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Work on paper (2105)
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Whitehorse Historical Society Inc.
Mixed media - Living, investing, growing, Whitehorse City
Video - Living, Investing, Growing - Produced by City o Whitehorse, Opening words by Chief Commissioner, Geoff Oscar 1995. Shows aspects of city - Gordon Crescent, Blackburn Lake, Schools, Tally Ho Business Park, major businesses and retailers, Bruce Thompson Managing Director, Hewlett Packard, Simon Ho, Hong Kong Bank, Felicity Mason Lend Lease, Maroondah Transport corridor, Forest Hill Chase, Sport, Box Hill Community Art Space, Alan Stockdale, Treasurer, Victoria.oscar geoff - chief commissioner, gordon crescent blackburn, maroondah transport corridor, blackburn lake, forest hill chase, box hill community art space, tally ho business park, alan stockdale - treasurer of victoria, bruce thjompson - managing director hewlett packard, ho simon hong kong bank, city of whitehorse mason felicity lend lease -
Vision Australia
Textile (item) - Object, International Year of Volunteers 2001 quilt, 2001
Patchwork quilt decorated with 51squares including some tactile with a light purple backing covered with pink, green and yellow dragonflys. Hundreds of volunteer signatures flank the border of the quilt. The squares represent the services and centres of various Vision Australia Foundation locations including: Bayswater, Brighton, Kooyong Day Centre, Peer Support and Audio Description and Volunteers. A fabric label is attached to the back with the words 'Quilted and bound for Vision Australia by The Patchworkers and Quilters Guild of Victoria Inc. 2001' signed by the members. The quilt was made for the 'International Year of Volunteers 2001'. Embroidered on the quilt is 'Volunteers unselfishly giving of one's self'.Signatures of volunteers Volunteers unselfishly giving of one's selfvision australia foundation, volunteers -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Semco Park, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Semco Park was a model of exemplary modern business in the 1920s. Located on Cheltenham Road, Black Rock, then considered to be an outer suburb, the property was home to Semco, a manufacturing and importing business of paper goods and cotton fabric items. The business’s governing director, Charles Mylius, wanted a firm that treated staff with fairness, created healthy and spacious working sites and offered recreational facilities. The site contained a factory as well as three houses for staff, a park with lawns, trees and flowerbeds, a cricket oval and a canteen serving hot food. Staff enjoyed soft background music played in the factory, and benefited from a superannuation scheme. Semco Park was sold to developers in 1977 but the business continued until the early 1990s with the office moving to Mulgrave, while factory work shifted to New Zealand.Annette Meikle, Semco Park 1977, ink and watercolour, 25.8 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, semco park, semco, cheltenham road, black rock -
Hymettus Cottage & Garden
Work on paper - Newspaper, Eureka 150: 22 November - 5 December 2004
eureka 150, ballarat, courier -
Ringwood and District Historical Society
Work on paper - History of Band, Terry Johanson, History of the Ringwood Band by Terry Johanson. 2005, 5-Dec-05
Terry Johanson - History of the Ringwood Band - 7 pages +Additional Keywords: Johanson, Terry / Bradley / McAlpine / Blood / Brown / Little / Polkinghorn -
Vision Australia
Textile - Object, Association for the Blind Vision Victoria Kooyong Family Fair
Blue sweatshirt with WEG cartoon image of a 4 person family and AFB logos on both arms.Blue sweatshirt with cartoon image of a 4 person family and AFB logos on both arms.Association for the Blind Vision Victoria Kooyong Family Fair WEG cartoon of a 4 person family smiling and holding balloonsassociation for the blind, advertising, william ellis green (weg) -
Melbourne Legacy
Work on paper, Widow and Children statue
The Widow and Children statue was installed in the Legacy Garden of Appreciation at the Shrine of Remembrance on 29 September 1988. Sculptured by Louis Laumen a Melbourne artist. It symbolises the work that Legacy does with the families of deceased veterans since 1923. The artwork is a sketch of the statue and does not have a artist name on it. Put on display on Level 1 reception when Legacy House was remodelled in 2020.A record that the statue is a symbol of Legacy's work with the families of veterans.Black and white sketch of the widow and children statue in a black and gold frame.statue, widow and children statue -
Ararat Gallery TAMA
Work on paper, Rafael Gurvich, Figures in Landscape
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Uniting Church Archives - Synod of Victoria
Textile - Bible marker
Black grosgrain ribbon bible marker with gold fringing and an embroidered Latin cross at each end. The crosses are detailed in gold metallic thread. -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Work on paper - Photo Album, Chanter Collection, Lynn Chanter, Photographs taken by Chanter WW1, 1915-1919
Photos taken by Albert Allen Linton Chanter during his service with 4th Light Horse Regiment and 4th Machine Gun Squadron from 1914-1918Historically significant photos of WW1 service of 4th Light Horse member82 B X W photos mounted on 9 sheets of cardboard. Housed in museum standard lip binderPhoto captionsphotos, chanter, ww1, egypt, palestine, romni, el arish, 4th light horse brigade, 4th machine gun squadron -
Glenelg Shire Council Cultural Collection
Mixed media - DVD - A Short history of the livestock industry in Glenelg Shire, Victoria, Cattle Stories and Bush Yarns, 2009
DVD. Cattle Stories and Bush Yarns - A short history of the livestock industry in the Glenelg Shire -
Hymettus Cottage & Garden
Work on paper - Brochure, Welcome to The City of Ballaarat
non-fictioncity of ballaarat, welcome, ballarat, lake wendouree, rowing, canoeing, 1956, southern hemisphere, -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Charcoal on papergippsland, artwork, permanent collection -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
Churchill Island Heritage Farm
Textile - Lace
This 47cm piece of embroidered lace is quite lavish being 13.5cm in width. The embroidered interlinked squares vie for attention with the rounded forms at the scalloped edge and oval and round holes all neatly embroidered in satin stitch. This would have been favoured as an edging to a petticoat or pantaloons and may have adorned bed linen and night gowns or even cuffs on a day dress. It has been made by machine. The hand embroidery machine was invented in France by Joshua Heilmann in 1832. Later on came the Schiffli machine which borrowed from the sewing machine and the Jacquard loom to fully automate its operation. Schiffli machines have developed over time and are still in use for embroidery on an industrial scale today.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine embroidery (Lace Group Embroiderers Guild 1/3/12) See photos (2) taken 30/12/11janet amess lace collection, amess, lace, churchill island, machine, embroidery -
Federation University Art Collection
Work on paper - Collograph, Paranoia, 1988
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed collograph featuring three heads. If you can assist with information on this artist or artwork please use the comment box below. art, artwork, grant breuer, printmaking, collograph, alumni, horsham -
Federation University Bookplate Collection
Work on paper - Bookplate, Human and Nature II
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Symbols of nature, trees, butterflies, clouds with human figures and books in panels with a male and female figure foregrounded and in panels to left and right Latin inscriptions. Left panel has the words, sic transit gloria mundi, and right panel, ex libris Ingrid van der Veen.Pencilled beneath image c3,c4,c5, Human and NatureII" Millo 2019.australian bookplate society, kieth wingrove trust, bookplate, australian bookplate design competition, ed jewell -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This is a machine made copy of a geometric bobbin lace. It is quite narrow and was most likely made on the Barmen machine which was developed in the 1890s in Germany from a braiding machine Its bobbins imitate the movements of the bobbins of a hand-made lace maker and it makes perfect copies of torchon and the simpler hand-made laces. It can only make one width at a time and does not have the pattern potential of the Leavers machine. This lace was meant to be used as an edging and would not have been gathered.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine made length of geometric bobbin lacejanet amess lace collection, lace, churchill island, trim, machine -
Hymettus Cottage & Garden
Work on paper - Sketch, Villers Brettoneaux
villers bretonneux, great war, sketch, art -
Bendigo Military Museum
Work on paper - AWARD RECORD & NEWSPAPER ARTICLE WW1, 1917
Charles Bowmont Taylor MC, refer also Cat 4205P..1) Black back ground, white print of the award of the Military Cross to Capt Charles Bowmont Taylor, 57th Batt AIF dated 20 Sept 1917. .2) Copy of a newspaper article giving some service details relating to QM/Sgt C.B.Taylor and his brother A.W.Taylor.military cross, 57th batt -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Draft Commentary re Documentary Ballarat Botanical Gardens, Annotations to the Commentary and Pictures
john garner collection, ballarat botanical gardens, gardens, ballarat -
Eltham District Historical Society Inc
Work on paper - Article, Eltham Town Community News, 9th Eltham Town Jazz & Blues Heritage Festival Success!, [2009]
Article by Howard Chant published in theEltham Town Community News [2009] page 13 ASlso miscellaneous advertising material opposite page (12) [reverse side of article on Judge Book Village] advertising, bunnings, eltham chambver of commerce and indiustry, eltham town jazz blues heritage festival, howard chant, la zanyas, machan indian restaurant, steve herbert mp -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jack, Kenneth, 'Stony Beach' by Kenneth Jack, 1962
Framed five colour serigraph. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 6/24printmaking, kenneth jack, seascape -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Annual Floral Carpets, Begonia Festival, Ballarat Begonia Festival, Victoria
john garner collection, ballarat botanical gardens, gardens, ballarat, floral carpet, begonia festival -
Kew Historical Society Inc
Textile - Souvenir Textile, Souvenir of Palestine, c1939-45
Souvenir probably bought by an Australian soldier in the 2nd A.I.F., and brought back to Australia as a souvenir.Rectangular blue faded to grey velveteen water damaged textile with a plain white cotton backing with a red fringe. The front of the textile is embroidered in red, yellow, blue and white chain stitch. It shows two palms flanking the Mosque of Omar lower centre with three camels and a man on a horse below, Rachel's Tomb with tree upper left and David's Tower upper right."Souvenir of Palestine"; "Rachels tomb"; "Mosque of Omar"; "David's Tower"second world war 1939-1945, table cover, palestine, 2nd aif, souvenir, textiles - embroideries, wwi -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Plant Transportation, A Brief History, July, 2007
Plant transportation was important especially in establishing new gardens and in reminding those living in strange lands, of home.The transportation of plants from other parts of the world was important in establishing the Ballarat Botanical Gardens and other gardens in Australia.4 pages with subheadings on pp. 1-4.Nonejohn garner, doctor john garner, plant transportation, ballarat botanical gardens, friends of ballarat botanical gardens, the australian experience of plant transportation, ballarat experience of plant transportaion, john garner collection, gardens, ballarat -
Federation University Art Collection
Work on paper - Artwork, Martin King, 'The Time Has Come' by Martin King, 2015
Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Seated Figure - Male, c.1929-33
Donated from the estate of the artist, 1987Conté on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Heracles Statue, Ballarat Botanical Gardens, Heracles: "The archetypal hero"
john garner collection, ballarat botanical gardens, gardens, ballarat, heracles, mythology, statue, herakles -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Crown Land Reserves Improvement Program, Two Projects, C 2001
These documents provide detailed information about improvements to the Adam Lindsay Gordon Cottage and plans for the Removal of Wishing Well and New Water Feature and Path Re-Alignment which has not been completed.These documents give details on how improvements to the Adam Lindsay Gordon Cottage Area would enhance the site and planning for a new water feature and the major re-alignment of paths within the Gardens.3 sheets of paper. 1. entitled Crown Land Reserves Improvement Programme 2. Diagram listing the costings for the Adam Lindsay Gordon Cottage Area 3. Costings listed for the Removal of the Wishing Well and New Water Feature and Path Re-Alignment.p.1 question mark in black biro, end of 4th line. p.2 notes written in blue biro below the diagram are most relevant.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, crown land reserves improvement programme, adam lindsay gordon cottage area, the removal of the wishing well and installation of new water feature, costs, clips grants programme., gardens, ballarat, john garner collection