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Artwork, other (1305)
Ceramic (770)
Decorative object (722)
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Mixed media (540)
Painting (2490)
Print (1673)
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Work on paper (2110)
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Hawthorn Historical Society
Drawing - Property Illustration, 30 Lennox Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film30 LENNOX STREET, HAWTHORN Margaret Picken ~99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 26 Glen Road, Ashburton, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ararat Gallery TAMA
Print, Nanette Bourke, Blue Devils, 1992
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Latrobe Regional Gallery
Print, WILLIAMS, Anthea b. 1961 Wangaratta, Red 2, 1997
Coloured woodcut printSigned and dated lower right corner under printed image. Edition 3/8 and title 'Red 2' lower left corner under print. -
Gippsland Art Gallery
Print, Jack, Kenneth, Walhalla - Bandstand and Fire Station, c.1960s
Donated by the artist, 1968Coloured linocut on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 30 College Parade, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 30 College Parade, Kew by Margaret Picken.30 COLLEGE PDE., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 college parade -- kew (vic.) -
Mont De Lancey
Decorative object - Jewellery
Both belonged to Jean Gibson born 1909, being a sister of Helen Gibson.1.Gold dress ring with five rubies (one missing). Worn by Jean Gibson. 2. Gold plated locket with "Jean Mar 31st Dec 23" inscribed on the front . Worn by Jean Gibson. Inside of locket is a lock of blonde hair underneath a celluloid or plastic cover. At the top is a small loop for a chain. It rests on white cotton wool.Ring inscribed with "Mabel". Locket inscribed with "Jean Mar 31st Dec 23rd".rings, wedding rings, jewellery, lockets -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and drypoint on copper on papergippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (Item) - Decca Radar Limited Circuit Diagram for Amplifier Electronic Control B/RL/SKA/5727
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Gippsland Art Gallery
Print, King, Martin, Dawn Survey - Indigo, 2015
Acquired as winner of the Gippsland Print Award, 2015Relief etching on papergippsland, artwork, permanent collection -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Tassel Bracelet from the Sarah Coventry Jewellery Range c. 1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bracelet has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned bracelet with tassle from the Sarah Coventry Jewellery Range c. 1970s-1980sNo makers marksarah coventry, jewellery, wodonga, costume jewellery, vintage fashion, bracelet, bracelets -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Tightrope Walker, 1983
Charcoal on paperTitled 'Tightrope Walker' in top left corner of drawing. Signed and dated 'Bellany '83' in top right corner of drawing. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4 Stevenson Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 4 Stevenson Street, Kew by Margaret Picken.4 STEVENSON ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4 stevenson street - kew (vic) -
Hawthorn Historical Society
Drawing - Property Illustration, 64 Kinkora Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.64 KINKORA RD, HAWTHORN Marg Picken ~88 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 12 Walmer Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 12 Walmer Street, Kew by Margaret Picken.12 WALMER ST., KEW / MARGARET PICKEN '99 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 12 walmer street kew (vic.) -
Glenelg Shire Council Cultural Collection
Print, Pat Jarrett, Finding Colour, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with blue, green and white background. Four pink lines (in various shades) flow horizontally across the work. In the bottom left corner is a pink/red shell.Front: P. Jarrett (signature, lower right) (pencil) Back: 22 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4/298 Cotham Road, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 294 Cotham Road, Kew by Margaret Picken.294 COTHAM RD., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4 / 298 cotham road - kew (vic.) -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Lower Plenty Gorge, 1983
Pastel on paperTitled, signed and dated 'Lower Plenty Gorge Bellany '83' in lower right corner of drawing. -
Federation University Art Collection
Drawing - Artwork - Drawing, Wes Walters, 'Fashion Sketches' by Wes Walters, c1970
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of fashion sketches in pen, Ink, and charcoal on paper. This work was donated through the Australian Government's Cultural Gifts Program by David Thomas.artwork, walters, wes walters, fashion, available, ballarat technical art school, sketch, commercial art -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Plan showing types and sizes of overhead troughing in Depots", post 1964
Drawing - original dyeline print - folded into 16, showing dimensions and layout of the wooden troughing in 16 different sheds at the depot - e.g. old and new Malvern. Prepared July 1934. Drawing Number 06739A Revision A Feb. 1964trams, tramways, depot, overhead, trolley wire, trolley poles, electrical equipment -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Braeside Avenue, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glen Eira Historical Society
Drawing - Methodist Church, 23 - 25 Bundeera Road, Caulfield South
Phamphlet containing photocopied and dated newspaper articles about construction of church from various newspapers in 1926 and a brief outline of how and why church was begun and of its eventual demise, 1923 - 1985. Photocpied page of Recollections of Bundeera Road Church by Charlotte Harley (b. 1890), listing the members of December, 1985.methodist church, taylor mr., latham a. t., kindergartens, methodist uniting church, wesley johns rev., corben mrs, bundeera road, eddy r., organs, collier charitable fund, south caulfield, primary schools, kooyong road, methodist church, woodford, bambra estate, mcconchie rev. r. bruce, davenport mr., davies bill, davies mrs., philp rev., shaw mesolames, morris, miles, monday, bryant, woodford, paice, warren, evans bert, shaw william ronald, gvard w. h. rev., wells charlotte, evans elsie, narrawong road., bundeera road uniting church., mcraw dick, westaway frank, adamson dorothy, harley charlotte (nee wells), harley j, hunkin ena, hunkin edward rev., lydiard ruby, lydiard dick, sharples d, sharples j, spence margaret, spence bert, summers mary, summers ron, veitch alan, westaway m, arundell joyce, campbell heather, cock marian, heywood. a, putland roy, richards d, spence philip, taylor mrs., trewin norman, newton m., uniting church archives, kilgour alex, mann gwenda, gray daniel, gray gordon, heywood a, putland roy, richards d, featenby rev., brent p. e, woodford s. g., bent mr., st. kilda circuit, bundeera road ladies gvild, sunday school, choirs, windows -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2 Wiltshire Drive, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2 Wiltshire Drive, Kew by Margaret Picken.2/ WILTSHIRE DVE., KEW / MARGARET PICKEN ~98 / 'FLETCHER + PARKER'artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2 wiltshire drive - kew (vic) -
Glenelg Shire Council Cultural Collection
Print, Bushland, n.d
Art collectionThe print depicts two tree trunks in the foreground surrounded by bushland. The two tree trunks are composed of patches of white, grey, yellow, light brown and dark brown. The trees in the background are composed of a single colour. On the lower left side is a plant with light blue foliage. The work has a painted wooden frame with small white mount and glass.Front: Hunter (brown handwritten, lower right, partically covered by the mount) Back: 1972 (lead pencil, upper left) -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Aquarium III, 1985-1986
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1 Parkhill Drive, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1 Parkhill Drive, Kew by Margaret Picken.1 PARKHILL DRIVE., KEW / MARGARET PICKEN ©2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1 parkhill drive - kew (vic) -
Melbourne Tram Museum
Print - Framed Print, c2006
Framed Print of Hawthorn Tram Depottrams, tramways, htt, hawthorn, depot -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2A Acacia Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 178 Highfield Road, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 2 Currajong Street, Hawthorn East, 1990
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2 Currajong Street, Hawthorn East by Margaret Picken.2 Currajong Street, Haw E, Margaret Picken '90. Woodards - Haw.artist - margaret picken 1950-