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Artwork, other (1312)
Ceramic (770)
Decorative object (722)
Drawing (4630)
Mixed media (540)
Painting (2490)
Print (1673)
Sculpture (407)
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Work on paper (2110)
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Ringwood and District Historical Society
Mixed media, Ringwood CWA presenting Life Membership to Alice Milner in 1994
Kindly scanned from Ringwood Branch archival collectionAlso Service Certificates presented to others -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - The Highland Light Infantry Print
The Highland Light Infantry (City of Glasgow Regiment) large print -
Swan Hill Regional Art Gallery
Print, ROBINSON, John, Crossing, 1988
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Bendigo Art Gallery
Print - Work on paper, Jenny WATSON, The Bottled Memories (1-5) #2, 1988
lu.r; 38/40, u.c; #II , l.r; Jenny Watson 1988work on paper, print, printmaker, printmaking, australian artist, female artist, etching, personal, memory, abstract, bottle -
City of Greater Geelong
Print - Screen Print, Stuart McDonald, Transition, 1974
Yellow, black and red abstract printPurchased from Corio Rotary Arts Festival 1974 -
Kew Historical Society Inc
Print, Pioneer Women's Memorial, 1950s
An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Colour print of the Pioneer Women's Memorial in the Domain, Melbournepioneer women's memorial (melbourne), christian-washfold collection -
Gippsland Art Gallery
Mixed Media, Ryrie, John, Trees, Ladders, 1995
Purchased, 1998Artists Book - paper sheet and timber slip casegippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Mixed media - VIDEOCASSETTES OF MELBOURNE AND SYDNEY OLYMPIC GAMES, 1956 & 2000
Object Melbourne and Sydney Olympic Games. Melbourne Olympic Games 1956, Olympic Torch Bearers form Bendigo to Geelong and from Melbourne to Sydney Year 2000, Olympic Games Preamble, Scotland the Brave, Sydney Opera House, Alaska/Olympic Games (Sydney) highlights, 1st. October 2000, Closing events and Closing ceremony Sydney Olympics 2000. 2nd. October 2000 Alb/Border Olympians interviewing Olympians. 5 Video Cassettes in total.audio-visual technology, audio accessories, video cassettes -
Glenelg Shire Council Cultural Collection
Print, D. Higgins, Clouds, 1975
NoneSeveral plate print. Background images are embossed, showing clouds and abstract water patterns. At centre left is an embossed women's head in profile. Central image is a man in what appears to be a monkey skin. He has a cap on his head and is spinning a barrel-shaped object with the fingers of his right hand. Below him is a light brown etching of grass. Below the grass is a blue etching of water ripples. Mounted in cream matt with blue edging. Wooden frame with glass.Front: "Clouds" 26/65 (centre left) D. Higgins '75 (centre right) (pencil) Back: (no inscriptions) -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Queen Elizabeth II large print
Large Her Majesty Queen Elizabeth II poster in her younger days -
Kew Historical Society Inc
Print, Kew Railway Station in the early 1900s, c.1900
Kew Railway Station (1887-1959). ‘Kew Railway Station’ in Denmark Street was the terminus of the Kew Line, which extended from Hawthorn Station to just south of Wellington Street. The Station opened on 19 December 1887 after a prolonged campaign for a railway by the people of Kew. Due to a decline in patronage, the passenger service ceased operations in August 1952. While a freight service continued for another five years, the line and station were officially closed on 13 May 1957. Subsequently demolished in 1959, the headquarters of VicRoads (formerly Country Roads Board) now stands on the former Station site.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic copy of a book plate from 'Kew's Civic Century' (1960) by W.D. Vaughan. The book plate was itself a copy of an early 20th century postcard depicting the Kew Railway Station."Railway opened 1887 - Then as photo states"kew railway station, dorothy rogers, country roads board, vicroads -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Big Foot, 2019
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Gippsland Art Gallery
Print, Jack, Kenneth, Cape Schanck, c.1960s
Purchased, 1968Coloured linocut on papergippsland, artwork, permanent collection -
Swan Hill Regional Art Gallery
Print, BOWEN, Dean, Moon Dog, 1998
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Glenelg Shire Council Cultural Collection
Print, Portland Bay, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of Portland Bay. Wide angle view of the Bay, with water tower / lighthouse on the right, the harbour with a docked ship in the centre, and the end of the peninsular and ocean on the left.Front: "Portland Bay" (lower left) Proof (lower right centre) A Gee '83 (lower right) (pencil) Back: 12 -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, ca. 1944
This framed print was part of the original furnishings of the St Nicholas Seamen's Church in Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This print is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Framed coloured print depicting the Virgin Mary. An indoor scene of a seated female figure wearing a long dress showing a book to an unclothed infant on her lap. This print is part of the St Nicholas Seamen's Church Collection. flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, print, religious print, virgin mary -
Moorabbin Air Museum
Mixed media (Item) - Warbirds over Wanaka Airshow Documentary, Warbirds over Wanaka
Contains a documentary about the Warbirds over Wanaka Airshow circa 2005. -
Latrobe Regional Gallery
Print, TILSON, Joe b. 1928 London, England, The 1/2" Ziggurat, 1965
ScreenprintTitled and edition 'The 1/2" Ziggurat 38/70' bottom left corner under printed image. Signed and dated 'Joe Tilson 1965' lower right corner under printed image. -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Roading, 1960
PrintTitled and edition 'Roading 3/25' lower left corner under printed image. Signed 'Kees Hos '60' lower right corner under printed image. -
Glenelg Shire Council Cultural Collection
Print, The Organist, 1984
CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Ringwood and District Historical Society
Mixed media - Video, RDHS Meeting Presentation - "What a Difference - Ringwood 2009 to 2023" - Russ Haines
Digitised video (335MB). Duration: 08:30 minutes. Recorded June, 2023 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this talk, Ringwood and District Historical Society President Russ Haines uses a slide-show of then-and-now photographs to compare Ringwood's shopping precinct changes over the past 14 years. -
Ringwood and District Historical Society
Mixed media, Ringwood CWA death of Irene Hodges in 2019 and other member gatherings in 2018
Kindly scanned from Ringwood Branch archival collection -
Swan Hill Regional Art Gallery
Mixed media, CONNELLY-KLIDOMITIS, Suzanne, Quandong Tracks, 2020
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Swan Hill Regional Art Gallery
Mixed media, CONNELLY-NORTHEY, Lorraine, Dilly bag, 2004
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Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Ex Libris, 2019
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Benalla Art Gallery
Print, Ethel SPOWERS, Swings, 1932
Born: Melbourne, Victoria, Australia 1890; Died: 1947ModernismBennett Bequest, 2000 Figures depicting children on swings. Gold painted wooden frame.Recto: Signed and dated "E.L.Spowers - 1932" in grey ink l.r.c of composition; Titled "Swings - 21/50" in grey ink l.l.c.print, japanese tissue paper, children, playing, swings, linocut, australian art -
Bendigo Historical Society Inc.
Print - MASONIC HALL, SANDHURST
Black and White Print of Masonic Hall, Sandhurst on glossy Kodak paperdrawing, ink, building -
Swan Hill Regional Art Gallery
Print, RICARDO, Geoffrey, Aura, 2001
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Glenelg Shire Council Cultural Collection
Print - Lithograph, Early View of Town of Portland, 1890-1905
Displayed in History House. Removed from frame and rehoused, January 2007. Previously owned by Murray Wilson, 1923-1989.Donated by Mrs Betty Wilson in memory of her husband, Murray Wilson (1923 - 1989)Lithograph of a drawing of Portland, viewed from an elevated position. Cliffs on foreground right curve towards a series of piers. To right is a church and a series of houses on blocks, with a wide street in front. Couta boats, row boats and steam ships are in the harbour, one steamship is berthed at the end of a long pier with a railway track leading from it. In background the coastline curves around the harbour, with a lighthouse evident on a bluff at upper left of image.Front: (no inscriptions) Back: Murray F. Wilson/from E. Wilson (on backing board, now removed) -
Gippsland Art Gallery
Print, Reynolds, Fiona, Night Vision, 2015
Donated by the artist, 2015Soft-ground aquatint on papergippsland, artwork, permanent collection