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Mixed media (514)
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Print (1654)
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Work on paper (2040)
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Moorabbin Air Museum
Drawing (Item) - Sea Otter General Drawing
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Federation University Art Collection
Print - Artwork - Printmaking, Wes Walters, [Nude]
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Limited edition printwalters, wes walters, printmaking, etching, nude, life study -
Bendigo Military Museum
Print - PRINT, HMAS BENDIGO, Watch & Quarter Bill
WW2 Print on paper - copy of H.M.A.S Bendigo watch and quarter bill. Black print on white paper, with headings, columns and documentation of activities RANprint, royal australian navy, ww2 -
RMIT Design Archives
Mixed media - Magazines, Fast Forward, number 4, April 1981
Fast Forward was an audio-cassette based music magazine conceived and edited by Bruce Milne and Andrew Maine. Both had music programs on radio station 3RRR and Milne ran the successful independent record label Au Go Go Records. Michael Trudgeon joined them as the designer for the magazine. Each issue comprised a cassette tape interspersed with music and was packaged with printed artwork. The magazine was distributed in record shops for $3.50. Thirteen issues were produced between November 1980 and October 1982. Regular contributors included Jeff Holland, who created elaborate sound collages which were combined with elaborate illustrations in the booklet that accompanied the audio cassette. Many ground breaking Australian bands were first published on Fast Forward tapes including Hunters and Collectors. An international audience was first exposed to music from Australian bands including Laughing Clowns, the Go-Betweens, Rowland Howard’s ‘Shivers’ as performed by The Young Charlatans, The Scientists, the M Squared label, Dead Can Dance and Pel Mel’s ‘No Word from China’ recorded as a ‘demo’. Fast Forward was the world’s first audio-cassette music magazine. As the magazine’s presence and reputation grew, international acts began to submit material for publication including The Cure. Interview subjects included Nick Cave, The Cure’s, Robert Smith, Mark E Smith of The Fall, and the manager of The Clash.Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, and one pamphlet titled 'The Kmart Herald'.music, design, magazines -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 42 Stawell Street, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 42 Stawell Street, Kew by Margaret Picken.42 STAWELL ST., KEW / MARG. PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 42 stawell street - kew (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 84 Warrigal Road, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Latrobe Regional Gallery
Print, PRESTON, David b. 1948, Saddleback, 1989
Hand coloured linocutSigned and dated 'David Preston 89.' in lower right corner under printed image. Edition 36/50, and title "Saddleback" in lower left corner under printed image. -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Thomas Street, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Thomas Street, Kew by Margaret Picken.18 THOMAS ST., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, 18 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 52 Brinsley Road, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-976-050 Helicopter Assembly Three View General Arrangement and Kits Sheet 2 of 2
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Gippsland Art Gallery
Print, Kline, Gillian, God of Carnage - Tsunami, 2011
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Colour reduction linocut on papergippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (Item) - Sensor Systems Radius Baseplate Adapter S72 1735/1737 Series TCAS Antenna
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Ararat Gallery TAMA
Mixed media, Kevin Lincoln, Self portrait with hand, 1975
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 98 Bowen Street, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (item) - Installation Drawing Viper Mark 632-43
Rolls- Royce Ltd Bristol Engine Division Drawing Number VU41633 -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Preserve Our Historic Port"public action campaigns, amalgamation, local government - city of port melbourne -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 68 Cooloongatta Road, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Flagstaff Hill Maritime Museum and Village
Print - Picture, 1900 to 1950
This picture is an inexpensive item made for domestic decorative use. This picture is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Picture in a gilded frame behind glass. Print of a man, dog, and two horses in a barn. Print is on grainy paper.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, print, wall decoration, art, farm scene -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 101 Stevenson Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 101 Stevenson Street, Kew by Margaret Picken.101 STEVENSON ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 101 stevenson street - kew (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 33 Molesworth Street, Kew (aerial), 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 33 Molesworth Street, Kew by Margaret Picken.33 MOLESWORTH ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, 33 molesworth street, 33 molesworth street - kew (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 32 Hortense Street, Burwood, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Military Museum
Print - PRINT, FRAMED, WW1, Reader's Digest (Australia) Pty Limited, 2015
From information Book - "Readers Digest'/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints." Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. MAP ANZAC - map scale 1:10,000 elevations in feet. Depicts the line of Australian and New Zealand Front Trenches. Intended as a working document. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GERALD R. CAMPBELL Anzac: Map of Gallipoli Peninsula, 1916"framed accessories, prints, ww1, gallipoli, centenary -
Gippsland Art Gallery
Print, Kelly, William, Figure and Still Life (Fragment), 1985
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1-3/71 Wellington Street, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1-3/71 Wellington Street, Kew by Margaret Picken.1-3/71 WELLINGTON ST., KEW / MARGARET PICKEN ~2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1-3/71 wellington street - kew (vic) -
Hawthorn Historical Society
Drawing - Property Illustration, 3/9 Kinkora Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.3/9 KINKORA RD, HAWTHORN Margaret Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Federation University Art Collection
Drawing, 'Copse' by Tony Hanning, 2015
Tony HANNING (1950- ) Dr Tony Hanning is an internationally recognised glass artist whose work is represented in all major collections in Australia and many overseas collections including the V&A Museum in London and the Tacoma Art Museum in the USA. The imagery in Tony Hanning's work often is representative of the Gippsland landscape. He has a Master of Arts from Monash University, Melbourne (1998), and a Diploma, Visual Arts, Gippsland Institute of Advanced Education, Monash University, Melbourne (1971). From 1971-1980 Tony Hanning was the Director of Latrobe Valley Arts Centre (later Latrobe Regional Gallery, Morwell)Framed and mounted charcoal drawing depicting large trees (conifers and probably deciduous) in a field rendered with hatchingLower right, signed Tony Hanning '15tony hanning, staffmember, landscape, trees, treescape -
Glenelg Shire Council Cultural Collection
Print - Contact Print - SS Eumeralla; Pastoral Scene, n.d
Sheet of 3 pairs of stereoscopic contact prints from glass plate negatives. Top: Foredeck SS 'Eumeralla' Middle: Two men sitting/standing on tree branch over water. Bottom: Bushland, stream running under bridge. -
Bendigo Military Museum
Print - PRINT, FRAMED, Bomber Assault - 9 RAAR South Vietnam 1969
Framed print of an original oil painting by the Artist: Harold Lane 1987 of ""Bomber Assault, 9 RAR, South Vietnam 1969." Print of painting - coloured jungle scene depicting a "Bomber Assault"by the 9 RAR in South Vietnam 1969. Frame - timber, with light brown stain, gold trim paint, glass front. Mount - dark green coloured cardboard.Printed title in black ink below painting "BOMBER ASSAULT - 9 R.A.R. SOUTH VIETNAM 1969illustrations-oil, illustrations-watercolour, frame accessories -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 5 Peppin Street, Camberwell, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glenelg Shire Council Cultural Collection
Print - Contact Prints - Cape Nelson Road; Henty Street, 1960-1979
Sheet of 2 black and white contact prints from glass plate negatives. Top: Cape Nelson Road looking toward Bentinck Street. Bottom: Henty Street looking towards sea, All Saints on left.