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Artwork, other (1266)
Ceramic (766)
Decorative object (715)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1658)
Sculpture (402)
Textile (1395)
Work on paper (2052)
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Latrobe Regional Gallery
Painting, CLARKE, Glenn b. 1954 Traralgon, Untitled, 1975
Acrylic on paper.Signed and dated 'G. D. Clarke 75' -
Whitehorse Historical Society Inc.
Mixed media - Audio Cassette, 'Disston Saws', 8/4/2006
recorded by Ray Meagher on Saturday 8 April 2006Talk on 'Disston Saws' from Ray Meagher on Saturday 8 April 2006tools, meagher, ray -
Horsham Regional Art Gallery
Painting, Clifton PUGH, Scene, Sturt National Park, 1968
Gift of Mack Jost, 1992 -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, Webbs Cordial Factory, Early 1970's
This model was part of a panorama 11 piece designs from an almanac in 1892 Port Fairy Gazette. The Panorama was used in a Historical Display in the historical society rooms in Bank Street This Panorama was part of an eleven piece Panorama of the Streetscape of Port Fairy in 1982. Made by a local resident.Large handmade model of a Factory front from the 1892 almanac.Webb Bros Cordial Makers Port Fairy Aerorated Water and Cordial Factory Webb Bros. William Street Port Fairypanorama, webb bros, model, almanac, a mewkill -
Swan Hill Regional Art Gallery
Painting, WALKER, Alan, Railway station, Swan Hill, 1974
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Tatura 28-7-42, Jul-42
Painted by Fred Lowen, "Dunera" boy internee. Interned in Hay 1940 and Tatura 1941-42, Purchased by Philip Mactier, a member of the Tatura Historical Society after a visit to Mr. Lowen's homeLeft side huts, gates to camp, two large trees left of centre and tent. Smaller trees on right side of track and two lights atop tall post. Fence running along horizon. Black frame with gold strip"FL" Tatura 28.7.42painting, water colour, lowen f, dunera boy, camp 3, tatura, ww2 camp 3, illustrations, watercolour -
Gippsland Art Gallery
Painting, Hoare, William Webster, Fern Tree Cave, Gippsland, 1872
Purchased with the assistance of the Gippsland Art Gallery Society, 2004Oil on canvasgippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Uncle Ray Thomas, Ray Thomas, Bimba Dowera, 2005
painting -
Gippsland Art Gallery
Painting, Hyde-Pownall, George, Tambo River near St Patrick's Creek, Gippsland, 1914
Purchased, 2000Oil on boardgippsland, artwork, permanent collection -
Port Melbourne Historical & Preservation Society
Painting - National Bank, Port Melbourne, watercolour by SM, 1985
One of ten framed watercolour paintings of Port Melbourne buildings by 'S.M.' c 1985: 'National Bank - Port Melbourne'built environment - civic, built environment - commercial, piers and wharves - town pier, arts and entertainment - visual arts, tony hill, mcclusky and associates - solicitors, painting -
Benalla Art Gallery
Painting, J. A. (James Alfred) TURNER, Homewards, 1889
Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art -
Darebin Art Collection
Painting - Carol Wright, Carol Wright, Gunnai Woman (Self-portrait), 2008
painting -
Moorabbin Air Museum
Mixed media (Collection) - Avro Cadet collection, Avro Cadet
Unclear, possibly Avro, RAF or RAAFPhotographs, articles, specifications on Avro Cadet biplane trainer -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Mixed Media - Compact Disc, The Church of Jesus Christ of Latter Day Saints, British Isles, Vital Records Index second edition, 1999
Family History Resource file for England, Scotland, Wales, Channel Islands, Isle of Man and Royal Navy.genealogy -
Benalla Art Gallery
Painting, Ethel CARRICK, Beach scene, Sydney (Manly Beach), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Pamela Davies, 2005Seaside landscape with seated figure and figures on sand and in the water.Recto: Not signed; Not dated; Not titledbeachscape, figures, summer, sand, waves, umbrella, australian art -
Glenelg Shire Council Cultural Collection
Painting, Renee Arendsen, Dead Wood Forest Mallacoota, 1967
CEMA Art Collection Winner of 1968 Portland Art Society Art Prize for the category Oil or similar medium.The painting depicts several tall, dead trees in the foreground with dense living trees in the background. The work has an interesting texture created through the use of clearly defined thick paint strokes. This technique is particularly evident in the foreground where it has been used to create the ground from which the dead trees stand. The work has a painted wooden frame with material mount and non-reflective glass.Front: R. ARENDSEN '67 (black, lower right) Back: RENNEE ARENDSEN "DEAD WOOD FOREST, MALLACOOTA" (1968) (typed) Stamp: KATRINA GALLERIES 485 CENTRE ROAD BENTLEIGH, VIC 97-6715 Yellow Sticker: 1967 Handwriting around back of frame. -
Bialik College
Mixed media (Item) - Bialik I.D Style Guide on CD Rom
No date, style guide for Bialik College on CD-rom created by LL Brown Advertising from South Yarra VIC. For use and permissions email the archive at [email protected] college -
Moorabbin Air Museum
Mixed media (Item) - de Havilland Gipsy Engine Manual CD, Gipsy I Aero-Engine Manuals
Contents are stored on a CD. Also stored by the Australian Aircraft Restoration Group on the Australian National Aviation Museum OneDrive. -
Benalla Art Gallery
Painting, Charles CONDER, The banqueting scene, Not dated
Born: London, Middlesex, England 1868; Arrived: Sydney, New South Wales, Australia 1884; Lived and worked: France and England 1890-1909; Died: Virginia Water, Surrey, England 1909Heidelberg SchoolGift of Wooleen Pty. Ltd., 1980Architectural setting with figures, food, water and buildings. Unframed.Recto: Signed "CONDER" in red pastel in l.r.c of compostion; Not dated; Not titledpainting, interior, figures, women, feast, table -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, pink, lemon and violetAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
RMIT Design Archives
Mixed media - Drawings, Design for clothing label featuring map of Australia
Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. Point paper design featuring map and flag. Corresponding clothing label attachedtextile design, rmit design archives -
Australian Lace Guild - Victorian Branch
Textile - Eyelet work
Costume trimming. Probably machine madeEdging. Cut edge is irregular -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour
Cyril Leyshon White was an official war artist during the Gallipoli Campaign in WWI. He contributed a number of his sketches for “The ANZAC Book". After WWI he became a mentor to the young Sydney Nolan. Lt. White was a member of the 17th Garrison battalion attached to Tatura Camp 1. Landscape. A house with veranda and outbuildings surrounded by a wooden fence. Two bushy green trees partially hide the house with another blue-grey tree at right of picture. The buildings sit on a brown hill with blue-brown hills in the distance. The sky is blue with large s. Gold frame with beige matt behind glass. -
Gippsland Art Gallery
Painting, Johnston, Margaret, The Coming of Visitors, 1983
Purchased, 1983Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Kelly, Vanessa, Wyatt Brothers Chicory Kiln, Corinella Gippsland, 2018
Acquired as winner of the 2018 John Leslie Art Prize, 2018Acrylic on linengippsland, artwork, permanent collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Painting, S.S. Wyralla
Water colour by Gregory -
Merri-bek City Council
Mixed media, Thomas de Kessler, Afghan and Child, 2001
Donated through the Australian Government's Cultural Gifts Program by Diana de Kessler in memory of Thomas de Kessler -
Australian Lace Guild - Victorian Branch
Textile - Nanduti lace
Use: DomesticNeedle weaving lace round mat -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Ringwood Field Naturalists Club" - Peter Rogers
Digitised video (4.78GB). Duration: 54 minutes. Recorded November, 2018. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)The Rogers family have been involved with the Ringwood Field Naturalists Club since its inception back in 1961. The Club has promoted natural history in the local area, through excursions, meetings and presentations to local schools. Without them, our sense of appreciation of local flora and fauna would be much poorer. Past-President Peter Rogers takes us through its wonderful history. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp 4 Victoria, 19/12/1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour