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Bialik College
Mixed media - Music cds for teaching and events at Bialik College
Cds created for events, as soundtrack or backing, as well as music lessons at Bialik CollegeMultiple cds for teaching and events tracking2000s, bialik college, lessons -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-750-091 No Title Box
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 314 Cotham Road, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 314 Cotham Road, Kew by Margaret Picken.314 COTHAM RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 314 cotham rod - kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 32 Laver Street, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 32 Laver Street, Kew by Margaret Picken.32 LAVER ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 32 laver street -- kew (vic.) -
Federation University Art Collection
Print - Printmaking - Screenprint, 'Radical' by David Rose, 1971
David Rose (1936–2006) David Rose worked in New South Wales and produced etchings, lithographs, screenprints, and woodcuts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and matted silkscreen printed in colour, from four stencils Lower left: 53/120 Radical Lower right: David Rose 1971art, artwork, printmaking, david rose, silkscreen, print council of australia -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 475-477 Riversdale Road, Camberwell, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 6 Yarra Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.6 YARRA ST HAWTHORN Margaret Picken ~90 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - Pivot Assembly Landing Gear 11-132231
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Hawthorn Historical Society
Drawing - Property Illustration, 34/154 Rathmines Road, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.34/154 RATHMINES RD HAW WOODARDS - HAWartist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 48 Young Street, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 48 Young Street, Kew by Margaret Picken.48 YOUNG ST., KEW / MARGARET PICKEN '92 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 48 young street -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 84 Glen Iris Road, Glen Iris, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Horsham Regional Art Gallery
Drawing, Charles BLACKMAN, Ghosts of the air, n.d
Gift of Mack Jost, 1997 -
Melton City Libraries
Drawing, The first 100 years of Melton State School 430, 1970
The Melton State School No. 430 built in 1869-70, with the bluestone additions constructed in 1877 and the brick additions in 1924.It is the only remaining nineteenth century school in the Shire of Melton. Sketches were part of preparation for production of Red Book 'The first 100 years'.education, local identities, local significant events -
Federation University Art Collection
Print - Printmaking - Lithograph, Tulloch, David, 'Forest Creek, Mt Alexander' by Thomas Ham, 1852
This work is part of Ham's five views of the gold fields of Mount Alexander and Ballarat in the colony of Victoria , drawn on the spot by David Tulloch , and engraved and engraved and published by Thomas Ham. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Coloured imaged of Forest Creek Diggings on Mount Alexanderlower centre "Forest Creek, Mt Alexander" lower left side "Drawn By D. Tulloch" lower right side "Engraved by Thomas Ham"art, artwork, forest creek, mount alexander, thomas ham, ham, david tulloch, tulloch, gold mining, bark hut, castlemaine -
Hawthorn Historical Society
Drawing - Property Illustration, 2 York Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2 YORK ST HAWTHORN Margaret Picken ~95 WOODARDS -HAWTHORNartist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 136 Derby Street, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 136 Derby Street, Kew by Margaret Picken.136 DERBY ST., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 136 derby street -- kew (vic.) -
Bendigo Historical Society Inc.
Drawing - WES HARRY COLLECTION: ELEVEN BLACK PEN ART WORKS BY JAN NEIL 1972
eleven art works in black pen sketches of Bendigo by Jan Neil dated 1972- 1977 156A Bendigo Pottery, Bottle Kiln, Epsom 1972 156B Gold Mines Hotel, Bendigo 1972 156C Bendigo Post Office 1972 156D National Bank 1973 156E Birney Car & Central Deborah Mine 156F Law Courts 1973 156G Law Courts 1980 156H Bendigo Town Hall 1972 156I Shamrock Hotel 1972 156J Fortuna Villa, Chum Street1980 156K Fortuna Villa 1977Jan Neil -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 46 Willsmere Road, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 46 Willsmere Road, Kew by Margaret Picken.NEW SKETCH / 46 WILLSMERE RD., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 46 willsmere road - kew (vic) -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Cat in an Overcoat, 1982
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Bendigo Military Museum
Print - PRINT, FRAMED, Print reproduced by the Royal Australian Survey Corps
Reproduced by kind permission of the Australian War Memorial by Royal Australian Survey Corps 1985. Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.RHS bottom corner: Artist's signatureroyal australian survey corps, rasvy -
Kew Historical Society Inc
Print, Rose Stereograph Company, Sacred Heart Church, Kew, Vic, Twentieth Century
The history of the church goes back to 1872 when Jesuits purchased land in Walpole Street. By 1875 Archbishop Gould had laid a foundation stone on 14 February for a school. Early services for local Catholics were held in Richmond, Collingwood and later Hawthorn. By 1899 the land for the current church was purchased after a donation by Mr James Crotty of 3,000.00. The foundation stone was laid on 15 December 1918 by Archbishop Mannix. The dimensions of the church were to be 139 feet long by 77 feet wide with seating for 850 people. The cost of construction was 15,000.00. (Source: www.churchhistories.net.au )Sacred Heart Church, Kew, Vic., circa 1920-54. Photographic print of a Rose Stereograph Co. postcard in the State Library of Victoria collection.Inscription: The Rose Series P. 13053, Sacred Heart Church, Kew, Vic." Annotation in pencil: "KH-5. Foundation Stone laid 1918, completed 1921."churches -- kew (vic.), sacred heart church -- cotham road -- kew (vic.), catholic churches -- melbourne (vic.) -
Gippsland Art Gallery
Ceramic, Hughan, Harold, Large Bowl, c.1970s
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2018gippsland, artwork, permanent collection -
Bass Coast Shire Council - Art Collection
Work on paper - Shetland Heights, Adrian Johnson
1990PastelSigned -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Victor Avenue, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Victor Avenue, Kew by Margaret Picken.18 VICTOR AVE., KEW / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 victor avenue - kew (vic) -
Gippsland Art Gallery
Print, Ryrie, John, The Youngest Brother, 2001
Donated by Monash University, Gippsland Campus, 2002Linocut print on papergippsland, artwork, permanent collection -
Lara RSL Sub Branch
Ceramic - Decorated Ceramic Plate, DEFENDERS OF THE REALM
DEFENDERS OF THE REALM. MOSQUITO LANDING. -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Untitled - Abomination!, Michael Atchison
Australia 1933-2004ConteSigned u.I -
Flagstaff Hill Maritime Museum and Village
Print - Picture
Print of a ship in the late 1800s set against a background of other ships (one of a steam paddle) and a reddish sky. Wooden decorative frame, with carved oak leaves and acorns and gold edging to print. Handwritten inscriptions on a round yellow sticker on the front and a white rectangular sticker on the back.Yellow sticker "A5". White sticker "67"flagstaff hill, warrnambool -
Robin Boyd Foundation
Work on paper - External perspective, Neil Clerehan, 1945
Robin Boyd met architect Neil Clerehan at the end of 1943 when they were both in the army. They worked together on Victorian Small Homes Service and were friends.Watercolour of a mining building in an outback landscape.On the reverse side "Neil Clerehan, 1945" on top left in blue pen, and "No 8" on bottom right in pencil.neil clerehan, robin boyd, ohm2022, ohm2022_29 -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Scene in Ballarat Botanical Gardens, January 3rd, 1883, 3/1/1883
This photograph is of historic interest because it shown some of the exotic plants favoured by nineteenth century gardeners.The photograph provides a different aspect of the Ballarat Botanical Gardens and provides further information about the plantings in the nineteenth century. Photocopy of a black and white photograph of palm trees, succulents and lawn. The original photo has age marks. In pencil written bottom lefthand corner, "Scene in Botanical Gardens, Ballarat and in the lefthand corner, January 3, 1883.ballarat botanical gardens, friends of ballarat botanical gardens, john garner, doctor, history, scene, plantings victorian era, john garner collection, gardens, ballarat