Showing 2715 items matching art
Artwork, other (1199) Ceramic (733) Decorative object (657) Drawing (4541) Mixed media (449) Painting (2340) Print (1641) Sculpture (382) Textile (1009) Work on paper (1982)-
Bendigo Military Museum
Work on paper - NOTEBOOK, c.1941 - 1945
Items in the collection of R C ALLARDICE No 418577 RAAF. Refer Reg No 3627.5 for his service details & collection.Small note book, no covers, metal binding at top. 25 pages with the majority written in ink, & remainder in pencil. The notes are on many facets of aircraft, procedures, signaling, submarine detection, engines, pyrotechnics, to name a few.Handwritten in ink at top of front page: SUNDERLANDtraining, raaf, world war 2 -
Federation University Art Collection
Work on paper - Etching, Graeme Drendel, Strong Girl by Graeme Drendel
Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Sepia photograph of Lake Wendouree, Children at Lake Wendouree, Ballarat
john garner collection, ballarat botanical gardens, gardens, ballarat, lake wendouree, children -
Bialik College
Work on paper (Item) - Time Capsule 1996 plaque and capsule details
It is not upon you to complete the task, but neither are you free to ignore your responsibility. (Ethic of the Fathers 2:21). -
Whittlesea Historical Society Inc.
Work on paper - Letter, Thomastown Uniting Church, Invitation, Thanksgiving Service, Thomastown, 1998
This letter invites the friends at the Whittlesea Historical Society to a celebration of 150 years of Christian Witness by the Methodist and Uniting Churches.1 p. black and white printed invitation.uniting church in australia, thomastown, thomastown methodist church, thomastown uniting church -
Federation University Art Collection
Ceramic - Artwork - Ceramics, 'End Game' by Ray Hearn
Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a diploma of art in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from NTU Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly. From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Federation University Art Collection
Ceramic, 'Whitebait I' by Alan Peascod, 1989
Alan PEASCOD (1943-2007). Born England. Arrived Australia 1952. Alan Peascod was one of Australia’s most highly acclaimed ceramic artists. For over 35 years his work has been at the forefront of the Australian ceramics movement, developing radical techniques previously unexplored with his developments in unusual glazes and firing methods. His creative repertoire includes dry glazed vessels, alkaline glazes, majolica, saturated metals, and many post firing finishes. Alan's work with the very difficult reduced lustre technique is highly regarded. He was taught the method by Professor Said El Sadr in Cairo, Egypt in 1972 and this led to lifelong research of the technique throughout the Middle East and Europe. His work in the field led to the completion of his doctoral studies at the University of Wollongong in 1994. This study also led to satirical figurative sculpture themes dealing with the human condition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Lustre glazed earthenware form with sgraffito decoration.art, artwork, ceramics, alan peascod, available, available ceramics, lustre glaze, university of woolongong -
Ballarat Heritage Services
Ceramic - Ceramics, Lidded Ceramic Canister by Echuca Wharf Pottery, c1995
in 2009 Echuca Wharf Pottery was located at Murray Esplanade and Little Hopwood St, Echuca. Lindsay Chandler was a potter at Echuca Wharf Pottery from 1989-1994. Robert Henderson left Redbyrne to work at Echuca Wharf Pottery and then went not to work as a demonstration thrower at Bendigo Pottery.(https://www.flickr.com/groups/1281707@N21/discuss/72157629662786291/)Hand thrown lidded stonewarw canister with 'Gum Leaf' design by Echuca Wharf Pottery. landscape, ceramics, australian landscape pottery, echuca wharf pottery -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Helen Garner
Signed Irena Sibley in pencil below print. -
Stanley Athenaeum & Public Room
Work on paper - Box, Box for 'Bic' Biros
Coloured box for 12 Biros. Economy ball pens Medium 12 blue - 0214.Writes first time, every time! plus BIC Performance Policy. Quality endorsed company. BIC Australia P.L. Popes Rd, Keysborough, Voc, 3173. Australia -
Federation University Art Collection
Ceramic, Woodfired Bottle by Hugh Legge, c1987
Hugh LEGGE Hugh Legge attended the Canberra School of Art (at time of Alan Peascod) and moved to Rosedale (near Batemans Bay) back in the 1980s where he was wood firing. His work may be marked with an impressed 'HL' in a circleWoodfired bottlehugh legge, ceramics, jan feder memorial ceramics collection, gippsland campus -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jack, Kenneth, "Mt Porndon and the Stony Rises - No 6 Volcanic Plains of Victoria" by Kenneth Jack, 1962
Kenneth JACK AM MBE RWS, (5 October 1924 – 10 June 2006) Australian watercolour artist Kenneth Jack who specialised in painting the images of an almost forgotten outback life; old mine workings, abandoned ghost towns, decaying farm buildings. He became a professional painter at the age of 39 after giving up his job as senior instructor at the Caulfield Institute of Technology. In 1977 he was elected to The Royal Watercolour Society and in 1982 was awarded the MBE, and the Order of Australia (AM) followed in 1987. Framed three block lino print showing the volcanic plains of Victoria around Stony Rises. It is Number 6 in the Volcanic Plains of Victoria series. Donated through the Australian Gifts Programme by Katherine Littlewood.31/40artwork, artist, kenneth jack, printmaking, volcano, mt porndon, mount porndon, linocuts -
Federation University Art Collection
Ceramic - Artwork, Alexandra McKim, 'Untitled' by Alexandra McKim, 2013
Alexandria McKIM (1991- ) Born Australia Alexandra McKim completed studies at the University of Ballarat Arts Academy (now Federation University) in 2013. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.64 marbled porcelain halves creating a porcelain diamond. University of Ballarat Acquisition Award, 2013art, artwork, mckim, ceramics, university of ballarat acquisition award, alexandra mckim -
Ringwood and District Historical Society
Work on paper - Certificate, Ringwood Carnival Baby Competition - Third Prize - David Gordon Allen. 1926
Thin cardboard certificateRingwood Carnival Baby Competition 11th, 12th, 13th August 1926 THIRD PRIZE This is to certify that David Gordon Allen - Ringwood - was awarded Third Prize in the section for Babies Under 12 Months P. Whiteway, President Arthur Haywood, Medical Officer S.S. Jones, Hon. Secretary -
Gippsland Art Gallery
Work on Paper, Markham, Arthur, Signal Box Sale Station, 1983
Donated by the Sale Art Group, 1983Ink and pencil on papergippsland, artwork, permanent collection -
Federation University Art Collection
Ceramic, Elbourne, Venetia, Figurine, 1, 2 & 3 by Venetia Elbourne, 1993
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Slip cast figuresart, artwork, venetia elbourne, venetia elbourne-hobbs, ceramics, horsham campus art collection -
Federation University Art Collection
Work on paper - Artwork - Drypoint print, Richard Spare, 'Leeks' by Richard Spare
Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured.Framed limited edition hand coloured drypoint of a leek. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 3/75richard spare, printmaking, vegetable, leek, available -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Talking notes for FBBG, Statues In and Around the BBG
Origin of the Stoddart statues and the unveiling ceremony in 1884,p.1. Brief notes on each statue and cleaning method used,p.2. Other features of the Gardens and biographies of notable contributors.Ballarat Art Gallery founded at the same time (1884) and special area for statues was omitted as a result of Stoddart's gift.12 white A4 pages printed on one side, photocopy of typed notes. Copy of pp.1&2. Author, J.A. Chisolm and top left hand corner of page 1, 354/5/1, JAC:djw 1983john garner collection, garner, dr, talking notes, friends of the ballarat botanical gardens, fbbg, ballarat botanical gardens, ballarat, gardens -
Federation University Art Collection
Work on paper - Artwork - bookplate, Ex Libris Bronwen Jones by Bronwen Jones
framed lithograph on paperunder image in ink 'Bronwen Jones 1/5'bronwen jones, bookplate, lithograph, available, keith wingrove memorial trust -
Federation University Art Collection
Work on paper, Georgina Ah Yee, 1987
horse, gippsland art collection -
Whitehorse Historical Society Inc.
Ceramic - Tile
See 359Plain white tile with head of bull in bas-relief.'676' '29' '5'ceramics, earthenware -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Correspondence From Rhonda Cleveland, Festival Director to Judith Bailey, FBBG, 12/4/1994, Ballarat Begonia Festival
john garner collection, ballarat botanical gardens, gardens, ballarat, begonia festival -
Unions Ballarat
Work on paper - Technology and the Labour Process: Australasian Case Studies (D.J. Spiers Collection)
Technology and other changes to work processes since the 1940s. Context: industrial relations, technology and management of workforce change.Book.Front cover: editor's name and titleballarat trades and labour council, btlc, industrial relations - management of change, technology, unions -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Vicky Stanic
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students. Image of dancing woman with headset incorporating name and Ex Libris2/4 signed V Stanicbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Bookplate Collection
Work on paper - Bookplate, Ex Libris Paolo Tiezzi Maestri
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Whitehorse Historical Society Inc.
Work on paper - Illustration, Silas Padgham, n.d
Portrait of Silas Padgham, 1831 - 1904, first postmaster, [Box Hill?] 1861 - 87.padgham, silas -
Eltham District Historical Society Inc
Work on paper (item) - Photograph, Ada and Susan Zull with a puppy, October 18, 1961
Ada Zull and her daughter Susan photographed with a puppy in front of a weatherbaord house, possibly their home in Burnswick. Early 1960s. Florence Ada Zull, known as Ada was an illustrator for the 'New Idea for Women" magazine. In 1961 she lived in Brunswick. From 1963 she and her husband Robert built a Alistair Knox designed house at Lot 8. Metery Road, Eltham ada zull, susan zull, susan bennett, puppy, pet -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Rock lining under the Allendale Road Bridge, 1976
Colour photograph of rock lining along the Diamond creek under the Allendale Road Bridge, Eltham Northrock lining, bridge, eltham north, diamond creek -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish Floral embossed design on the undersidepottery, ceramic, archaeology -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris Geoff Ricardo
Signed Irena Sibley in pencil lower right