Showing 2887 items matching art
Artwork, other (1228) Ceramic (748) Decorative object (667) Drawing (4561) Mixed media (486) Painting (2387) Print (1653) Sculpture (397) Textile (1237) Work on paper (2033)-
National Vietnam Veterans Museum (NVVM)
Print, The Vung Tau Ferry: HMAS Sydney 111 at Vung Tau, South Vietnam, 1968
Colour printhmas sydney, vung tau ferry -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Comb Martin, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Print, Sydenham EDWARDS, Botany Bay Lily (Crinum Pedunculatum), 1815
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured engraving on paper -
Kew Historical Society Inc
Print - Parliament House - God Save the King, 1930s
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. View of Parliament House Melbourne, illuminated with lights reading God Save the Kingparliament house -- melbourne (vic.), christian-washfold collection -
Melbourne Legacy
Ceramic - Mug, Our Patron, 195
This ceramic tankard mug was produced for Melbourne Legacy to honour their Patron. The Patron of Legacy is usually the Governor of Victoria, since the very early days of Legacy. It appears to be taken from a photo of General Sir Dallas Brooks KCB, KCMG, DSO, KStJ., who was Governor of Victoria from 1949. The date made is unknown but it believed to be early 1950s. Similar mugs were produced to honour Legatees Stan Savige and Syd Birrell and were estimated to have been produced in late 1940's or early 1950s. A similar one was made for the Queen's coronation in 1953. The maker was the firm of EG Greenway, a pottery manufacturer, which was connected to Legatee Herb Greenway.Shows the importance of the patron that he was commemorated in a ceramic mug along with Syd Birrell and Stan Savige and the Queen.Cream ceramic mug with handle, with relief portrait of the patron of Legacy, under which is etched 'Our Patron' on one side, with a relief symbol of the Legacy Torch and Wreath of Laurel on the opposite side.'Our Patron' is etched under the relief portrait. Underneath etched makers marking, E.G. Greenway Pty Ltd. Australiasouvenir, patron, dallas brooks -
Bendigo Military Museum
Print - PORTRAIT of KING GEORGE VI and his wife QUEEN ELIZABETH, Argus and Australasian, c1938 - 1945
This is a coloured formal portrait of King George VI and Queen Elizabeth. They are dressed in full royal regalia with crown and tiara. They are standing on a raised step in front of a maroon curtain. On the walls beside the curtain are garlands of flowers and leaves. At the bottom of Portrait is the phrase "Their Majesties, the King and Queen." This portrait is unframed.At the very bottom of portrait is printed - "Printed and Published - by the Argus and Australasian Ltd"'ww2, britain's king and queen -
Federation University Art Collection
Ceramic - teapot, Dianne Peach, Slip Cast Teapot by Dianne Peach, 1983
In particular I have been using these methods of construction [slab] to interpret the traditionally spherical form of the teapot as a cubist painter might by squaring it up and transposing curved surfaces into planes and angles. These geometric versions provide flat surfaces for pattern making and light reflection, and the objects become increasingly more decorative than functional. I find enormous pleasure in bending convention to the verge of impracticality. But not so radically that l miss the challenge of producing a form that still incorporates most of the elements of a properly functioning teapot, such as the height of the spout to the pot, the ease of filling, emptying, and handling. Surface decoration plays a vital role in reinforcing the abstraction. Bold areas of black underglaze are applied with distinct boundaries dictated by the form’s angles and planes. In pairs or ad hoc groupings the teapots react with each other and the spaces between to present complex geometric patterns. High firing produces a dense, almost vitrified body and the surface quality I admire without the need for glaze. Although some with more functionality may be glazed inside.(http://www.diannepeach.com/, accessed 23 July 2021)Dianne PEACH (1947- ) Since being introduced to pottery by Milton Moon and David Smith in the mid 60s Dianne Peach initially focused on wheel thrown functional war, which expnded include the infinite possibilities of slab building and casting. This work was purchased from the "Fresh Clay' Exhibition in 1983.Electric kiln fired slip cast earthenware teapot with stencils and coloured glazes. Purchased from the 'Fresh Clay' exhibition, 1883.dianne peach, jan feder memorial ceramics collection, jan feder, ceramics, teapot, fresh clay exhibition -
Federation University Art Collection
Ceramic - Ceramics - slip caste earthernware, In Me It Bides I
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two ceramic artworks.art, artwork, ceramics, earthenware, louise curtis -
Federation University Art Collection
Ceramic - Artwork - Ceramics, [Bulbous Lidded Pot] by Sandra Johnstone, c1985
Sandra JOHNSTONE (1936-1991) Worked California, USARaku-fired wheelthrown salt-glazed stoneware.ceramics, jan feder memorial ceramics collection, sandra johnstone, gippsland campus, churchill -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed white finishhistoric building, former royal mint, archaeology -
Federation University Art Collection
Ceramic - Blackware, 'From one seed a forest grows, water the seeds of joy first' by Petrus Spronk, 2004
Petrus SPRONK (1939- ) Born Netherlands, arrived Australia 1957. After arriving in Australia Petrus Spronk studied at the South Australian School of Art, majoring in ceramics and sculpture. After teaching and working in Western Australia he started working at the Ballarat College of Advanced Education in the late 1980s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Blackware potart, artwork, petrus spronk, spronk, blackware, ceramics, burnished -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic - stoneware, David Potter, Venus, c.1980
Acquired by Sandringham Council at the inaugural Sandringham & District Arts Council (SANDAC) Acquisition Award in 1982.venus, stoneware, david potter, ceramic, urn -
Gippsland Art Gallery
Print, Thorpe, Lesbia, Emu Chicks, Undated
Donated by the artist, 1969Screenprint on papergippsland, artwork, permanent collection -
Latrobe Regional Gallery
Print, CHADWICK, Lynn b. 1914 England d. 2003 England, Figure III, 1966
LithographSigned and dated 'Chadwick 66' lower right corner of print. Edition 10/50, lower left corner of print. -
Federation University Art Collection
Print - Artwork - Printmaking, 'Menninger Suite' by Lauren Jackson, 1989
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodcut edition (4 of 5) If you can assist with further information on this artist or artwork, please use the comment link below.art, artwork, lauren jackson, printmaking, woodcut -
Thompson's Foundry Band Inc. (Castlemaine)
Mixed media - Audio recording, Recording of Contest Entry, Circa 2006
This is a recording of the Contest entry for the Thompsons Foundry Band at the Bendigo Competitionsfour mp3 files. Recorded at a Bendigo Eisteddfod in the mid 2000's and conducted by Ed Wilcoxthompson's foundry band, ed wilcox -
Gippsland Art Gallery
Print, Leach-Jones, Alun, Cypress and Acacia [VI], 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Pastoral Scene, 1960-1970
Sheet of 2 contact prints from glass plate negatives. Top: 2 men and 2 women in a clinker built dinghy on a river. Beds of reeds in river. River bank heavily wooded. Bottom: 3 women, one seated in garden at 'Beechwood', Dutton Way. People in both prints dressed in fashion late 19th, early 20th century. -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, The Child, 1997
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Gippsland Art Gallery
Print, Rigg, Mary Ann, Beware, c.1778
Donated from the estate of Dora Greenwall, 1975Steel engraving on papergippsland, artwork, permanent collection -
Ringwood RSL Sub-Branch
Print (item) - Photograph of Queen Elizabeth II
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Bialik College
Mixed media (series) - Besen Art and Technology Centre
1990s, 2000s, development1990s, 2000s, development -
Federation University Art Collection
Ceramic, Salt Glazed Bottle by Stephen Cuthill, 1982
Stephen CUTHILL Stephen Cuthill was a diploma graduate from the Gippsland Centre of Art and Design (GCAD), and was later a tutor. He exhibited works at the Churchill Switchback Gallery iduring the 1980s. His mark is an impressed 'Cuthill' or an impressed stamp 'Stephen Cuthill"A salt glazed bottle with titanium slip glaze.jan feder memorial ceramics collection, salt glaze, alumni, stephen cuthill -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Brighton Chain Pier, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Print, F.182 on Outer Circle Train, circa 1928, c. 1905- c. 1928
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic copy of a train on the outer circle railway, sourced from the collection of the La Trobe Library, State Library of Victoria, in the 1960s by Dorothy Rogers while undertaking research for 'A History of Kew' (1973)."Outer Circle Railway. Supplied by La Trobe Library"outer circle railway, dorothy rogers -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Beechwood Dutton Way, 1960-1979
Sheet of 6 black and white contact prints from glass plate negatives. 3 pairs of stereoscopic prints. Top: 2 pairs: Views of gardens with clipped edges, 'Beechwood', Dutton Way. Bottom pair: Man in foreground, coat, top hat, umbrella. Houses in background. -
Gippsland Art Gallery
Print, Partos, Paul, Untitled, 1981-82
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Rough biting and aquatint on copper on papergippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic, Salt Glazed Box by Heather Hutchinson
Heather HUTCHINSON Heather Hutchinson was a Post Graduate student in Ceramics at Gippsland Campus. Ceramic salt fired ceramic form.ceramics, gippsland campus, jan feder memorial ceramics collection, alumni, heather hutchinson -
Darebin Art Collection
Ceramic - Premier Pottery, Premier Pottery, Earthenware 'Remued' wall pocket vase, green / brown, 1941-1955
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Gippsland Art Gallery
Ceramic, Wood, Jordan, August, 2016
Purchased, 2016gippsland, artwork, permanent collection