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Port Fairy Historical Society Museum and Archives
Mixed media - Model, Dublin House, Early 1970`s
This model was part of a panorama of 11 pieces designed from photos in an 1892 almanac printed by Port Fairy Gazette. The Panorama was used in the Historical Society rooms in Bank Street. On an extended mantel piece, before being relocate to Gipps Street.This model was made as part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the townSmall hand made model of a shop front from the 1892 almanac and small gold and black painted sign that stated "Port Fairy 1892" Dublin House Russell & Powell Dublin House .1 Port Fairy 1892model, mewkill, bank street, almanac -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Differing Styles of Wardian Cases, The Transportation of Plants to Ballarat and Other Parts of the World, 27/2/2009
Wardian cases made it possible for plants and seeds to be transported long distances and to be in good condition on arrival.Without Wardian cases, it would have been impossible to plan and implement the Ballarat Botanical Gardens in the Gardenesque style that we see today.p.1 is headed "A Wardian Case" and is a little over 1/2 a page. p 2. is headed File: Wardian Cases and has pictures of 4 styles of wardian cases. p3. is entitled Wardian case and has a small picture on the lefthand side of a wardian case. p.4. has 1/2 a page of print and another small picture of a wardian case on the lefthand side of the page with References at the bottom of the page. Nonejohn garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, wardian cases, styles of wardian cases, thomas rooney, george longley, mr duthie, robert fortune, doctor nathaniel bagshaw ward, joseph dalton hooker, kelway and son somerset england, john garner collection, gardens, ballarat -
Moorabbin Air Museum
Drawing (Item) - Hudson Ambulance Conversion Starboard Side Stretcher Fittings Drawing No.5A
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Swan Hill Regional Art Gallery
Work on paper, Georgica #25
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 10 Zodiac Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Research Creek. View to the culvert under the Eltham-Hurstbridge railway line from the Coolabah Drive culvert
Colour photograph of Research Creek. View to the culvert under the Eltham-Hurstbridge railway line from the Coolabah Drive culvert, Elthameltham, research creek, coolabah drive, culvert, eltham hurstbridge railway, drain -
Ballarat Tramway Museum
Drawing - Illustration - Art work, Gordon Thurling, "The last tram in Ballarat", 1971
Strong association with the artist Gordon Thurling and demonstrates in a pen and ink drawing the last tram in Sturt St at the time of the closure of the SEC system.Black and white drawing of tram 39, with destination "Sebastopol" with Ballarat Town Hall in background, which has been coloured with green, grey and yellow watercolours. Has words "The last tram Sturt St. Ballarat - 19th September 1971" with a thick brown border. Printed onto off white paper and mounted onto heavy cardboard. Artist - Gordon Thurling, BTV6 graphic artist at the time. Second copy from donation of ?? added 20-6-2017 - see image i2.and 8546 for a photocopy of a coloured version.trams, tramways, town hall, drawings, last day, closure -
Mission to Seafarers Victoria
Drawing, XMAS 1946, 1946
Drawing (0341.C1) by Allan Quinn of South America. Titled 'XMAS 1946'. south america, brazil, argentina, allan quinn, letter, 1946, christmas, sketch, drawing, sailors, seamen, seafarers, tourism -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Sawpit Creek in flood, Diamond Creek Township, 8 April 1977
Colour photograph. Sawpit Creek near the Diamond Creek in flood at Diamond Creek township, 8 April 1977 A road sign reads" DANGER ROAD FLOODED AFTER HEAVY RAIN OBSERVE MARKERS" Nillumbik Historical Society collectionflood, diamond creek, flooding, nillumbik historical society, give way, sawpit creek, campbell street, watkins street, danger, road sign -
Camberwell Historical Society
Drawing (series) - Architectural drawing, Cookson Street, Camberwell, 1989
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Moorabbin Air Museum
Drawing (Item) - Avon Triple Breech Turbo Starter M.I. 43:17
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Clunes Museum
Drawing - PLAN DRAWING
FACTORY COMPLEX DEMOLISHED IN APPROX. 1968PLAN DRAWN AND PAINTED WITH WATERCOLOURS OF EBERHARD & CO. CLUNES & TALBOT CORDIAL FACTORY IN FRASER STREET CLUNES. SKETCHED FROM THE MEMORY OF:-eberhard & co. cordial, clunes & talbot, plans of former buildings -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Jesse Street, Burwood, Unknown
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Lilydale RSL Sub Branch
Work on paper - Poem, The Final Inspection
Poem printed on paper -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills -
Moorabbin Air Museum
Drawing (Item) - Painting Instructions Regulator Housing Oxygen Recharging Trolley W11141A RAAF
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 84 Adeney Avenue, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 84 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.84 ADENEY AVE., KEW / MARGARET PICKEN ~88 / FLETCHERS REAL ESTATEarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 84 adeney avenue -- kew (vic.) -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Barro Family Park Orchards to Pronto" - Peter Fry
Digitised video (1.63GB). Duration: 36 minutes. Recorded August, 2024. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation, long time RDHS member and Treasurer, Peter Fry, provides this month's informative talk on a brief history of the neighbouring hamlet of Park Orchards, and the Barro Family's association with Ringwood and Pronto Concrete. -
Federation University Art Collection
Work on paper - Printmaking, Geoffrey Ricardo, 'Primordial Fire' by Geoffrey Ricardo, 2001
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffrey ricardo, printmaking, fire, available -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Hume Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The house at 7 Hume Street was designed in 1955 by the modernist architect Douglas Alexandra (1922-2000). Between 1951 and 1996, Alexandra completed a number of significant projects including a regional art gallery and library complex at Hamilton, Victoria (1958-59). The residence in Hume Street is included in the RAIA Victorian Chapter's 20th Century Buildings Register. The house, and another residence in Molesworth Street (1961), is one of his notable residential projects. The aerial property illustration of the house by Margaret Picken was commissioned by the real estate agent Woodards in 1998. Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Hume Street, Kew by Margaret Picken.7 HUME ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN artist -- margaret picken 1950-, 7 hume street - kew (vic)., d.d. alexandra - architect, property illustrations -- buildings -- kew (vic.) -
National Wool Museum
Textile - Blanket, Myer stores, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. King sized checked blanket, pinks and grey Myrest/Super Lambswool/Made in Australia/Expressly for the Myer Emporium Ltd.wool, blanket, blanket fever, myer -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Main Hurstbridge Road, Diamond Creek looking west
Undated black and white photograph of Main Hurstbridge Road, Diamond Creek in flood looking west. Nillumbik Historical Society collectionflood, diamond creek, nillumbik historical society -
Moorabbin Air Museum
Drawing - CAC Commonwealth Aircraft Corporation, Edge Assembly - Wing Leading CA 27
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Hymettus Cottage & Garden Ballarat
Work on paper - Cartoon
melbourne punch, charles hotham, eureka stockade, ballarat, nicholas chevalier -
Ringwood RSL Sub-Branch
Work on paper, document
envelope to UK -
Moorabbin Air Museum
Drawing (Item) - Mirage III Drawing , Stencil ( R/H And L/H Sides) MIR III 0 091 F2
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Federation University Art Collection
Work on paper - Artwork - Printmaking, Goldfields Print Award Poster, 1988, 1988
The Goldfields Print Award was conducted and sponsored by the Ballarat College of Advanced Education (later Federation University Australia) in conjunction with the Ballarat Fine Art Gallery. 1988 was the inaugural award.goldfields print award, ballarat college of advanced education, printmaking, ballarat fine art gallery, art gallery of ballarat, available -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 16 Evans Road, Kew, 1989
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 16 Evans Road, Kew by Margaret Picken.16 EVANS RD., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 16 evans road -- kew (vic.) -
RMIT Design Archives
Mixed media - Magazines, Fast Forward, number 4, April 1981
Fast Forward was an audio-cassette based music magazine conceived and edited by Bruce Milne and Andrew Maine. Both had music programs on radio station 3RRR and Milne ran the successful independent record label Au Go Go Records. Michael Trudgeon joined them as the designer for the magazine. Each issue comprised a cassette tape interspersed with music and was packaged with printed artwork. The magazine was distributed in record shops for $3.50. Thirteen issues were produced between November 1980 and October 1982. Regular contributors included Jeff Holland, who created elaborate sound collages which were combined with elaborate illustrations in the booklet that accompanied the audio cassette. Many ground breaking Australian bands were first published on Fast Forward tapes including Hunters and Collectors. An international audience was first exposed to music from Australian bands including Laughing Clowns, the Go-Betweens, Rowland Howard’s ‘Shivers’ as performed by The Young Charlatans, The Scientists, the M Squared label, Dead Can Dance and Pel Mel’s ‘No Word from China’ recorded as a ‘demo’. Fast Forward was the world’s first audio-cassette music magazine. As the magazine’s presence and reputation grew, international acts began to submit material for publication including The Cure. Interview subjects included Nick Cave, The Cure’s, Robert Smith, Mark E Smith of The Fall, and the manager of The Clash.Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, and one pamphlet titled 'The Kmart Herald'.music, design, magazines -
Federation University Art Collection
Work on paper, 'Tree' by Bob Jenyns
bob jenyns, tree