survive World War Two by sneaking out of Germany and into the south of France. After Elfie and her sister Serry were Kindertransported, they met up with Salma and Risla Naparstek in Paris in 1947 before migrating to Australia. This blanket originates from the Eagley Mill. They manufactured woollen, worsted and knitwear products from their mill located in Collingwood. Part of Foy & Gibson, the mill had frontages measuring almost two miles within the area bounded by Little Oxford, Wellington, Stanley and Peel Streets in Collingwood. This was the largest manufacturing plant for wool in the Southern Hemisphere at the time. It was also one of the oldest. The first machines for knitting men’s socks were installed in 1896. The site ultimately went into receivership while under new ownership in 1968 and is now high-end real estate. More information about the Mill can be read via Unimelb digitised collection. https://digitised-collections.unimelb.edu.au/bitstream/handle/11343/21262/269411_UDS2010852-85.pdf?sequence=18&isAllowed=y 38”x45” (965 x 1145mm) cream wool blanket. The blanket has white stitching around its edge. Embroidered in the centre of the blanket is a koala eating leaves with accompanying flowers on either side of the marsupial. In the bottom right corner of the blanket a small square label from the Eagley Mills is stitched. This label includes the images of a Sphinx head, a pyramid and a baby’s crib.Eagley / ALL / WOOL / 38”x45” / AWARDED THE CERTIFICATE OF / THE ROYAL INSTITUTE OF / PUBLIC HEALTH & HYGIENE LONDONkindertransport, eagley mill, blanket -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Mr Longley's Services. Ballarat Courier 13/10/1894, A Public Tribute
john garner collection, ballarat botanical gardens, gardens, ballarat -
Gippsland Art Gallery
Print, Unknown Artist, Surveying on the Moe Gipps Land, c.1876
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Three Children Feeding the Swans at Lake Wendouree, Free Time by Lake Wendouree, Ballarat
john garner collection, ballarat botanical gardens, gardens, ballarat, swans, lake wendouree -
Whitehorse Historical Society Inc.
Textile - Table Cloth and Napkins
Blue and white check gingham 84 cm square Tablecloth, decorated with 4 rows of white cross stitch around borders.Four matching 26cm square matching table napkins.domestic items, table setting -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Traditional Diamond Design, Pick and Gold Cloak (protection and survival of our men and women), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong -
Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond, Ballarat Town Hall at night
Ballarat HistoryOld semi-gloss printballarat, ballaraat, town hall -
Whitehorse Historical Society Inc.
Textile - Doyley
White doyley made of filet lacehandcrafts, lacemaking -
Gippsland Art Gallery
Work on Paper, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Pencil on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Print - Views of Portland and Heywood, Victoria, Rider & Mercer, 1893
Owned by Elf Dusting, daughter of George Dusting. Dusting family early residents of Portland.Framed colour lithograph behind glass, depicting stores and locations in Portland and Heywood. Title in decorative letters in centre of page and name of printer at bottom centre.Front: (no inscriptions) Back: (no inscriptions)dustings family -
Ringwood and District Historical Society
Mixed media - Video, RDHS Meeting Presentation - "A Brief History of Warranwood" - Russ Haines
Digitised video (1.05GB). Duration: 20 minutes. Recorded October, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ringwood and District Historical Society President Russ Haines takes us through the history of the Warranwood area where he grew up, situated just north of Ringwood, Victoria. -
Bendigo Historical Society Inc.
Textile - MAGGIE BARBER COLLECTION: SQUARE LINEN DOYLEY, 1800'S
Textiles. Woven thread design, edged with a 2.5 cm fringe. A deep coffee coloured linen, with a woven deign in the centre 8 cm square, surrounded with a 2 cm wide border, woven in a different texture. This in turn is edged on each side, with a slanted woven thread, then a .7 cm band of a separate texture before the outer fringe.textiles, domestic, square linen doyley -
Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson et al, Waa in the kangaroo grass, 2023
Transfer drawing made at Wunggurrwil Dhurrung Community Centre, and screen printed at Negative Press. -
Federation University Art Collection
Work on paper - Print - linocut, [Landscape] by A. Janetski, 1930s
Linocut of a landscapeLino Cut, by A. Janetski - G.P.S.linocut, printmaking, alumni, landscape, a. janetski -
National Vietnam Veterans Museum (NVVM)
Print - Print, Framed, Respite in the Rubber
Timber framed red bordered signed print. 81/250 Mike Eggleston 2783957, depicting lunch break in rubber plantation and six soldiers at rest.'Respite in the Rrubber', Mike Eggleston 2783957, 81/250. On reverse are the signatures of D&E Pl/ 1 ARU Reunion, 2010.print, soldiers -
Thompson's Foundry Band Inc. (Castlemaine)
Work on paper - Sheet Music, Chappel & Co Ltd, Boots, 1941
Composed by Peter Dawson under the pseudonym J P McCall, Boots is known as a song arranged for a baritone vocalist with piano accompanist with lyrics written by Rudyard Kipling. The Lyrics appear to reference soldiers trekking by foot across Africa. This arrangement was composed by Denis Wright.17 parts on paper and page of lyrics for the march founded on the famous song - bootsComposed by Peter Dawson under the pseudonym J P McCall, Boots is known as a song arranged for a baritone vocalist with piano accompanist with lyrics written by Rudyard Kipling. The Lyrics appear to reference soldiers trekking by foot across Africa. This arrangement was composed by Denis Wright. anzac, boots, jp mccall, denis wright, peter dawson, rudyard kipling, chappel & co ltd, swan & co. ltd. -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - pastel, Untitled (Portrait of a lady), c.1850
pastelportrait, female, pastel, 19th century -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 15, There was much celebration when the survivors were taken off the 'Lady Bird', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fifteenth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts band playing in street, by standers each side.Front: 'Linocut Bob Stone 2009 There was much celebration when the survivors were taken off the 'Lady Bird' - Hand written, black pen.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Work on paper - Work on paper - Conversion Charts, n.d
Port of Portland Authority Archivesport of portland archives -
Ringwood RSL Sub-Branch
Work on paper - The long parol, memorabilia
framed photo -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Charcoal on papergippsland, artwork, permanent collection -
National Wool Museum
Textile - Quilt, Pamela Farmer, Earth Blanket, 2000
'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts -
Gippsland Art Gallery
Print, Frazer, David, Stray Bullet II, 1996
Purchased, 1996Linocut print on papergippsland, artwork, permanent collection -
Diamond Valley Vietnam Veterans Sub-Branch
Print - TBA, n//a, c2002
Picture depicts a frequent activity of infantry in Vietnam - either waiting for pickup by Huey helicopters or having a drop off by the helicopters; in this case it is a pickup ('dustoff') of xxx section, yyy platoon, mmm Company.Especially for infantry, the picture captures the moment of accepting a dustoff at the end of, or during, an operation.Rectangular print 'Dustoff' in a wooden frame; this is an iconic picture out of the Vietnam war Presented to: The Diamond Valley Vietnam Veterans Sub Branch on Friday 27th October 2006. By: David Streatfeild No. 9 Squadron (Royal Australian Airforce); Vietnam 1969 1970 and 1971. Centrally below the picture and columned vertically: Dustoff (CASEVAC Vietnam), by Brian Wood; Royal Australian Air Force insignia; Rising Sun insignia with scroll: The Australian Army. Signatures by: The Hon. Graham Edwards, Member of Parliament; The Hon. Tim Fischer, Member of Parliament; W.B. "Digger" Jam,es AC, MBE, MC, Major General (ret'd); Keith Payne VC, Warrant Officer Class 2 (ret'd); Brian Wood 4 RAR 70/71vietnam, vietnam war, diamond valley vietnam veterans sub branch -
Swan Hill Regional Art Gallery
Print, JAMPIJINPA ROSS, Darcy, Yarlukari Jukurrpa, 1999