Showing 7097 items matching art
Artwork, other (1228) Ceramic (748) Decorative object (667) Drawing (4561) Mixed media (486) Painting (2388) Print (1653) Sculpture (397) Textile (1237) Work on paper (2033)-
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Ulysses Deriding Polyphemus, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Sculpture - Boot Sculpture, Royal order of the Boot
An old boot made into a sculpture, there are papers inside the boot as required to keep the books out, the boot is fixed onto a piece of wood -
Ararat Gallery TAMA
Print, Nanette Bourke, Starleaf Grevillea, 2008
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Glenelg Shire Council Cultural Collection
Print - Print - Helta Smelta, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminted screenprint with dark green background. Centre image is orange with four circular openings. Within these openings are industrial images.Front: 4/8 (lower left) "Helta Smelta" (centre) Wendy Black '83 (lower right) Back: 2 -
Melbourne Tram Museum
Drawing - air brake system on a Melbourne tram using a self lapping brake and relay valve, Melbourne & Metropolitan Tramways Board (MMTB), 1960's?
Drawing of the air brake system on a Melbourne tram using a self lapping brake and relay valve - the charging and release positions. 89.1 - shows the relay valve in the exhaust position 89.2 - shows the valve in the applied position. Has been drawn in ink on a piece of paper, and the coloured red or green as necessary to show the various positions and state of the valves, reservoir, brake cylinder and pipes.trams, tramways, mmtb, braking, brake valves -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 89 Kilby Road, Kew East, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 89 Kilby Road, Kew East by Margaret Picken.89 KILBY RD., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 89 kilby road -- kew east (vic.) -
Latrobe Regional Gallery
Print, KELLETT, Adrian b. 1974, Garden Study, 2001
Multi-plate etchingSigned and dated 'A Kellett 01' in lower right corner under printed image. Edition 21/40, and title 'garden study' lower left corner under printed image. -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Ancient Rome, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Stawell Historical Society Inc
Drawing, "Shorts" Town Hall Hotel in Main Street Stawell from the P.C. News Supplement 1888 -- 2 Sketches
Richards Town Hall Hotel Main Street Stawell from P.C. News Supplement 1888stawell businesses -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
CharcoalSigned and dated 'Bellany '83' in lower right corner of drawing. -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Avoca River, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 320 Warrigal Road, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
National Wool Museum
Drawing - Framed Illustration, Dennys Lascelles Austin & Co. Wool and Grain Warehouses Geelong, c.1913
Previously on display at the National Wool Museum on level 1 in Gallery 2 foyer.Framed illustration showing the external view of the Dennys Lascelles Austin & Co. wool and grain warehouse, including the Bow Truss Building. A car, horse drawn cart, people and a steam engine are shown on the street in the foreground.Front: DENNYS LASCELLES AUSTIN & CO. / WOOL & GRAIN BROKERS, GEELONG. / WOOL & GRAIN WAREHOUSES GEELONG. Back: NORMAN BURN / (LATE OF CHARITY'S) / Art Picture Framer / And / Repairer of Pianos & Organs / NOTE ADDRESS: / 15, JAMES STREET, GEELONG / (Opposite Davies Furntiture Warehouse).dennys lascelles wool store, austin, bow truss building, wool, geelong -
National Vietnam Veterans Museum (NVVM)
Print, 'Let Time Redeem'
Colour print Framed in gold frame.'Picture Depicting contents of soldiers closet, incl. Vietnam service medals, dog tags, Uniform etc.'102/1000 Signed Mementos of a closemateprint, memorbilia -
Gippsland Art Gallery
Print, Gittoes, George, Portrait of Larry Smith, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (Item) - Douglas Sky Hawk Exterior Marking Installation 56-6213
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Melbourne Tram Museum
Drawing, Metropolitan Transit Authority (MTA), "General Arrangement Articulated Tram Nos. 3001 to 3150 - R12-139", Jul, 1985
Drawing - printed on white paper, drawing No. 12-139, dated 3-7-1985, titled "General Arrangement Articulated Tram Nos. 3001 to 3150". Shows a three section articulated tram, similar to a B class but with an addition in the middle. Headed on Metropolitan Transit Authority of Victoria. The actual drawing R12-139, in the Drawing Register shows only a two section articulated tram. Drawn by R. D. Tucker. The actual drawing with the number also has this date and signature. Both the "real" R12-139 and this one have half drop windows as for the A class tram. Two copies held.trams, tramways, b class, drawings, articulated trams, new trams, proposals -
Stawell Historical Society Inc
Drawing, Mr S. Isaacson, Draper & Clothier in Main Street Stawell c1890 -- Sketch
S. Isaacson Draper & Clothier Main Street From Sketch series Circa 1890stawell businesses -
Latrobe Regional Gallery
Print, PHILIPS, Tom b. 1937 London, United Kingdom, Benches, 1982
ScreenprintSigned in lower right under printed image. Edition 49/85 lower left under printed image. -
Hawthorn Historical Society
Drawing - Property Illustration, 7 Airedale Avenue, Hawthorn East, 1989
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Airedale Avenue, Hawthorn East by Margaret Picken.7 Airedale Ave, Hawthorn E, Margaret Picken '89. Woodards ~ Hawthornartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 56 Manningtree Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.56 MANNINGTREE ROAD, HAW Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Melbourne Tram Museum
Drawing - List, Melbourne Tramway and Omnibus Co (MTOCo), "MT&OCo Standard lettering', 14/9/1898
Provides a list of the lettering to be painted on the cable trams operated by the Melbourne Tramway and Omnibus Co. (MTOCo) including horse trams and horse omnibus routes. Dated 14/0/1898. Yields information about the signage applied to the Melbourne cable trams by the MTOCo. in 1898.Drawing or list black ink on linen.tramways, cable trams, mtoco, signs, grip car, dummy, trailes, horse buses, horse tram -
Ararat Gallery TAMA
Mixed media, Inga Hunter, Iboriis Robe of the Keeper of the Dead, 1986-1989
“The Keeper looks after the shrines of the dead and he is responsible for their wellbeing, to make sure that their spirits do not return to make trouble for the living. Beyond their grave there is no blame, so he keeps all the dead, criminal, foreign etc. Keepers are not often seen because they live well away from all social groups, being supposed to spend most of their time in the nether world. The Keeper’s Robes carry complex amulets or protection from the dead, who he both guards and fears. He must also stop the living from using his charges against one another. His life is almost totally ritual, given over to chants and spells. He will never marry, but will breed by impregnating a selected mate in order to carry on the line, the office is hereditary. When his children are old enough, they are apprenticed to him and must live apart from the community, looked after by a nurse and taught all the rituals necessary for their future career. Very occasionally, a child is chosen from the community because of some special characteristic - precognition, albino colouring, special interest in the dead etc. At any time there might be up to twelve apprentices of various ages who assist the Keeper in his work. These children are taboo to all others, who must close their eyes if they accidentally catch sight of an apprentice.” -Inga Hunter -
Swan Hill Regional Art Gallery
Drawing, WRIGHT, Douglas, A nightwalker's meander, 1984
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Gippsland Art Gallery
Mixed Media, Page, Jessica, Dandelion, 2003
Donated by Andy Dinan, 2018Mixed mediagippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (item) - Folder of Drawings Labelled Canberra SD9,SD11,SD12,SSD13,SD14,SD15,SD16,SD18,SD19,SD34, Folder Of Drawings Labelled Canberra
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Ringwood and District Historical Society
Mixed media, Ringwood CWA helping at Foothills Group Creative Arts Exhibition at Lutheran Hall, Ringwood in July 2019
Kindly scanned from Ringwood Branch archival collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 72 Radnor Street, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 97 Rowell Avenue, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Military Museum
Print - PRINT, FRAMED
Caption under print. Soldiers of 5 Platoon, B Company, 7 RAR, preparing to board VS Iroquois helicopters during operation Ulmarrah, the cordon and search of Lang Phuoc Hai Village, South Vietnam, 26 August 1967". Members of 5 Platoon, B Company, 7th Battalion, The Royal Australian Regiment (7RAR), just north of the village of Lang Phuoc Hai, beside Route 44 leading to Dat Do. United States Army Iroquois helicopters are landing to take them back to Nui Dat after completion of Operation Ulmarra, the cordon-and-search by 7RAR of the coastal village of Lang Phuoc Hai. Operation Ulmarra was conducted by 2nd Battalion, The Royal Australian Regiment (2RAR) and 7RAR with support elements. Left to right: Private (Pte) Peter Capp (kneeling); Pte Bob Fennell (leaning over, facing camera, with an ammunition belt for an M60 machine gun slung over his shoulder); Corporal Bob D'Arcy (partly obscured behind Fennell); Pte Neal Hasted (centre, front); Pte Ian Jury (partly obscured, centre, rear, holding rifle); Pte Colin Barnett (front, right, M60 ammunition belt on back, back of head to camera); Lance Corporal Stan Whitford (partly obscured behind Barnett); the helicopter marshal at right is Pte John Raymond Gould, 7RAR. The United States Army Iroquois UH-1D helicopter was operated by 2 Platoon, 162nd Assault Helicopter Company, 11th Combat Aviation Battalion. (Having achieved almost the status of an icon, this image was chosen for, and is etched on, the Australian Vietnam Forces National Memorial on Anzac Parade, Canberra, ACT, dedicated in October 1992). Source AWM Print donated and dedicated to 3789179 FRANK FRIGERIO, 5 Platoon, B Company, 7RAR. See also Cat No. 3543-3549.3Print - coloured print of a photograph depicting three helicopters coming in to land above a dirt road with several groups of soldiers in uniform with jungle vegetation in the background. Frame - black painted metal.See in context, historical - caption under print.prints, framed, accessories, vietnam war