Gift of Mack Jost, 1992oil on board

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting showing leaves in different greens and yellows. If you can assist with information on this artist or artwork please email using the link to the lower right.art, artwork, tracey punshon, flora, leaves, tracey-lee punshon, available, oil, oil on canvas

painting

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape in watercolour.art, artwork, david alexander, landscape, available

Gift of Miss Lucy Newell, 1972

Dr Leonhard Adam was a Dunera internee in Camp 2RomanticismL.A 1940 Mitte December, Tatura, Victoria

Gift of Major Basil R.F. Macnay

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

Tim VAGG (15 February 73 - ) Born Canberra, A.C.T. Between 1991 and 1996 Tim Vagg completed a Bachelor of Fine Arts (Painting) at the University of Ballarat (now Federation University). His work themes often relate to stories of Australian history and its people. Painting of blindfolded man boxing a kangaroo. This work is from 'The Boxer Paintings' inspired by the era of Jimmy Sharman,s Boxers (early 1900s.Verso TIM VAGG 2011alumni, kangaroo, fauna, boxing kangaroo

N/AThe Churchill Island collection includes several artworks, both original and printed, from the late 1800s. The collection is presented in sets and series, of which this painting belongs to the Artworks series. Early nineteeth centuryPainted scene of an island shore with sailing boat heading inland, c.1900s. The painting is framed in elaborate gold gilt and is orginal.churchill island, oil painting, margaret amess

Gift of Fairlie Szazinski

painting

landscape

It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Untitled landscape painting. The painting depicts a series of dead tree trunks in a hilly landscape, with the suggestion of a path between the trees in the foreground. There are indistinct examples of trees with leaves in the middle background on the left and right of the painting. Lower right hand corner of painting is inscribed 'Courier/65'. The painting is housed in a white wooden frame with golden trim. The number '10', enclosed in a circle, is handwritten on the upper right hand corner of the back of the frame.'Courier/65'.

Watercolour painting done by internee Baron von Brandenstein whilst an internee in Camp 1 Tatura.small water colour painting of gum trees, blue sky and white clouds in light coloured timber frame with glass.on back: painted by Baron von Brandenstein 1945 in Tatura German Internment Camp. Signed on front left bottom - CB 1945baron von brandenstein, camp 1 art work, watercolour painting, ww2 internee art work

arte moris

Gift of Mack Jost, 1989

The Australis retains a significant place in Australian immigration history as the last ship to carry government assisted immigrants to Australian shores in 1977. She had the largest passenger capacity of any post World War II immigrant ship to regularly visit Australia and many passengers fondly remember her grandeur and remnants of Art Deco style.Mrs B SmythA framed oil painting of the migrant ship SS AustralisAustralisss australis, migrant ships

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co.

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed double sided landscape artwork by David Alexander. One side is 'Towards Avoca' and the other side is 'Buninyong From Main Road, 24/04/1999'David Alexander wrote on 'Buninyong From Main Road, 24/04/1999' "Wash wouldn't dry. People everywhere"art, artwork, david alexander, alexander, buninyong, avoca, watercolour

UnknownView of a building on a country street. The building is large, and in 3 sections, two of which may be shops. The building on the corner has a verandah and balcony over the footpath, and may be a pub. Two people lean on the wall to the right of the building. One man in overalls and carrying a bag walks along the centre of the dirt road. Framed in gold painted wooden frame.Front: B Malloch '77 (lower left) (brown paint) Back: 1977 - (yellow sticker, upper right) Mer-ger Galleries, Picture Framing sticker, order no. 1057 (sticker, lower centre) "Dow...E Street" (blue pen on sticker, lower left, torn)

Purchased 1919

Rural City of Wangaratta Collection.An oil landscape of Lake Mokoan that has been painted using shades of blue, green, yellow, and brown.Obverse: A. D. MORRIS/ (bottom right)wangaratta art gallery, a. d. morris, ad morris, landscape, painting, lake mokoan

Nine prints in cardboard folders titled 'Pictures From Pickwick' copyright Richard Wyman & Co London. Number 10 print missing from folder. Images depict rural and city English scenes in the mid 1850's. [1] Sam Weller and Mr Smauker. [21] Mr Weller chastises Stiggins. [3] Skating at Dingley Dell. [4] Bardell v Pickwick. [5] Mr Winkle Rides to Dingley Dell. [6] Chasing the Runaways. [8] The Start from the 'Bull' at Rochester. [9] Mr Winkle Partridge Shooting. [10] Mr Tupman on Richmond Hill, missing from folder.artwork, print, mr picwick