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Artwork, other (1305)
Ceramic (770)
Decorative object (722)
Drawing (4629)
Mixed media (540)
Painting (2490)
Print (1673)
Sculpture (407)
Textile (1402)
Work on paper (2110)
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Swan Hill Regional Art Gallery
Mixed media, CONNELLY-NORTHEY, Lorraine, Dilly bag, 2004
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Australian Lace Guild - Victorian Branch
Textile - Torchon lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingsBobbin lace edging. Sample. -
Swan Hill Regional Art Gallery
Painting, CHICK, Lorna, Dreamer's Ledge, 1994
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National Wool Museum
Textile - Quilt, Mrs Beryl Andersen, Chicken Feed Wagga, 1995-2001
Norma Dessent (the donor) was cleaning out her Mother-in-law Amy Dessent’s home, after she passed away in 1995. She came across a collection of gunny sacks for chicken feed, potatoes, and flour. Norma gave the bags to her good friend Beryl Andersen, thinking she might be able to make use of the material in her quilting. Many years later in 2001, Beryl gave Norma this quilt made in a wagga style out of the bags. This was both a great surprise and a great delight for Norma. Amy Dessent was a housewife. Her chickens were her friends, keeping her company as she worked in her renowned garden and while she cooked and maintained a beautiful home. Typically, Amy would have a dozen chickens clucking around at a time. In the style of the time, everything was kept for a possible repurposing later in life, such as these gunny sacks. The Chicken Feed Wagga was created in Ballarat by Mrs Beryl Andersen. Beryl was the inaugural president of the Hamilton Quilters Guild and is a well-known quilter. Perhaps her best-known work was the “Quilt for Hope”, a living memorial for victims of institutional church-related sexual abuse. More information about this quilt can be found on the following link. https://www.nationalquiltregister.org.au/quilts/quilt-of-hope/). The wool blanket used as a backing belonged to Beryl’s mother. Beryl’s mother married in 1930 and the blanket is thought to have been a present from this wedding, making the blanket close to a century old. Norma donated the quilt to the National Wool Museum in 2021 as a result of downsizing. She no longer had room for the quilt to hang on her wall. Before downsizing, the quilt had hung in the entryway to her home for the last two decades.Wagga style quilt made with a appliqué top layer of gunny sacks that once held chicken feed, flour, and potatoes. The insulating internal material is not known. The backing fabric is made from a cream woollen blanket. The edges are bound with a material of a red and white plaid. The gunny sacks are quilted together with a machine stitch of red thread. The sacks contain imagery pertaining to their previous use. Some sacks have an image of a chicken applied with blue, red, or green ink. Other sacks contain imagery of potatoes. While other sacks contain information “Minimum Crude Protein 14%, Minimum Crude Fat 3%, Maximum Crude Fibre 7%”. One of the sacks shows a handwritten price for a bag of chicken feed in a red ink.Numerous. See multimediaquilts, wagga, gunny sacks, upcycle -
Bendigo Historical Society Inc.
Decorative object - ELEPHANT STATUE
Metal statue of Elephant, black with white tusks and toenails, trunk down.ornaments, metal, statue -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 830 Riversdale Road, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Drawing, SIBLEY, Andrew, Senator John Button, 1992
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 138 Edgevale Road, Kew, 2000
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 138 Edgevale Road, Kew by Margaret Picken.138 EDGEVALE RD., KEW / MARGARET PICKEN (c) 2000 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 138 edgevale road -- kew (vic.) -
Tatura Irrigation & Wartime Camps Museum
Drawing - Drawing - Copy, Unknown "Dunera" boy
Artist Robert Hofmann was a Dunera Internee and a former Austrian Court Artist.Portrait of an unknown "Dunera" internee in Tatura. Subject has a full head of wavy dark hair. The copy is LaminatedRobert Hofmann, Tatura 1942 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 50 Grandview Terrace, Kew, 1993
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 50 Grandview Terrace, Kew by Margaret Picken.50 GRANDVIEW TCE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 50 grandview terrace -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 14 Kerr Crescent, Camberwell, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Horsham Regional Art Gallery
Painting, Nornie GUDE, The 'Zebu' at Williamstown, n.d
Gift of Mack Jost, 1992watercolour on paper -
Whitehorse Historical Society Inc.
Textile - Tray Cloth
Large white cotton tray cloth. Machine made. Torchon lace border with hand embroidered button holing stitch. Leaf and flower pattern in four corners and cut out button holing pattern in centre and sides.manchester, table linen -
Clunes Museum
Textile - DOLLS CLOTHES, 1932
.1 Hand-sewn pale green hat, pink and grey flowers as trim .2 Hand-sewn Apron, white with mauve binding, hand drawn design .3 Hand-sewn neck to knee swimsuit, lisle material, pink and brown .4 Hand-sewn flannelette night dress, hand embroidered flower on frontNilbrusaschi, dolls clothes, 1932, hand-sewn -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 121A Eglinton Street, Kew, 2000
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 121A Eglinton Street, Kew by Margaret Picken.121A EGLINTON ST., KEW / MARGARET PICKEN (c) 2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 121a eglinton street -- kew (vic.) -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: W.WEBB & CO, BENDIGO, 1900-1950
Textiles. Calico Flour Bag, printed on one side in blue. ''W.WEBB & CO, Golden Eagle Patent Roller Flour, Bendigo''. In the centre is a large eagle with wings spread.textiles, domestic, w.webb & co, bendigo. flour bag. -
Castlemaine Art Museum
Painting, B.E. Minns, (Moonlight)
Patricia M. MacFarlane Bequest, 2001 -
Hawthorn Historical Society
Drawing - Property Illustration, 104 Robinson Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.104 ROBINSON RD HAWTHORN Margaret Picken ~99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Wodonga & District Historical Society Inc
Decorative object - Ivory Sticks, c1900
These ivory sticks were used as decorative items to secure hair buns. They were owned by Alice Dinsmore nee Reardon who was born in 1860 in Castlemaine, Victoria and died 18 May 1936 in Albury, New South Wales. She married George Wesley Wadeson Dinsmore. Alice and George Dinsmore were grandparents of Mrs Jean Raper who donated these sticks and many assorted items of jewellery to the Wodonga & District Historical Society.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 small ivory sticks used for hair decorations. One has a brass cap on one end. The other stick has a notched shape on one end.fashion accessory, hair decorations, women's fashion -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3/26 Ferndale Road, Glen Iris, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Swan Hill Regional Art Gallery
Painting, STEER, Howard William, Tar and feathers wins, 1988
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Hawthorn Historical Society
Drawing - Property Illustration, 3 Cowper Street, Hawthorn East, 1992
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Cowper Street, Hawthorn East by Margaret Picken.3 Cowper Street, E Hawthorn, Margaret Picken '92. Woodards - Hawthorn.artist - margaret picken 1950- -
Swan Hill Regional Art Gallery
Painting, BULL, Norma, Autumn glow, Coventry ruins - workers are homeward bound, 1944
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Wangaratta Art Gallery
Textile, Valerie Kirk, Gum Leaf + Root
I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a gum leaf and a singe root system handwoven in a colour palette of black, grey, and white.valerie kirk, tapestry, textile -
Hawthorn Historical Society
Drawing - Property Illustration, 17 Cole Street, Hawthorn East, 1995
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 17 Cole Street, Hawthorn East by Margaret Picken.17 Cole St, Haw E, Margaret Picken '95 Woodards - Box Hill. artist - margaret picken 1950- -
Whitehorse Historical Society Inc.
Drawing - Illustration, Annie Dines, 1992
Sketch from a photograph of Annie Dines house.Sketch from a photograph of Annie Dines house built 1889 and demolished 1949, site of Box Hill Town Hall - sketched by N. Jamieson. Also photocopy of the original photo.Sketch from a photograph of Annie Dines house. whitehorse road, box hill, dines, annie, box hill town hall -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Walton Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Walton Street, Kew by Margaret Picken.3 WALTON ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 walton street - kew (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 43 Fernhurst Grove, Kew, 1989
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 43 Fernhurst Grove, Kew by Margaret Picken.43 FERNHURST GVE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 43 fernhurst grove - kew (vic). -
Gippsland Art Gallery
Painting, Hyde-Pownall, George, Tambo River near St Patrick's Creek, Gippsland, 1914
Purchased, 2000Oil on boardgippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Textile - ANCIENT ORDER OF FORESTERS COLLECTION: SASH
Green silk sash, Ancient Order of Foresters. Court King of the Forest 3770. Sash has embroidered all seeing eye, a deer's head, a shield divided into four, the top left corner has shaking hands, the top right has three deer, one above the other, the bottom left has a sheep?, and a horn separated by a red band, and the bottom right has a quiver, an arrow and a horn. In the centre are three arrows in front of a horn. On each side is a man dressed in yellow boots, white trousers,slightly different green jackets, and green hats with white feathers. One man has a bow and arrow and the other has a club and a dog is behind him. Underneath are four women circling the top part of a sphere above the words 'Unity Benevolence and Concord. Underneath is Ancient Order of Foresters, then there is some yellow and brown filigree above Court King fo the Forest. 3770. The sash has a red fringe on each end.organization, club/society, ancient order of foresters, ancient order of foresters sash, carl mueller