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Work on paper (2040)
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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 22 Thomas Street, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 22 Thomas Street, Kew by Margaret Picken.22 THOMAS ST., KEW / MARGARET PICKEN '99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, 22 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.) -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A brief history of Botanic Gardens in Australia, Murray Fagg, 2000. Government Publication, Botanic Gardens in Australia
john garner collection, ballarat botanical gardens, gardens, ballarat, murray fagg -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 40 Belford Road, Kew East, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 40 Belford Road, Kew East by Margaret Picken.40 BELFORD RD., KEW EAST/ MARG. PICKEN '88 / WOODARDS ~ BALWYN - 'B'artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 40 belford road - kew east (vic) -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. Evans St built environment - domestic, frank gordon real estate, evans street -
Federation University Historical Collection
Work on paper - Image, Education Department Record of War Service Frontice Piece, c1918
Fronticepiece illlustration for the book 'Education Department Record of War Service'.harold herbert, education department war service, world war one, ballarat technical art school -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 54 Hunter Street, Ashburton, 2001
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
National Vietnam Veterans Museum (NVVM)
Print, Digging In - fire support base Coral, Vietnam, 1968
Colour photo in a tan, wooden frame & brown matt board depicting a soldier digging a defensive pit.My Vietnam collection, Fire Support Base, Coral - Vietnam 1968 @Larry Davenportfire support base - coral -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 6/78 Broadway, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Print, Lindsay, Lionel, Untitled, Undated
Bequeathed by Oswald Stuart Green, 1993Etching on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia hispida (Red Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 40 Campbell Grove, Camberwell, 1995
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1-3/71 Wellington Street, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1-3/71 Wellington Street, Kew by Margaret Picken.1-3/71 WELLINGTON ST., KEW / MARGARET PICKEN ~2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1-3/71 wellington street - kew (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2/19 Bringa Avenue, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ballarat Tramway Museum
Drawing - Wellington NZ - Plan and Notes, Wal Jack, August 1947
Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. This set of notes on the Wellington NZ tram system provides a list of tramcars, track layout and general notes. Dated August 1947. Based on the handwriting, prepared by Wal Jack himself. Yields information about Wal Jack's extensive recording and research work.Drawing - black, red and blue ink or colour pencil and two quarto sheets hand made.tramways, wal jack, drawings, maps, tramcars, wellington nz -
Moorabbin Air Museum
Drawing (Item) - Bell Helicopter 47-725-112 Controls Installation Lateral Cyclic
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 3/889 Toorak Road, Camberwell, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Flagstaff Hill Maritime Museum and Village
Print - Lithograph Picture, Madagascar Indiaman, Unknown
Madagascar was a large British merchant ship built for the trade to India and China in 1837 that disappeared on a voyage from Melbourne to London in 1853. The disappearance of Madagascar was one of the great maritime mysteries of the 19th century and has probably been the subject of more speculation than any other 19th-century maritime puzzle, except for the Mary Celeste. Madagascar, the second Blackwall Frigate, was built for George and Henry Green at the Blackwall Yard, London, a shipyard that they co-owned with the Wigram family. A one-eighth share in the vessel was held throughout her 16-year career by her first master Captain William Harrison Walker Walker. Madagascar carried freight, passengers, and troops between England and India until the end of 1852. In addition to her normal crew, she also carried many boys being trained as officers for the merchant marine. Known as midshipmen from naval practice, their parents or guardians paid for their training, and they only received a nominal wage of usually a shilling a month. Due to the Victorian Gold Rush, Madagascar, under the command of Captain Fortescue William Harris, was sent to Melbourne with emigrants. She left Plymouth on 11 March 1853 and, after an uneventful passage of 87 days, reached Melbourne on 10 June. Fourteen of her 60 crew jumped ship for the diggings, and it is believed only about three replacements were signed on. She then loaded a cargo that included wool, rice, and about two tonnes of gold valued at £240,000, and took on board about 110 passengers for London. On Wednesday 10 August, just as she was preparing to sail, police went on board and arrested a bushranger John Francis, who was later found to have been one of those responsible for robbing on 20th July the Melbourne Private Escort between the McIvor goldfield at Heathcote, Victoria and Kyneton. On the following day, the police arrested two others, one on board the ship and the other as he was preparing to board. As a result of these arrests, Madagascar did not leave Melbourne until Friday 12 August 1853. After she left Port Phillip Heads Madagascar was never seen again. When the ship became overdue many theories were floated, including spontaneous combustion of the wool cargo, hitting an iceberg and, most controversially, being seized by criminal elements of the passengers and/or crew and scuttled, with the gold being stolen and the remaining passengers and crew murdered. There have been many rumors as to what happened to Madagascar over the years but what really happened is still a mystery. The lithograph was made around 1950 from an original painting of Madagascar a Vessel with a notorious past and is interesting and a significant item for the ships part in early Victorian history. The picture is it’s self not valuable or can be associated with a significant person in history. The interest lies in the events that are linked to the ship in the mid 19th century.Lithograph of the ship Madagascar, in a wooden frameThe Madagascar East Indiaman 1000 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, the madagascar, east indiaman -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Differing Styles of Wardian Cases, The Transportation of Plants to Ballarat and Other Parts of the World, 27/2/2009
Wardian cases made it possible for plants and seeds to be transported long distances and to be in good condition on arrival.Without Wardian cases, it would have been impossible to plan and implement the Ballarat Botanical Gardens in the Gardenesque style that we see today.p.1 is headed "A Wardian Case" and is a little over 1/2 a page. p 2. is headed File: Wardian Cases and has pictures of 4 styles of wardian cases. p3. is entitled Wardian case and has a small picture on the lefthand side of a wardian case. p.4. has 1/2 a page of print and another small picture of a wardian case on the lefthand side of the page with References at the bottom of the page. Nonejohn garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, wardian cases, styles of wardian cases, thomas rooney, george longley, mr duthie, robert fortune, doctor nathaniel bagshaw ward, joseph dalton hooker, kelway and son somerset england, john garner collection, gardens, ballarat -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 46A Grandview Terrace, Kew, 1995
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 46A Grandview Terrace, Kew by Margaret Picken.46A GRANDVIEW TCE., KEW / MARGARET PICKEN '95 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 46a grandview terrace -- kew (vic.) -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Mitchell River Vic, 2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), A View down the River Clyde, from the top of Cory-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Hawthorn Historical Society
Drawing - Property Illustration, 91A Berkeley Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 91A Berkeley Street, Hawthorn by Margaret Picken.91A Berkeley St, Haw, Margaret Picken '93. Woodards - Kew.artist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (item) - C.A.C Refrigeration Circuit Details Pipes & Hoses Pipes No.1 & 2
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Hawthorn Historical Society
Drawing - Property Illustration, 10 Aberdeen Street, Hawthorn, 1989
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 10 Aberdeen Street, Hawthorn by Margaret Picken.10 Aberdeen, Hawthorn, Margaret Picken '89. Woodards ~ Glen Irisartist - margaret picken 1950-, 10 aberdeen street hawthorn -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 368 Williamstown Road .built environment - domestic, built environment - commercial, frank gordon real estate, williamstown road -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 37 Stawell Street, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 37 Stawell Street, Kew by Margaret Picken.37 STAWELL ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 37 stawell street - kew (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 13 Montana Street, Burwood, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 2 Hartwell Hill Road, Camberwell, 2003
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Ararat Gallery TAMA
Print, Nanette Bourke, Casuarina Grove, 2003
Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Swan Hill Regional Art Gallery
Print, OLSEN, John, McElhone Steps, 1963