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Artwork, other (1312)
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Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 327 Nott St built environment - domestic, frank gordon real estate, nott street -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. .01 - 175 Stokes Street 21/6/1991 (ex grocery store) .02 - 381 Bay Street .03 - 101 Spring Street "Clareville" 27.8.1998 .04 - corner Stokes and Rouse Streets - Counting House .05 - Bay Street delicatessen and sandwich bar .06 - Centre Road, Garden City - shops .07 - Esplanade East "Guernsey House" .08 - 201- 205 Ross Street (corner Bridge Street) 19/8/1992 . Milk Bar .09 - 370-372 Bay Street "Quinns" formerly hotelbuilt environment - domestic, built environment - commercial, frank gordon & co, stokes street, bay street, esplanade east, spring street, centre road, ross street, clareville, guernsey house, counting house, quinns hotel, swallow & ariell ltd, hotels -
Whitehorse Historical Society Inc.
Decorative object - Lace Calendar
Calendar for 1992.White machine crochet calendar for 1992 with 'Bless This House' above image of a house and garden.Bless This House, 1992, calendaryear 1992, lace calendar -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Daisy Brooch, 1943-1945
Else Oertel was a German internee in Camp 3A from 1940-1945. The brooch was made for her by another internee in the camp. This silver daisy brooch is an example of the ingenuity of the internees in making use of anything at hand & repurposing it for much more than originally intended. Else's daughter, Else-Lore Hukins donated the item.Silver daisy brooch, made from melted down silver coins. Copper safety pin soldered to reverse to enable wearing.tatura, ww2, camp 3, internment, internee camps, costume, accessory, jewellery -
Working Heritage Crown Land Collection
Decorative object - Light fitting, Mint Light Fitting
A decorative architectural element made of iron that is badly corroded historic building, former royal mint, architecture -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 469-473 Riversdale Road, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Melbourne Tram Museum
Drawing, Victorian Railways (VR), "Sectionalizing Diagram - St Kilda - Brighton Beach", c1957
Drawing shows the power supply arrangement to the overhead for the VR St Kilda Brighton tramway, including Elwood depot and substation. Has been marked up for removal of the line south of Elwood Depot to Brighton and Dickens St crossover. Shows the isolating and paralleling switches and their pole numbers. Not known when the original drawing was prepared. The tramway or electric street raikway operated from 1906 to 1959, the section south of Elwood depot closing in two stages during 1956. See reference for history of the line.Yields information about the power supply arrangements for the St Kilda Brighton tramway.Drawing dyeline print and hand coloured with a cloth back sheet with two punch holes on the left hand side to enable filing.Has numerous pencil inscriptions that updated the drawing to c1957 and a "Cancelled" stamp in the bottom right hand corner.tramways, vr, victorian railways, power supply, electrical switching, electrical engineering, st kilda brighton tramway, elwood depot -
Wodonga & District Historical Society Inc
Decorative object - Ruby Glass and crystal jug, 1907
The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Mary Burrowes, aunt of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass and crystal jug which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold coloured paint. "Mary Women's Exhibition 1907"vase, glassware, decorative items -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 37 Stawell Street, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 37 Stawell Street, Kew by Margaret Picken.37 STAWELL ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 37 stawell street - kew (vic) -
Melbourne Tram Museum
Decorative object - Model tram, Siemens, Siemens Melbourne Combino tram, 2009
Model of five section Siemens Melbourne Combino tram, painted or lettered as "Rail Safety Tram 2009" for the 2009 Rail Safety Week. Has an engraved plaque recognising the tram sponsors - V/Line, Fulton Hogan, Coleman Rail, GHD, Transfield Services, PTSV, Yarra Trams and the ARA. The model tramcar has been fixed onto a plastic base which has been made with rails embedded and then covered by a plastic or Perspex case. See Reg Item 100 for the 2006 Centenary tram model.trams, tramways, models, siemens, yarra trams, rail safety -
Flagstaff Hill Maritime Museum and Village
Print - Picture of a Scottish Shepherd and his Two Dogs, A Shepherd and His Friends, 20th Century
Shepherding is among the oldest occupations, beginning some 5,000 years ago in Asia Minor. Sheep were kept for their milk, meat and especially their wool. Over the next thousand years, sheep and shepherding spread throughout Eurasia. Henri Fleisch tentatively suggested the Shepherd Neolithic industry of Lebanon may date to the Epipaleolithic and that it may have been used by one of the first cultures of nomadic shepherds in the Beqaa Valley. Some sheep were integrated in the family farm along with other animals such as chickens and pigs. To maintain a large flock, the sheep must be able to move from pasture to another pasture. This required the development of an occupation separate from that of the farmer. The duty of shepherds was to keep their flock intact, protect it from predators and guide it to market areas in time for shearing. In ancient times, shepherds also commonly milked their sheep, and made cheese from this milk; few shepherds still do this today. In many societies, shepherds were an important part of the economy. Unlike farmers, shepherds were often wage earners, being paid to watch the sheep of others. Shepherds also lived apart from society, being largely nomadic. It was mainly a job of solitary males without children, and new shepherds thus needed to be recruited externally. Shepherds were most often the younger sons of farming peasants who did not inherit any land. In other societies, each family would have a family member to shepherd its flock, often a child, youth or an elder who couldn't help much with harder work; these shepherds were fully integrated in society. Shepherds would normally work in groups either looking after one large flock, or each bringing their own and merging their responsibilities. They would live in small cabins, often shared with their sheep, and would buy food from local communities. Less often shepherds lived in covered wagons that travelled with their flocks. Shepherding developed only in certain areas. In the lowlands and river valleys, it was far more efficient to grow grain and cereals than to allow sheep to graze, thus the raising of sheep was confined to rugged and mountainous areas. In pre-modern times shepherding was thus centred on regions such as the Middle East, Greece, the Pyrenees, the Carpathian Mountains, Scotland and Northern England. https://en.wikipedia.org/wiki/Shepherd The Shetland Sheepdog, often known as the Sheltie, is a breed of herding dog that originated in the Shetland Islands of Scotland. The original name was Shetland Collie, but this caused controversy amongst Rough Collie breeders of the time, so the breed's name was formally changed. This diligent small dog is clever, vocal, excitable and willing to please. They are incredibly trustworthy to their owners to the point where they are often referred to as "shadows" due to their attachment to family. This breed was formally recognized by The Kennel Club (UK) in 1909. Like the Shetland pony, Shetland cattle and the Shetland sheep, the Shetland Sheepdog is a hardy but diminutive breed developed to thrive amidst the harsh and meagre conditions of its native islands. While the Sheltie still excels at herding, today it is often raised as a working dog and/or family pet. https://en.wikipedia.org/wiki/Shetland_Sheepdog The Rough Collie (also known as the Long-Haired Collie) is a long-coated dog breed of medium to large size that, in its original form, was a type of collie used and bred for herding sheep in Scotland. More recent breeding has focused on the Collie as a show dog, and also companion. The breed specifications call for a distinctive long narrow tapered snout and tipped (semiprick) ears, so some dogs have their ears taped when young. Rough Collies generally come in shades of sable and white (sometimes mahogany), blue merle, tri-coloured, and colour-headed white. There is a smooth-coated variety known as a Smooth Collie; some breed organisations, including both the American and Canadian Kennel Clubs, consider smooth-coat and rough-coat collies to be variations of the same breed. Rough Collies closely resemble the smaller Shetland Sheepdogs or "Shelties", but the two breeds do not have an exclusive linear relationship. https://en.wikipedia.org/wiki/Rough_Collie This picture shows a typical Scottish scene with a shepherd in kilt and his two sheepdogs.Picture, print of old Scotsman sitting on a stone slab with his dogs nearby. Framed, glass covered colour print. Marked "A SHEPHERD AND HIS FRIENDS", "1897" , "Drummonds" (on picture). Marked "A SHEPHERD AND HIS FRIENDS", "1897" , "Drummonds" (on picture). flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, print, picture, wall decoration, shepherd and dogs, a shepherd and his friends, shetland sheep dog, rough collie -
Hymettus Cottage & Garden Ballarat
Decorative object - Decorative panel, Foliate decorative panel
Example of wood work and woodgraining popular in 1901 when the room was decorated. Mantel and mantel surround of pine turned and carved with this central panel beneath the mantel shelf all woodgrained in an oak finish.Fireplace surround featuring under-mantel panel with decorative carved acanthus leaves in urn with a rose at each extremity all in a woodgrain finish.woodgrain, decoration, mantel, oak finish, pine -
Moorabbin Air Museum
Drawing (Item) - F/A-18 Hornet Exterior Paint Schemes and Markings - multiple drawings
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Federation University Historical Collection
Drawing - Artwork -Drawing, Alice Watson, Lettering Exercises by Alice Watson, c1930
Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. A collection of works undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. .1 .3 .4 may be by another person with the initials BM (possibly Robert Montgomery); .3 dated 1928 ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, alumni, drawing -
Bendigo Military Museum
Print - NURSE PRINT, FRAMED, Post WW2
This print was originally hanging in the foyer at the entrance to the Billiard room pre the SMI becoming a Military Museum.A Sister of the Army Nursing Service Maple coloured timber glass front, cardboard back. Coloured print by Ivor Hele with white boarder. Female figure in sitting position in nurses uniform.with steel helmet in left hand. Under the print, “A sister of the Army Nursing service” On label under print. “In Memory of Able Seaman W Haas RAN This print along with the overhead flag display was presented to the Bendigo RSL Sub Branch by Cpl J ROWELL in memory of Able seaman W.HAAS. R.A.N”. brsl, smirsl, ivor hele, nurse -
Moorabbin Air Museum
Drawing (Item) - Drawing No A-2283, Packet 2 Bell Target towing gear
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Tatura Irrigation & Wartime Camps Museum
Print - Heaphy's Whim - Inn Framed Print, Heaphy's Whim Inn
The inn was located on the SW corner of the intersection now known as Dhurringile Rd and Hogan St. There is now no trace of the pictured building. This was the northern boundary of the James Winter estate and was called " Nelson Gate ". The town "whim " ( water pump ) was near the Brown St / Albert St round-a -boutBlack and white print in a black plastic frame with white card surround. Inn with horses and carts, people in the carts, people standing under verandah and off to the side. Wide section of road in front and trees behind -
Charlton RSL Sub Branch
Decorative object - Shell casing, Second of two (2) shell casings with Rising Sun and Australia badges attached
Second of a pair of 40mm shell casings with Rising Sun badge and Australia badge attached1941 CF LOT 588 No18 1 -
Swan Hill Regional Art Gallery
Drawing, MACLEOD, Euan, Night Couple, 2016
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 29 Davis Street, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 29 Davis Street, Kew by Margaret Picken.29 DAVIS ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 29 davis street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Maitland Avenue, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Maitland Avenue, Kew by Margaret Picken.25 MAITLAND AVE., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 maitland avenue - kew (vic) -
Federation University Historical Collection
Drawing - Student's Technical Drawing, Technical drawing, 1951
Pencil on paper student's technical drawing of a V-R Trap assembly and details technical drawing, railways apprentices, j f lorensini -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 12 Fermanagh Road, Camberwell, 1988
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 79 Cecil Street, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 79 Cecil Street, Kew by Margaret Picken.79 CECIL ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 79 cecil street -- kew (vic.) -
Swan Hill Regional Art Gallery
Print, LALIBERTÉ Norman, Pisces, 1974
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2 Carnsworth Avenue, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2 Carnsworth Avenue, Kew by Margaret Picken.2 CARNSWORTH AVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2 carnsworth avenue -- kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 17 Derby Street, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Art Gallery
Print - Work on paper, Ohara SHOSON, Birds, c.1955
c.l; japanese charactersprint, printmaker, printmaking, woodblock, woodcut, japanese, japan, birds, flying, geese -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 697 Riversdale Road, Camberwell, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 6 Bowyer Avenue, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 6 Bowyer Avenue, Kew, by Margaret Picken.6 BOWYER AVE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 6 bowyer avenue -- kew (vic.)